Category Archives: World Opinion

The road less taken

GUJARAT / SINGAPORE :

Away from its cookie-cutter malls, Singapore’s Kampong Glam district is a different universe – a delightful cultural mix.

Melting pot: The streets of Kampong Glam
Melting pot: The streets of Kampong Glam

At Haji Lane, in Kampong Glam, one of Singapore’s most atmospheric districts, vibrant graffiti art — African tribal figures, surreal motifs, arresting visages — stares back at me. The psychedelic surfaces on the walls appear gilded in the afternoon sun. Embedded within the walls are colourful windows of pre-war shop houses that occasionally fling open to reveal the owner’s face. The picturesque lane is a photographer’s delight and I click a dozen photos a minute. Nobody seems to mind. People stand and talk in doorways of shops brimming with cult labels and vintage clothing. Hookah bars and cafes spill on to the sidewalk. This is a universe away from Singapore’s crowded, cookie-cutter malls.

“Haji Lane is named after the Haj, the pilgrimage undertaken by Muslims to Mecca and Medina,” says my guide Naseem Huseini, a second-generation Gujarati-Singaporean, as I move around, entranced by my new geography. “It provided accommodation for poor Malay families and lodging for pilgrims.” Today, reasonable rents and a prime location have turned the lane into a hub for upcoming designers and artists, the concept very similar to Delhi’s Hauz Khas Village. I peer through the shops’ doorways and spot artists at work — sculpting, etching, painting and tailoring. The narrowness of the shops’ facades is beguiling though. For as I peep in, I find them stretching way, way beyond. Naseem explains that the shops were built so because in the ’60s and ’70s, the government taxed property owners on the number of windows the houses had!

 

The graffiti-laden walls at Haji Lane
The graffiti-laden walls at Haji Lane

At the end of Haji Lane, we are swamped by the cheerful chaos of central Kampong Glam dominated by shops catering to the Malay/Muslim community: frame makers, tombstone carvers, textile wholesalers, spice traders, perfumers, Muslim food caterers, and retailers of gemstones, and religious paraphernalia. The Indonesian batik textiles and Muslim prayer carpet shops have been here for almost a century.

Kampong Glam, or KG, as it’s popularly called, is named after the gelam tree whose bark was used by the Orang Laut Malays (the indigenous sea nomads and gypsies of Singapore) to make awnings and sails. “The tree’s timber went into making boats or was used as firewood. Its fruit was ground and used as a spice and its leaves boiled to relieve rheumatism and cramps,” says Naseem.

History whispers from every corner of KG. And its streets have evocative monikers — Bussorah, Baghdad, Kandahar. Earlier, many of them were synonymous with specific trades. For instance, North Bridge Road housed tailors and Chinese-run goldsmith shops, Sultan Gate was dominated by stone masons and blacksmiths, while Bussorah Street hosted centres for pilgrimage services.

The exterior of Alaturka restaurant.
The exterior of Alaturka restaurant.

“In the early days,” elaborates Naseem, “KG was the exclusive preserve of Sultan Hussein and his family, and the rich Malay and Arab merchants. Later, the Bugis, Javanese and the Chinese also arrived. These people set up kampongs or villages, and built shop houses to expand their businesses.” The kampongs were row wooden houses with steep roofs of corrugated iron or thatch, gathered around a communal centre. Today, these structures stand demolished in the quest for modernisation.

While trying to negotiate KG’s uneven sidewalks, my eyes are constantly drawn to its architectural wonders. The Istana Kampong Glam, the Sultan’s palace, impresses with its exquisiteness. The golden dome and exquisite minarets of the Sultan Mosque — Singapore’s most important mosque and the pivot around which KG seems to flow — seem to scrape the sky.

KG’s street life unspools more engaging sights. We bump into Muslim men in lungis and white skull caps and abaya-clad women, who appear incongruous in Singapore’s landscape, where fashion-forward men in dapper suits and ladies in skyscraper-heels rule. In Bussorah Street, we’re engulfed by shops selling Indonesian batiks, leather bags, Persian carpets, kebaya dresses and handmade perfumes. A cluster of old stores in the shadow of Sultan Mosque sell traditional textiles, carpets and perfumes.

