Tag Archives: Indian Calligraphers

Wasifi family brings Tonk’s calligraphy to the global stage

Tonk, RAJASTHAN :

Qari Mutiullah Wasifi with his prize winning work

Qari Mutiullah Wasifi, a calligrapher from Tonk, a city in Rajasthan, won the second prize in the International Islamic Calligraphy Competition, organised by the Islamic Art Society in New York, USA.

This recognition comes amid the rise of digital fonts and artificial designs globally.

Qari Mutiullah Wasifi competed with more than 4000 artists from around the world. On this occasion, Qari said his success at an international forum is not sudden. Over the past four years, India’s presence in this competition has been consistent, and the Wasifi family has made it to the top every time.

In 2022, Qari Mutiullah Wasifi received the first prize. A year later, his son Haris Wasifi secured second place. In 2024, Haris won the first prize.

This year, the first prize was bagged by Egypt, the second by India, the third by Pakistan, and the fourth by Turkey. The award includes a certificate, a memento, and a cash prize. However, for the Wasifi family, the real honour is the recognition that comes with representing India.

Qari Mutiullah Wasifi at work

Qari Mutiullah Wasifi’s journey didn’t begin at an art college. His first school was his own home. His late father, Qari Salimullah Wasif Furqani, was a renowned calligrapher, reciter of the Quran, and a scholar. He had a command of Arabic, Persian, and Urdu.

His calligraphy of the Quran was his speciality. As a child, Mutiullah watched his father sit for hours, writing. The sharpness of the pen, the curves of the letters, and the measured amount of ink used were not mere play for him, but a matter of discipline.

For formal education, he enrolled at the Maulana Abul Kalam Azad Arabic-Persian Research Institute (APRI) in Tonk. He completed a four-year diploma course, recognised by the National Council for Promotion of Urdu Language (NCPUL), Delhi. This is the same institution that has made Tonk a centre for Arabic and Persian studies.

Tonk is generally known for its madrasas, books, and Islamic education. But this city has also witnessed a well-established tradition of calligraphy. During the Nawab era, calligraphers from Iran and Central Asia taught locals the art.

Institutions like Maulana Abul Kalam Azad Arabic Persian Research Institute (APRI) have preserved this legacy. This institution has trained many calligraphers who have made a name for themselves in India and abroad. Qari Mutiullah Wasifi is an important link in this chain.

Wasifi told Awaz-the Voice that for him, calligraphy is not just a means of decoration, but a part of worship. To date, he has handwritten 27 copies of the Holy Quran. Some of these Qurans are written in extremely fine script, while others are adorned with gold and silver.

Qari Mutiullah Wasifi with a competitor

He has also undertaken unique projects, such as writing the entire Quran on a single large sheet of paper. This work requires years of practice and patience. The placement of each letter is crucial, and even a single mistake can ruin the entire work.

One of Qari Mutiullah Wasifi’s lesser-known yet important contributions is related to the preservation of manuscripts — completing the half-done copies of the Holy Quran and rare books in Arabic, Persian, and Urdu. So far, he has completed approximately 500 incomplete Qurans and hundreds of old books.

He has undertaken projects for private collectors, libraries, and research institutions. This effort breathes new life into books that might otherwise have been lost to oblivion.

Wasifi’s art is not limited to paper. He has done calligraphy on cloth, leather, wood, metal, grains of rice, lentils, marble, hair, and even inside bottles. This art is not only a test of manual dexterity but also of concentration and balance.

Wasifi participated in the international calligraphy competition organised by the Islamic institution “Irtika” in Istanbul, Turkey, in 2022. This institution organises a prestigious global calligraphy competition every two years, in which renowned calligraphers from around the world participate.

In 2023, he also participated in the international calligraphy competition organised by Fujairah Company in Dubai (UAE). This competition is known for its distinguished jury and global participation.

Wasifi says that if workshops, exhibitions, and competitions are considered together, his participation in national and international events, both within and outside India, totals approximately 30.

Wasifi thinks it’s not his achievement, but a means of showcasing the Indian calligraphy tradition at the international level.

