Category Archives: Books (incl.Biographies – w.e.f.01 jan 2018 )

A 16th Century Princess Chronicles Early Mughal Life In India

INDIA :

Begum Gulbadan’s Humayun-nama, a remarkable chronicle of early Mughal life in India is the only work written by a woman in Muslim courts of Ottoman, Turkey, Iran and India.

An early Mughal princess

The Vagabond Princess by Professor Ruby Lal is a captivating historical biography of an early Mughal princess. Even though this is a work of meticulous historical research, it is an adventure tale and a travel narrative with a female protagonist which provides as much entertainment as any work of fiction.  The real wonder of this book is that it’s a true account of a real woman, Gulbadan Begum, who lived from 1523 to 1603.

The author Dr. Ruby Lal is a Professor of South Asian history at Emory University in Atlanta who wrote The Astonishing Reign of Nur Jahan (2018) which was a Los Angeles Times Book Prize finalist.

While her previous book concentrated on a later Mughal queen who was as powerful as her husband the Mughal Emperor Jahangir, this work focuses on an early Mughal princess whose contribution is not so much to statecraft but to memorializing through her writing the formative years of the Mughal Empire in India.

The life of Gulbadan

As the title suggests, Gulbadan’s life was one of astonishing journeys that very few others had undertaken in the sixteenth century. She was a beloved daughter of Emperor Babar, the founder of the Mughal dynasty in India. At the age of six, she undertook an arduous journey with her Mughal relatives from Kabul in Afghanistan to Agra, where her father had established his new capital. This journey took her across the Khyber Pass, a treacherous mountainous gap that allowed an entry point into India.

Once in Agra, she reunites with her beloved father and grows up in the new country of Hindustan, amid a plethora of languages, her native Turkish, Persian, and the emerging mixed tongue of Hindavi in India. Even when it seems there is a modicum of stability, her father Babar’s life is suddenly cut short when he prays for the survival of his son and heir Humayun and participates in a ritual where he barters a part of his own life to save his son.

The untimely death of Babar is a shock for Gulbadan, but even more disconcerting are the rebellions by various half-brothers who periodically betray their allegiance to Humayun, her half-brother who ascends the throne. 

A Mughal dynasty

Humayun’s reign becomes even more tenuous when he faces military challenges led by the Afghan ruler of Bihar, Sher Shah Suri, who defeats Humayun in Chausa in 1539 and Kanauj in 1540, forcing him into exile in Afghanistan.  These changing vicissitudes of the Mughal dynasty force Gulbadan into a peripatetic existence moving back to Kabul and then returning again to Hindustan after Humayun recaptures Agra. During the years of his exile from India, Gulbadan witnesses Humayun’s marriage to his favorite wife Hamida who gives birth to their future heir Akbar, and who also becomes a close friend of Gulbadan.

Akbar’s ascension to the throne marks a shift in Gulbadan’s personal life. In her early life, she had lived in gardens and tents and had traveled freely. With the growth in Akbar’s stature, Mughal women were consigned to the enclosed quarters of the harem in Fatehpur Sikri. While this was a mark of the rising prestige of Akbar, the Emperor, it was not a particularly pleasing option for his aunt, Gulbadan. Even though she is a mother and a senior advisory figure in the harem and also highly regarded by Emperor Akbar as a writer and memory keeper of her clan, she is increasingly restless by her confinement in middle age.

A pilgrimage to Mecca

Gulbadan successfully petitions Akbar to allow her to embark on a holy pilgrimage to Mecca and Medina with the women of the harem.  This is a formidable journey, even with Akbar’s support. First, the Mughal contingent arrive in the port city of Surat where they wait for the Portuguese to approve their passage as they have a monopoly over shipping routes. After much negotiation, and payment of requisite fees, two Mughal ships set sail for the haj pilgrimage.  Lal provides a detailed account of the journey across the Arabian Sea, Indian Ocean, and the Red Sea to arrive at the port of Jeddah, from where the party travels to Mecca. At Mecca, they are able to complete all the rituals associated with the Haj including the lavish giving of alms to the poor. The party then proceeds to Medina and completes the rituals of worship particular to that city as well.

Gulbadan and her associates do not return to Hindustan after completing the Haj but stay on in one of the elite neighborhoods of Medina. After some time, they attract the criticism of the Ottoman Sultan Murad III, who issues orders of expulsion for Gulbadan and her group.  Lal suggests that the lavish giving of alms, made possible by the immense wealth of Akbar and the Mughal Empire in a way threatened the sovereignty of the Ottoman Sultan.