Partially to escape the catatonic heat, we stride into a cool, inviting wood-panelled shop chock-full of hundreds of glittering vials of custom-made perfumes. This is the iconic Jamal Kazura Aromatics, one of Singapore’s oldest perfumeries. A family-run business since 1933, the shop stocks readymade scents as well as fragrances customised from pure essential oils. There are massage oils, scented body soaps and shower creams too. The shop’s cut-glass perfume bottles are as intriguing as the scents. Kazura, the store owner, explains that his shop does double duty as his workshop. Like a modern-day alchemist, he creates scents from hundreds of ingredients sourced from around the world. We spot bits of sandalwood from India jostling for space with frankincense from Africa, myrrh from the Middle East, patchouli from Indonesia and lavender from France.

Kazura adds that when his grandfather, an Indian Muslim, arrived in Singapore in 1933, he started the business and expanded it later to Malaysia and India. “Blending perfumes is as much an art as a science,” he says. “Perfumers have to rigorously train their noses to distinguish between different scents. The provenance of perfumes is in ancient Egypt and Mesopotamia, and they still play a vital role in the Arab world. A good fragrance takes one closer to Allah,” he adds philosophically.

From Arab Street, we amble into Baghdad Street. “Would you like to try teh?” Naseem asks me, two hours into our walk. What’s that? I ask her. In response, the lady steers me to a hole-in-the-wall kiosk located at the junction of Bussorah and Baghdad Street. Here, an elderly white bearded gentleman is making tea at a stall ironically named “No Name Teh Sarabat” stall! Ahmed (65) has been selling Malaysian “pulled tea” for 40-odd years at this very spot and is quite a cult figure. His shop is abuzz with old Malay men sipping fragrant tea available in two flavours — teh tarik infused with rose essence and teh alia (ginger tea). The beverage is cheap. For a Singapore dollar and five cents, we’re soon cupping our hands around a mug full of a brew of black tea, milk and sugar. Ahmed explains that the technique of “tariking” (the process of ‘pulling’ tea from one cup to another) isn’t just a show, but actually makes the tea (teh) taste more delicious.

Food is an omnipresent motif in KG. Hip gelaterias, bistros and cafes pepper its warren landscape. Street after street resonates with the bustle of chairs and conversation, and the clatter of plates and glasses. Iranian, Lebanese, Turkish, Middle-eastern, Indonesian, Thai and Chinese, the repertoire is eclectic. There’s nasi padang (steamed rice served with various dishes) and Malay kuih (cakes), Middle Eastern falafels, sushi/sashimi, Lebanese meats and even quesadillas. At Alaturka, an award-winning Turkish restaurant, our taste buds are tantalised by succulent kebabs, soft pita bread and piquant dips glistening with unctuous olive oil. There’s mint-cinnamon tea to wash it all down with. As I stride out of KG, I feel I’ve learnt a thing or two about Singapore’s rich cultural heritage as well as the vital message it delivers — that plurality and diversity can thrive only in the soil of tolerance and inclusiveness.

source: http://www.indianexpress.com / The Indian Express / Home> Lifestyle> Destinations of the Week / by Neeta Lal / December 18th, 2016

Scientists name new spider after Harry Potter character

Shivamogga, KARNATAKA :

Bengaluru :

For any hardcore Harry Potter fan, the Sorting Hat, and the medieval wizard Godric Gryffindor is basic knowledge. Three entomologists, who stumbled upon a new species of spider have decided to pay tribute to the character by naming it after him. Though the arachnid bears resemblance to the ‘Sorting Hat’ of Hogwarts School of Witchcraft and Wizardry, it would be hard to spot it if you are trekking in the Western Ghats.

spiderbf13dec2016

Eriovixia gryffindori, is the new spider species discovered, details of which was published in the recent edition of Indian Journal of Arachnology.
The discovery of the arachnid was made at ‘Kans’ forestland of Central Western Ghats at Hosanagara taluk of Shivamogga district, by Javed Ahmed, Rajashree Khalap and Sumukha J N.

While Javed and Rajashree hail from Mumbai, Sumukha is from Shivamogga.