According to him, such platforms provide artists with opportunities to learn, test themselves, and connect with calligraphers from around the world. He has also received several honours at the national level.

He has also participated in international exhibitions and workshops in places like Bengaluru, Udaipur, Aligarh, Diggi Palace in Jaipur, and the Lalit Kala Akademi in Delhi.

In the Wasifi family, this art has been passed down from one generation to the next. Qari’s eldest son, Haris Wasifi, is an internationally acclaimed calligrapher. The second son, Abbas Wasifi, is a Hafiz and Qari (one who has memorised the entire Quran and recites it with proper pronunciation) and is pursuing his education at Nadwatul Ulama, Lucknow.

The daughter, Sidra Wasifi, is an Alima (a female religious scholar) and teaches calligraphy to young girls. This family is not only preserving art but also discipline and heritage.

Qari Mutiullah Wasifi has established ‘Bazm-e-Wasif‘ in memory of his father. His dream is to create a special library and museum of calligraphy in Tonk, where his and his father’s manuscripts can be safely preserved. He says that despite the lack of resources, his resolve remains unwavering. His goal is to ensure that this calligraphic heritage of Tonk reaches future generations.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Stories / by Farhan Israeli, Tonk (Rajasthan) / January 29th, 2026

Mohammed Yasin, A Calligrapher and Painter Par Excellence, is No More

Mogalgidda (Mahbubnagar District) / Hyderabaad, TELANGANA :

Mohammed Yasin, veteran painter and one of the best calligraphers in the subcontinent.

OBITUARY

Yasin’s early works have explored all available mediums from lithography, etching, aquatint, engraving, dry point, serigraphy, mezzotint water colours, oils, gouache and egg tempera.

“85-year-old veteran artist Mohammed Yasin’s character impresses as a person and his characteristics as an artist. Perhaps the distinction is unreal, for, in his case, it is the same integrity that reveals itself in the structure of life and in self-expression through art.”

These were the words said a few years ago by a noted art critic for Mohammed Yasin, veteran painter and one of the best calligraphers in the subcontinent, who passed away on August 19.

Yasin was born in Mogalgidda, a village near Shadnagar, 30 km from Hyderabad. As a young school boy, he felt an aptitude for Art when he was just 14 years old. After passing his elementary and intermediate drawing examinations, he moved to Hyderabad city with his family members from his birthplace Mogalgidda.

Showcasing art work.

Though quiet in his demeanour, Yasin has had seriously tragic experiences. His father passed away when he was only 14 months old. He was brought up under his mother’s care and guidance. He had to grow up with many hardships. While as a boy, he was affected by tuberculosis of the spine which has left a limp which necessitates the use of a stick to aid in walking. But through a sustained musing, he has won an inner serenity.

Art works displayed in an art gallery

His most important contribution goes to the art of calligraphy. He chose to work in an abstract symbolic manner. Geometrical elements like the circle within the square, concentric circles, etc. comprise the basic structure emphasizing a symmetrical arrangement and abstract formal values–calm and quiet but they are, nevertheless, active fields. They seem to be deeply influenced by the Buddhist art. They generate impulses of colour and focus attention on the symbolic images they contain.

The use of circle, square, triangle adds to his innovation a transparency, a water colour. The orthodox prohibition of representational figuration in art made the Islamic tradition turn to calligraphy. Yasin has brought to this tradition a modernist love of abstraction and monumental geometricism.

His early works have explored all available mediums from lithography, etching, aquatint, engraving, dry point, serigraphy, mezzotint water colours, oils, gouache and egg tempera.

His works are very poetic and also dramatic; actually they are calligraphic in nature. Tantric symbolism, Sufi mysticism, echoes of the miniature schools, shades of thankas and pictorialised Arabic Calligraphy are all inspirations which could be identified in Yasin’s work.


Aseem Asha Usman is founding director of Aseem ASHA Foundation, and has been documenting the life and works of the veteran calligrapher and painter.

source: http://www.clarionindia.net / Clarion India / Home / by Aseem Asha Usman / August 20th, 2020