The Humayun-nama

On her return journey by sea, Gulbadan faces being shipwrecked but escapes with her life and seeks refuge in Aden.  Unlike Mecca, the authorities in Aden are not hospitable or courteous. She is relieved to return home where she commands the respect of men and women as someone who is a haji or who has accomplished one of the pillars of the Islamic faith: pilgrimage to the Prophet’s birthplace.  Once settled in Fatehpur Sikri, Akbar commissions her to write a biographical sketch of Humayun. Gulbadan accomplishes this task with great finesse. Her book is an outstanding primary source document about the condition of life during the Mughal era in India.

The narrative begins with Lal’s examination of Gulbadan’s book Ahval- i- Humaun Badshah (Conditions in the Age of Humayun Badshah), at the British Museum in 1997. This is the only extant copy of this commissioned work that Gulbadan authored, but Lal soon realizes that the manuscript is incomplete, and it does not touch on her pilgrimage to Mecca or her life after the return. It is this gap that Lal seeks to fulfill in her research, trying to reconstruct events that happened during the pilgrimage including her group’s expulsion.

First female chronicler of Mughal life

As she recreates the life of Gulbadan, Lal reminds us that her work, popularly called Humayun-nama, is the only prose work written by a woman in Muslim courts including Ottoman, Turkey, Iran, and India. Gulbadan is a remarkable witness and chronicler of early Mughal life in India. Moreover, her life defies notions about women being constrained by Islamic institutions of purdah. Gulbadan did not accept the confinement of the harem and sought out travel to the holy cities of Arabia, appearing publicly to give alms to the poor.

Even upon her return she adopted the role of official historian and was not limited to traditional roles of wife and mother in the harem. At a time when the National Council for Educational Research and Training (NCERT) is reducing Mughal history content in school history textbooks in India, it is all the more important to continue bringing the lives of Mughal women to the attention of the world. Ruby Lal has succeeded in giving us a biography of an extraordinary life that women in the twenty-first century in India and the world can draw inspiration from.

The Vagabond Princess:  The Great Adventures of Gulbadan by Ruby  Lal
 Yale University Press, February 2024.

source: http://www.indiacurrents.com / India Currents / Home> Books> Culture / by Lopamudra Basu / April 10th, 2024

He wrote the lyrics of ‘Umrao Jaan’. Was the Urdu poet Shahryar a progressive or a modernist?

Aligarh, UTTAR PRADESH :

A new biography examines the life and work of one of the most acclaimed modern Urdu poets.

The Call of Unknown Destinations 

Phir kahin khwaab-o haqiqat ka tasadum hoga
Phir koi manzil-e benaam bulati hai hamein

Once again, a conflict between dreams and reality will rage somewhere
Once again, some nameless destination calls out to me

Naya Din Naya Azaab

Sard shakhon pe os ke qatre
Hain abhi mehv khwaab aur sooraj
Rath pe apne sawaar aata hai

A New Day A New Calamity

Drops of dew on cold branches
Are still immersed in their dreams when the sun
Comes riding on his chariot

A new kind of poetry began to be written under the influence of the progressives. It loosened the hold of tradition and opened the way to new subjects and styles. From the 1940s new experiments were being conducted in Hindi prose and poetry and the Urdu writer was neither unaware nor unaffected by them; it was much the same in Hindi. Despite the jingoistic nationalism that projected the cause of Hindi and the zeal with which language chauvinists promoted one language along with its literature and respective literary culture, at the expense of the other, there were still some spaces where Urdu and Hindi writers met and interacted.

Aligarh, with its robust Urdu and Hindi departments, had healthy interactions between their respective faculty and several common platforms where writers and teachers of both languages met and exchanged ideas. In fact, the microcosm of Aligarh reflected the situation at the pan-Indian level, that is, of concurrent movements in Hindi and Urdu which prove that the ideas that propelled these movements were collective and widespread rather than unique and localised to individual languages and their respective literary cultures. And, if not mirror images, the Urdu and Hindi literary landscape displayed sufficient similarities to point to a commonality of concerns and inspirations in the years leading up to the 1960s when Shahryar begins to find his poetic voice.

The publication of a slim volume of Hindi poetry, Taar Saptak (1943), opened the door to a new wave of experimentation (prayogvaad) which, in turn, laid the foundation of the nayi kavita (new poetry).