Describing the etymology of the spider, the scientists write that naming it after Gryffindor – after whom one of the four houses in Hogwarts School of Witchcraft and Wizardry is named and who once owned the Sorting Hat – was, “An ode from the authors, for magic lost, and found, in an effort to draw attention to the fascinating, but oft overlooked world of invertebrates, and their secret lives.”
Prior to it, they express their fondness of J K Rowling, author of the Harry Potter series as a ‘wordsmith extraordinaire’.
“This uniquely shaped spider derives its name from the fabulous, sentient magical artifact, the sorting hat, owned by the (fictitious) medieval wizard Godric Gryffindor, one of the four founders of Hogwarts School of Witchcraft and Wizardry, and stemming from the powerful imagination of Ms. J K Rowling….” they wrote.

While the team found a female specimen of the Gryffindor spider, they are yet to describe the holotype of a typical male of the species. The paper notes that the particular species of spider is known to be distributed only from Shivamogga district, as of now.
The spider mimics dry foliage, making it ideal for it to reside almost undetected on the forest floor.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Express News Service / December 13th, 2016

Realtor Razack to open Bengaluru’s first Museum of Indian Paper Money

Bengaluru, KARNATAKA :

In 1913, Maharaja Krishna Raja Wadiyar IV appointed William Clarence Rose as the first chief manager of the Bank of Mysore. Whilst in office, Rose collected all British India banknotes of denominations five, ten, fifty and one hundred in a series. When he retired in 1925, he received a wax-paper scroll rolled into a carved silver sheath, mounted on a teak base. Everything was made from melted silver coinage issued by the Raj.

Rose passed all this onto his daughter Vera Katherine Maud Collins, who bequeathed it to her grandson Simon Collins.The latter remembers how the “gift was kept in a 1937 coronation stamp album“ and was passed on two months before his grandmother’s death in 1982. This legacy -along with other historical nuggets -is finding its way back to the city .

The collection will be housed in a museum of Indian currency, expected to come up in Bengaluru next year.

The project is the brainchild of realtor and currency collector Rezwan Razack, who has been collecting Indian paper money since 1971. Spread across 4,000 square feet and located off Brunton Road, the museum is expected to be open to the public in the latter half of 2017. “The intention of setting up the Museum of Indian Paper Money is to display all that there is in my collection. It is to create awareness about our history and our journey so far as a nation, through our currency ,“ says Razack,  who is the managing director of city-based Prestige Estates Projects and chairman of the International Banknotes Society’s India chapter.

Among the world’s most prolific collectors of rare currencies, Razack has preserved bills dating back to early 1770s.These include the uni-face (onesided) notes first launched by the government of India, portrait notes of King George V & VI, cash coupons of princely states, Indian notes issued in Pakistan and Burma, special issues made for the Persian Gulf and Haj Pilgrims and all variants of Indian notes -from the Independence era till the latest demonetisation exercise.

E a ch n o t e links us to the way of life in the past and unearths lesser-known stories of our city and country, believes Razack. For instance, on display will be 100-odd Prisoner of War coupons issued by the British. “There were eight camps across India, including Bengaluru, which issued bills from one anna to ten rupees,“ he says.

The museum will comprise of interactive displays, historic facts and trivia, along with stories and essays written by Razack from his own journey and experience as a collector.Architects are working on the blueprint of the museum and estimates should be drawn up by the end of the year, Razack informs.

source:  http://www.economictimes.indiatimes.com / The Economic Times / Home> ET Home> Magazines> Panache / by Divya Shekhar, ET Bureau / November 24th, 2016

Digital Jalebi eyes Rs 50 crore turnover in 2 years

Bengaluru, KARNATAKA :

digitaljalebimpos12dec2016

Soon after graduating from the National Institute of Design (NID), Syed Fawaz Ahmed and Nikhil Joshi started Digital Jalebi. One will wonder what the second name Jalebi is doing.

“It was Nikhil’s idea to name the company ‘Digital Jalebi’. Nikhil hails from Delhi where Jalebi is a famous sweet dish, and whenever Jalebi is prepared, it represents a joyful occasion like a festival, marriage or any other celebration. So, Jalebi represents a joy factor and whatever projects we do, it has a factor of joy in it. Hence, we thought the name would be appropriate. And also, the name was quite Indian. Hence, we kept the name as Digital Jalebi,” Ahmed tells DH.

The company, which embarked on its journey in September 2012, is engaged in designing interactive installations and software for spaces like museums, exhibitions and planetariums. With varied background of design, software engineering, electronics and multimedia, Digital Jalebi offers end-to-end delivery starting from research, conceptualisation and story-boarding; to content generation, graphic design, animation, 3D modelling; to development, fabrication and installation.

“The first project that we did was for Visvesvaraya Industrial and Technological Museum Bangalore. It was an exhibition based on the life of the great mathematician Srinivas Ramanujan. Digital Jalebi designed and developed the entire exhibition. That was our starting point,” Ahmed says.

“The journey has been exciting. We have learnt a lot of things. With every project we realise importance and need of good technology-aided design in India. Setting benchmark for quality has been a core pillar of Digital Jalebi’s belief, hence most of the clients who work with us, come back to us with more projects. We have made a place for ourselves in industry as a leading interactive studio,” he adds.

Till date, the firm has completed over 60 projects and its repeated customer base is around 20. In the next two years, Digital Jalebi plans to have an annual turnover of Rs 50 crore.

“Last year, our revenues were Rs 2 crore, and this year, we are touching around Rs 5 crore, and in the next two years, we are planning to scale up our operations and we are starting VRchef to get volume work from outside India, especially from the US and the UK. We are planning to start outsourcing model for VR (virtual reality) and AR (augmented reality). Hence, we are trying to scale up operations in terms of space and the number of people,” Ahmed added.

When asked as to how different the firm is from others, Ahmed explains, “We describe ourselves as a new media installation company. We are neither a core game development company, nor a traditional software development company. We aren’t bound to a single stream like virtual reality or augmented reality. We try to tag ourselves to the bigger umbrella which is new media, and that covers all these things. Hence, we feel that our services are quite diverse.”

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> Economy & Business / by Umesh M Avvannavar / DHNS – December 12th, 2016

Nature-inspired

Silchar – ASSAM / PUDUCHERRY :

Healing works

akmalhussainmpos08dec2016

Interpreting nature can be tricky. So is painting it. As an artist, one can try to focus on its essence, but lose out on its detail and form. Otherwise, one can try to get a grip on the instantaneous, but miss out on its fluid dynamics. Rare is the work of art that manages to portray all of this together. Both Akmal Husain and Keiko Mima manage to do exactly this, in their own unique ways.

This hugely talented and successful artist-couple are enigmatic in more ways than one. Husain is from rural Assam, Mima from Japan, and they have now made Puducherry their home, where they live with their three young daughters. The works of both Husain, who had his art education at Shantiniketan, and Mima, who studied art at Kyoto Seika University, Japan, are much sought after.

Mima and Husain are both drawn to nature but interpret it in their own way. Husain’s visualisation of nature is unique and in a sense, simplistic. It radiates positivity, bliss and beauty. His paintings reflect an oasis of tranquility in this chaotic life, taking you into the beautiful village life that once existed everywhere. Mima’s paintings, on the other hand, radiate etherealness, fragility, transience and the timelessness of nature — in a sense, alluding to the spiritual concept of ‘Maya’.


Journey decoded

Mima has been painting since she was a child. “My mother is an artist too and teaches painting to children at our home in Japan. When I was young, I was her student too. She always made us paint flowers and fruits with watercolours, which I tried to render as realistically as I could,” she says.

We learn that she began studying painting more seriously in high school. It was there that she learnt charcoal drawing and oil painting. After that, she studied oil painting in an art college, where she tried experimenting with various new materials also. Then, she was using mixed mediums to make several abstract images. The mediums she now favours are pencil and watercolours. She has a fascination for traditional Indian mural art, which she hopes to learn some day.

“When I started painting with watercolours again in India in 1997, there had been a large gap of about 20 years since I had last painted flowers. When I started to observe and study flowers more deeply, I was fascinated. Their beauty is not limited to their form and colour, but they have feelings like human beings, or one might even say that they are more sensitive,” she explains.