Taar Saptak contained the poetry of seven young poets: Agyeya, Muktibodh, Shamsher, Raghuvir Sahay, Sarveshwar Dayal Saxena, Kedarnath Singh and Kunwar Narain. All seven were firm in their belief that (i) they belonged to no “school” of poetry, (ii) they were merely fellow travellers along the same road, who had differing opinions and worldviews, and (iii) they had not reached a destination or arrived at any grand conclusion; the journey was their destination.

In fact, Agyeya, the compiler of the anthology, went so far as to say that his fellow contributors consider “poetry a subject of experimentation” and that they were “explorers of new ways”. This “new” poetry turned out to be new in both form and content. The Saptak poets – and others who came under their mesmeric, insistent spell – were caught up with the need to convey a deeply-felt, intensely personal, emotional experience.

This resulted in the evolution of startlingly new metaphors and images, radical experiments in form and content, new rhythms and sound patterns that were meant to reflect harsh new truths and the deliberate use of laconic, abstruse even occasionally dense images and ideas. The entire process – spanning close to two decades – bore spectacular fruit by the 1960s.

Elucidating the commonality between the concerns of the Hindi and Urdu poets of the 1960s, especially those who came in the immediate aftermath of the progressive upsurge, Manglesh Dabral, Hindi writer and poet, notes:

“In fact, poetry, both in Urdu and Hindi, of and after the 1960s carries the melancholy, irony and sadness of its time with a ‘pessimism of the mind and an optimism of the heart’, as famously put by the Italian Marxist philosopher Antonio Gramsci.”

The waning of the progressive movement coincided with several other factors that plagued the body politic all through the 1950s and 1960s: disillusionment with the fruits of independence, simmering communal tensions, rampant corruption and unemployment, increasing scepticism about the very idea of freedom, in fact, a fast-eroding faith in any form of organised belief system be it religious, political or intellectual. The nayi kavita in Hindi and the jadeed shairi in Urdu were the result of this manthan or churning in the post-1947 India.

While acknowledging Shahryar’s closeness to the Hindi department in Aligarh, especially its most charismatic teacher Kunwar Pal Singh, Prem Kumar, who taught at a college in the City, Ravindra Bhramar, who was a distinguished poet and teacher in the Department of Hindi, and Neeraj, the pre-eminent Hindi poet of Aligarh who, no matter where he worked, always returned home to his perch in the city, the eminent Urdu critic Gopi Chand Narang however feels Shahryar possibly benefitted more from early models of modernist poetry available in Urdu itself, such as Majeed Amjad, Nasir Kazmi, Muneer Niyazi and the young Turks of the “new wave”. Then there were the French models, the symbolists who had influenced NM Rashid and whose influence was plentifully available in Urdu through some spectacular and image-laden poetry, as well as Ezra Pound and TS Eliot.

Narang mentions the small leftist group lead by Maqsood Rizvi and the influence of Munibur Rehman, poet and teacher, on an entire generation of young men at Aligarh. Shahryar was at the fringes of almost all “left” activity in Aligarh – from his student days, as well as when he was a member of the staff and then again post-retirement till his death. The campus leftists regarded him as a fellow traveller – as one sympathetic to their cause if not exactly one of them, technically speaking, that is. Narang puts it well when he says, succinctly enough, “Shahryar’s urge was inner and his own”.

Poetry, Shahryar believed, must necessarily have an element of music. Without music there can be no poetry and like music, poetry too must follow some rules and principles. Above all, like music, poetry must have rigour.

While it is easy to say that poetry, and music, come naturally to those who are gifted, Shahryar maintained that even the gifted must follow certain rules and regulations if they are to be true to their gift. Mere practice is not sufficient to become proficient as a poet. For a seed to sprout, the soil it is planted in must also be fertile. Also, any seed will not sprout in any soil – no matter how much you may plough it or water it or add nutrients. It might appear as though anybody with any imagination can produce a creative work, but that is not so. Everyone cannot marshal the ideas produced by their imagination, organise them into a coherent and meaningful manner and present them in a way that is pleasing or new. Nor can everyone gather together scattered ideas and thoughts in a way that is startling. The primary function of any art form is to surprise; it is the most magical effect that art can produce.