Husain lets us in on his entry into the fascinating world of art. “I started painting with oil paints only in my third year at Kalabhavan. It took me a year to understand the medium. I discovered that it allowed me to erase and repaint portions unlike watercolours. I was fascinated by the rural settings around Kalabhavan, especially the atmosphere created by the light of the setting sun, or dawn. I sketched whatever I could, and the rest I absorbed. I was not very skilled at drawing, so when I returned to the studio, I painted, erased and painted again, trying to bring out what I had absorbed,” he shares.

It was during his fourth year at Shantiniketan, in the Kolkata Book Fair, that he discovered a book called Modern Primitive Painting, which gave him a lot of confidence to draw. “Over a period of six months, I made two large oil paintings. And one more by the end of my final year, which took me almost six months to complete with all the erasing and repainting. That painting won me the National Academy Award by Lalit Kala Academy in 1985. Eventually, erasing and reworking became my personal technique,” Husain beams.

In 2015, he started a series of experimental watercolours based on the theme of leaves. “An oil painting takes me two to three months to complete. While at it, I see around me the changing nature. Simply fallen leaves of various kinds, and their many colours, sometimes wet, at others dry, have inspired me. That is how I began my experiments with composing layers of semi-abstract watercolours.” Husain’s many awards include the Sovana Banik Memorial Scholarship and the National Academy Award of Lalit Kala Academy.

Since the medium of inspiration and the mode of work is the same, do Husain and Mima discuss their ideas with each other? Husain explains, “It is true that both of us paint from nature, but we see it with different eyes. Hence, our techniques are different. It is in my nature to discuss my work with her before, during and after creating it. She is the opposite; she likes to work but does not like to talk about it very much. Her discipline inspires me very much.” Mima adds, “There is an exchange, and his techniques are sometimes helpful in my work.”

In 2003, they moved to Puducherry for the education of their eldest daughter. Now, all their daughters are studying there. Talking about the transition of the town, Mima says, “The first time I visited Puducherry was in 2000. It wasn’t crowded then and the atmosphere was more peaceful, even spiritual, and the people were very good-natured.” But she hastens to add that they do enjoy the town’s coastal scenery and sea breeze, and find Puducherry’s ayurveda and homeopathy very useful.

Influenced by their lands

Nevertheless, the lands that spawned them rules large in their hearts. For instance, Husain shares that whenever he does oil paintings, he subconsciously draws inspiration from his early childhood and Shantiniketan days. Born in Silchar in Assam, Husain grew up surrounded by nature. “My home was at a little distance away from the main town and our home was surrounded by greenery. My father was very fond of gardens, and my mother had a passion for betel nut trees and vegetable plants. I used to accompany her to the garden to plant betel nut trees, vegetable seeds, etc. There was always a milch cow at home, which remains to be one of my favourite subjects,” he says. This trend continued even when he went to Shantiniketan to learn painting.

It’s the same case with Mima. She carries Japan in her soul. “I do not miss the nature or colours of Japan since they are within me,” she says. She mentions that while she is not directly inspired by traditional Japanese art, it has shaped her in a way because her sense of beauty was cultivated in Japan. She says, “I mostly draw flowers and landscapes in situ. But influences from my early experiences of nature in Japan are at work too, in the background. I continue to draw and paint from nature and I hope to heal people’s hearts through my work.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> Sunday Herald – Arts & Culture / by Hema Vijay / November 27th, 2016

Indian businessman gives Rs 10 lakh to compatriot living on terrace in UAE

KERALA / GCC  / Muscat, SULTANATE OF OMAN :

 

Dr K T Mohammed Rabeeh Rabeeullah
Dr K T Mohammed Rabeeh Rabeeullah

Dubai :

An Indian philanthropist from Oman has given Rs 10 lakh to a jobless compatriot who has been living on the terrace of a building in the UAE for more than eight months without proper food, media report said on Friday.

Sajeev Rajan, an electrician in his early forties, belongs to Kollam in Kerala where his wife, two children and ageing parents live.

Indian philanthropist from Kerala Dr K T Mohammed Rabeeh Rabeeullah, chairman and managing director of a healthcare conglomerate, came from Muscat and handed over 5,000 dirham (Rs 93,272) to Rajan for immediate relief. He also promised to transfer Rs 10 lakh to his bank account in India, Khaleej Times quoted Rajan’s friend Biju as saying.

He was left with no other option but to live on the terrace of a building in Ajman city because his employer had refused to return his passport after settling his dues, the paper said.

His company officials visited the Indian consulate and agreed to return his passport at the earliest.

The Indian mission in the UAE and social workers have come forward with moral and material support for the man.

“It is a big relief for me because my pocket is empty. I have not received any money for the past eight months and my travel back home seemed impossible,” Rajan said.

He spent 236 days on the terrace because he does not have a job or money to get a bed space, the report said.
He has been surviving with the generosity of some construction workers and shop owners, it said.

“My contract ended on March 11 and I wanted to go home. Working for 900 dirham (Rs 16,761) per month did not meet my expectations,” he said.

Ranjan alleged that his employer was not ready to relieve him from work and send him back home after clearing his gratuity and leave salary.

On March 21, Ranjan was forced to vacate the company accommodation in Ajman.

“The employer from Punjab, India, promises to return my passport in front of officials who mediate for my release, but once he leaves their office, he refuses to hand it over to me,” he was quoted as saying by the paper.

After his plight was highlighted by the paper, several people came forward with offers to buy air tickets, give him a job among others, the report added.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> NRI> Middle East News / by PTI / November 25th, 2016

7-yr-old B’pora boy wins Asian youth Karate championship

JAMMU & KASHMIR :

Governor, Naeem Akther congratulate Mansoor

GK Photo
GK Photo

After seven-year-old girl it’s now seven year old boy from north Kashmir’s Bandipora district who has brought laurels not only to the state but India as well by winning gold in Asian Youth Karate Championship in New Delhi.

Hashim Mansoor, 7 son of Mansoor Ahmad Shah resident of Nadihal area of Bandipora has won gold in Asian Youth Karate Championship by beating his Sri Lankan rival on Tuesday.

Earlier, a seven year old, Tajamul Islam from the district had won a gold medal in world Kick-boxing championship held in Italy early this month.

Hashim Mansoor, who represented India in Sub-Junior below 25 kg weight category in the championship, won a gold medal by beating a Sri Lankan in finals at Talkatora stadium in New Delhi.

Hashim a second standard student of Symbiosis School in Plan Bandipora got selected for the championship during trials that were held in Indoor Stadium Srinagar early this month.

The championship was organized by the All India Youth Karate Federation at Talkatora stadium in New Delhi in which 19 countries participated.

“Earlier, Mansoor defeated his Bhutanese and Malaysian rivals,” Ghulam Nabi Tantray, President J&K Youth Karate Federation told Greater Kashmir. “This was possible due to hard work of Mansoor’s coach Fasil Ali Dar,” added Tantray.

He also said that Hashim has qualified for World Youth Karate Championship to be held in Europe next year, where he is going to represent India. “He can only participate in the world championship after he gets sponsorship. I hope he gets a sponsorship so that he could make whole country proud like Tajamul did,” he said.

Pertinently, both Tajamul and Hashim have been trained in Ali’s academy-local Martial Arts training school run by Faisal Ali Dar in Bandipora.

Meanwhile, Hashim’s coach Faisal Ali Dar also received Dr. B.R. Ambedkar National Award on Monday in “Sport and Peace” category for his contribution in “Peace Building Activities” through Jammu and Kashmir Kick-boxing Association. Faisal Ali who hails from Bandipora was presented the award by Dr. B.R. Ambedkar Sports Foundation.

source: http://www.greaterkashmir.com / Greater Kashmir / Home> Sports / by Ejaz-ul-Haq Bhat / Bandipora – November 30th, 2016

Hockey: Affan Yousuf scores twice in India’s 3-2 win over Australia

Bhopal,  MADHYA PRADESH :

_________________________________________________________

HIGHLIGHTS

  • Affan Yousuf slotted two goals as the Indian men’s hockey team claimed a 3-2 win over Australia
  • Skipper VR Raghunath struck the winner just seconds after Australia equalised in the third quarter
  • Overall, this was the 22nd time an Indian men’s hockey team beat Australia, in 117 head-to-head matches
  • ____________________________________________________

affanyousufmpos29nov2016

New Delhi  :

Talented youngster Affan Yousuf slotted two huge goals during the first half and skipper VR Raghunath struck just seconds after Australia equalised in the third quarter, as the Indian men’s hockey team claimed a 3-2 win over the world No 1 in the first of two Tests in Bendigo, Victoria on Tuesday.