Shahryar held tradition in great regard. Possibly because he had come through the rigour of a formal and exhaustive education – including a PhD under the exacting early supervision of a teacher such as Ale Ahmad Suroor as well as the guidance of a scholar such as Azmi – that too at a university such as Aligarh’s whose Urdu department boasted some of the finest academicians and greatest connoisseurs of urdu zubaan and tehzeeb. Unlike many of his contemporaries in the new wave of poetry that came in the wake of the progressive upsurge, Shahryar was never one to cock a snook at the centuries-old legacy that the modern Urdu poet had ready access to. He believed that tradition could teach the nuts and bolts of poetry and especially the ghazal, for the tools of Urdu poetry have remained largely unchanged while the outer appearance has changed as has its vocabulary. The manner of crafting a ghazal – a bit like “pouring” ideas into a mould or wine in a bottle – has remained largely the same since the genre of the ghazal was first perfected by masters such as Mir and Sauda.

Like cooking, which Shahryar enjoyed enormously, poetry too was a matter of getting the ingredients right. The metaphors, symbols, abstractions need to be in the right proportion; excess or want can make all the difference between magical and mundane. And just as in cooking, there is that indefinable element called haath ka maza (its literal translation “the taste of the cook’s hand” does not come close to doing justice to its meaning), so also with poetry. The form of the ghazal does not allow much deviation and the vocabulary too is constrained by metre and rhyme; yet, within these time-honoured constraints, the master ghazal-go can produce magic when the reader exclaims with wonder at something that touches his/her heart. Ghalib expressed it best when he said:

Dekhna taqreer ki lazzat ki jo uss ne kaha
Maine yeh jaana ke goya yeh bhi mere dil main hai

Look at the deliciousness of speech that when [s]he spoke
I felt as though this too lies within my heart

Good poetry can indeed make the reader feel “I could have said this” or “This is exactly how I feel”. And when that threshold is reached, Shahryar believed, the real aesthetic experience happens which is essentially a mystical communication between the writer and the reader or the reciter and the listener.

Shahryar was averse to extreme topicality in poetry. For literature to pass the test of time, he believed, it must contain something within it that would live beyond the here and now. In this he differed from the progressives, especially the more ideologically-driven progressives, who wrote on intensely topical subjects and whose works acquired the tag of waqti adab (topical literature).

As Shahryar said in an interview, it is not important how many poems are written on Korea; instead, what is important is how many good poems we remember being written on Korea. The undue importance being given to mauzu (topic) and maqsadiyat (purposiveness), he believed, was one of the reasons for the decline of the progressive movement:

“Purposive literature must necessarily contain the known and familiar; it has no scope for new experiments. It must have common thoughts, common feelings, and so on. Naturally, therefore, it can only accommodate general things about people, not individuals.”

Making his own position vis-à-vis art and life amply clear, Shahryar was at pains to establish the importance of life in the centuries-old Art vs Life debate – Adab barai Adab (Art for Art’s Sake) and Adab barai Zindagi (Art for Life’s Sake):

“I believe in having respect and regard for all forms of Art on the express condition that Life – in all its myriad glory – must be present in Art. If such a situation arises whereby I am forced to choose between Life and Art, I will choose Life. Poetry is nothing more than this for me…With the coming of the English we Hindustanis discovered that literature holds a mirror to society and a valuable tool for social change. And ever since then we have all, in our own way, been doing this work. Every now and then some of us have declined to – and declined most vociferously – to perform this role.”

Among his seniors, Shahryar has acknowledged the influence of Faiz Ahmad Faiz, Miraji, Muneer Niyazi, Akhtarul Iman; but among his contemporaries his own poetry was likely to have commonalities with Zafar Iqbal, Nasir Kazmi, Ahmad Mushtaq, Muhammad Alvi, Salim Ahmad because they had possibly read and been influenced by the same sort of people he had. In India, he regarded the ghazals of Hasan Naim, Khalilur Rehman Azmi and Shaz Tamkanat as being among the finest – both in terms of technique and content.

However, Gopi Chand Narang offers us another way of seeing Shahryar and viewing him alongside his contemporaries. For one, he doesn’t believe one should necessarily go by how a poet assesses himself with regard to his peers. In his opinion, a poet’s views about himself can be discussed but should not be taken at face value. Narang goes on to say how “all poets, including Ghalib or Mir, try to play safe … they may exaggerate or deconstruct. There is always a crisscross of influences…”

Narang is also willing to speculate that since Azmi was the earliest mentor, his must have been the earliest influence on Shahryar’s poetry and it is possible that Shahryar chose to list Shaz Tamkanat and Hasan Naim rather than Azmi as the two were indeed current in those days and he might even have liked their works. But Narang himself is of the opinion that there is no trace of either Tamkanat or Naim in Shahryar; the two score in terms of craft but little else, whereas Shahryar “speaks in his own voice, an authentic voice. There is no trace of even Mir or Ghalib what to speak of Tamkanat.” Though Narang goes on to concede, “there may be a bit of Nasir Kazmi or Muneer Niyazi…They were the poets of their age. Muneer in his own natural way of wonder and awe viz a viz the onslaught of urban culture and Nasir Kazmi, via Firaq Gorakhpuri, rediscovered the painful and lonesome voice of Mir.”