The win came just days after the tourists claimed bronze in the Four Nations Invitational Tournament, and helped Raghunath’s team extract revenge on hosts Australia who beat them 3-2 during that tournament. Overall, this was the 22nd time an Indian men’s hockey team beat Australia, in 117 head-to-head matches.

Australia’s goals came from shots from the field by Matthew Willis and Trent Mitton in the 36th and 43rd minutes, but Raghunath’s penalty corner in the 44th minute put India ahead for good.

This was Affan’s second stand-out performance this month, following on from his late goal during the nail-biting victory over Pakistan which won India the Men’s Asian Champions Trophy in Malaysia. The 22-year-old struck twice in the 21st minute with two excellent field goals after the first quarter ended with the teams yet to score.

In the second half, Australia hit back through Willis and Mitton but Raghunath’s goal ensured the deadlock was snapped quickly. The final quarter was a tense period in which defenders on both ends were made to scurry but India did enough to shut the door on Australia.

After scoring four goals during the ACT, Tuesday’s performance against Australia was another feather in the car of Yousuf, who was born into hockey. His father Mohammed Yousuf, grandfather Khuda Dad and uncle Sameer Dad have each represented India.

The Kangaroos are the No 1 ranked hockey team in the world. In the span of ten days, they beat New Zealand to lift the Trans-Tasman Trophy in Auckland and the Four Nations in Melbourne. India are ranked sixth.

The second Test is on December 1.

Remembering sacrifice of those killed in line of duty

Mysuru, KARNATAKA :

Eight families of Army personnel to be felicitated

District administration to do the honours during the official Republic Day function

VeKare Ex-Servicemen Trust’s president says it is for the first time war widows will be honoured

Mysore:

On Republic Day, the district administration will honour the family members of the armed forces personnel who laid down their lives while defending the country.

M.N. Subramani, president of the city-based VeKare Ex-Servicemen Trust, who first mooted the idea of felicitating ex-servicemen and remember the personnel who were killed in the line of duty by honouring their family members, said that this is for the first time that war widows were being honoured by the district authorities during Republic Day celebrations. “Of those who are being honoured, five are war widows and three are mothers of unmarried soldiers who laid down their lives for the sake of the country”, said Mr. Subramani.

Dakshayani, Nirupa Madappa, Salma Shafeeq, Sarala, Jyothi Bai, Yallammal, Lakshmi and Saroja will receive the felicitation on the occasion.

Dr. Dakshayani, a resident of Vijayanagar II Stage, is the wife of Lt.Col. N.S. Yogesh of 6 Rashtriya Rifles. He was killed in an army operation against terrorists in Jammu and Kashmir on May 11, 1996. On receiving specific information about the presence of two terrorists, Yogesh immediately led his men and cordoned off the village. When the house in which terrorists had taken shelter was being cordoned off two terrorists rushed out and fired indiscriminately. In the encounter that followed Lt.Col. Yogesh sustained a bullet wound in the abdomen. Disregarding the bleeding injury he followed the second militant and in the firing that followed, the militant was injured but Lt.Col. Yogesh succumbed to his injuries. The Government recognised his contribution by way of conferring him gallantry medal posthumously.

Nirupa Madappa, a resident of Ramakrishna Nagar, is the wife of late Major Ganesh Madappa of 36 Rashtriya Rifles. Maj. Ganesh Madappa was directed to carry out a raid on a suspected militants’ hideout at Bachchru village in Badgam district of Jammu and Kashmir on September, 27, 1995. Major Ganesh Madappa immediately had the house cordoned off and he rushed to block the exit. Shocked militants rushed out and started firing in desperation. Maj. Ganesh Madappa boldly engaged the militants at a close range. As a result, he suffered bullet injuries. Yet, he charged at the militants killing one of them before collapsing. He later succumbed to his injuries and was awarded the Shaurya Chakra posthumously.

Salma Shafeeq is the wife of late Major Shafeeq Mahmood Khan Ghori. Maj. Shafeeq Mahmood Khan Ghori (Artillery) died on July 1, 2001 while fighting terrorists in Boban Watsar forests of Jammu and Kashmir. Major Shafeeq Mahmood Khan Ghori was posthumously awarded the Chief of the Army Staff’s Commendation for his meritorious service.

Sarala, wife of late Sepoy Naik Kiran Kumar, will also be honoured on Tuesday by the district authorities. Her husband laid down his life fighting terrorists in Kashmir on January 9, 2008.

Jyothi Bai is the wife of Sepoy Sakriya Naika who was killed by terrorists on May 13, 2003 in Kashmir.

Yallammal is the mother of late Sepoy S. Vasu. Sepoy Vasu laid down his life on July 1, 1990 while fighting terrorists in Jammu and Kashmir during Operation Rakshak.

Lakshmi is the mother of late Sepoy Hema Chandu. Her son died fighting terrorists at Surankot in the Poonch district of Jammu and Kashmir on August 26, 2001.

Saroja’s son Sepoy A.P. Prashanth died on December 31, 2003 fighting terrorists in Kashmir during ‘Operation Rakshak II’.

source: http://www.thehindu.com / The Hindu / Home> National> Karnataka / by Special Correspondent / January 25th, 2010

Personal Letters By World War I Indian Muslim Soldiers Unveiled In UK

London, UNITED KINGDOM :

Islam Issa found that at least 885,000 Muslims were recruited by Allied forces
Islam Issa found that at least 885,000 Muslims were recruited by Allied forces

London :

Personal letters written by Indian Muslim soldiers who fought in World War I sharing their impression of England 100 years ago in comparison to their home country were on Friday released by a literature expert in London.

Islam Issa from Birmingham City University earlier this year found that at least 885,000 Muslims were recruited by the Allied forces in the war between 1914 and 1918. He released the letters to mark Armistice Day, or the end of the war.

The over 100-year-old letters highlight the experiences of Indian soldiers as they share their impressions of England in comparison to their home country, Heritage Daily reported.

Mr Issa has been researching individual stories from the war for an exhibition commissioned by and held at the British Muslim Heritage Centre in Manchester, called Stories of Sacrifice.

During his research, he found that 1.5 million Indians and 280,000 Algerians, Moroccans and Tunisians fought for the Allies during World War I, many of them Muslims.

“When I decided to look at soldiers’ letters, I expected a very bleak outlook on the war. Of course, sometimes, that’s exactly what I found. But quite often, the letters were about individual experiences and very normal, human things,” said Mr Issa.

“These anecdotes certainly helped shape my narrative for the Stories of Sacrifice exhibition. While there’s an important narrative about the war as a whole, the personal and human narrative was probably more striking. Whatever your ideology or stance, you end up realising that these Muslim soldiers were individual humans and as a result, they were making sacrifices at that individual, human level,” he said.
Complete with a virtual library, lesson plans and a toolkit for schools, the British Muslim Heritage Centre’s exhibition is the first long-term exhibition of its kind, devoted solely to exemplifying the Muslim community’s contribution and sacrifices during World War One.

On his trip to a London department store in 1915, soldier A.

Ali writes: “We visited a shop where 2000 men and women were working and everything can be bought. There is no need of asking as the price is written on everything.”

In the same letter, he shares his experience of the London Underground: “Then we went in the train that goes under the earth, it was for us a strange and wonderful experience – they call it the underground train.”

In another 1915 letter by Abdul Said, more opinions on shopping and butchers are shared.

“Every shop in this country is so arranged that one is delighted to look at them. Whether you buy much or little it is properly wrapped up, and if you tell the shop man to send it to your house you have only to give him your address and he delivers it.

“The butcher’s shops in Hindustan are very dirty, but here they are so clean and tidy that there is absolutely no smell.”

source: http://www.ndtv.com / NDTV / Home> Section> Indians Abroad / by Press Trust of India / November 12th, 2016