But Shahryar’s creativity, Narang insists, was his own. Even if he wanted, Shahryar could not go the way of Nasir Kazmi or Muneer Niyazi. Shahryar interacted with them just as he did with his other contemporaries and fellow poets at mushairas and nashists but “once he had found his voice he was content and hardly looked around.” (emphasis mine.)

So, was Shahryar a progressive? Or was he modernist? This question has vexed many, for while he started writing poetry and gaining recognition as a poet when the modernist movement was gaining momentum, Shahryar himself was at pains to establish his socialist-Marxist credentials.

We have already established that when it came to the crunch, in a debate on Art for Art’s Sake vs Art for Life’s Sake, Shahryar could not have aligned himself with the former. Asked if poetry can afford to be wilfully self-referential, his answer was equally unequivocal: “There can be no poetry without the self.” But he was also quick to clarify:

“At the same time, no one can be expected to be interested in the purely personal details of other people’s lives, in the joys and sorrows of others. Some poets have tried to do that, for instance Akhtar Shirani wrote poetry that was intensely romantic yet extremely personal. But that has never appealed to me. I have a Marxist world view. I believe in the social and political commitment of literature. You may not always find direct references to my worldview in my poetry. But you will find them in the oblique and the symbolic.”

Asked if poetry must necessarily have a social commitment, a framework within which it must be located and a frame of reference that is accessible to all its readers, Shahryar’s answer became more general. All good poets, be it Iqbal or Faiz, he said, speak of the world, to the world. And then he tossed a “googly” at me when I was least expecting it by declaring: “In some respects, Faiz is a greater poet than Iqbal precisely because he is more human, more interested in all humanity and not one community or group.” This one seemingly offhand statement, possibly made on the spur of the moment, seems to contain the kernel of Shahryar’s own poetic vision and holds the key to understanding his perception of a poet’s role in society.

Excerpted with permission from Shahryar: A Life in Poetry, by Rakhshanda Jalil, HarperCollins India.

source: http://www.scroll.in / Scroll.in / Home> Book Excerpt / by Rakshanda Jalil / August 24th, 2018

AMU Murshidabad Centre gets Dr Mahboobur Rahman as its New Director

Aligarh, UTTAR PRADESH / Murshidabad, WEST BENGAL :

Aligarh:

Dr. Mahboobur Rahman, Associate Professor in the Department of Sunni Theology at Aligarh Muslim University (AMU), has been appointed Director of the AMU Murshidabad Centre in West Bengal. His term will last for one year or until further orders or the convening of the General Selection Committee.

With over two decades of experience in teaching and research in theology, Dr. Rahman has been associated with AMU’s Department of Theology and has also taught at Senior Secondary School (Boys). His teaching portfolio includes a range of subjects such as Islamic culture, Quranic exegesis, Indian religions, sciences of Prophetic traditions, Islamic history, jurisprudence, and social sciences.

Dr. Rahman has authored two books, one of which is co-authored with Prof. Muhammad Ismail from the Department of Islamic Studies, and has published more than 50 research papers and articles in renowned national and international journals.

He previously served as Nazim-e-Deeniyat (Sunni) from 2012-2018, was Joint Editor of Fikr-o-Nazar, President of the Theological Society at AMU, and has been a member of several administrative bodies within AMU and beyond.

source: http://www.radiancenews.com / Radiance News / Home> News> Report / by Radiance News Bureau (headline edited) / October 26th, 2024

A personal history of the elegant, intricate gharara – and how to make one in a pandemic

Rampur, UTTAR PRADESH :

The ensemble of luxurious silks and embroidery was the quintessential garment for aristocratic Muslim women and generations of brides from my family.

A bride in her ‘nikah’ gharara, a photograph of a couple at a wedding from the 1874 album ‘The Beauties of Lucknow’ by Darogah Abbas Ali and a miniature said to be of “Bahu Begum”, the queen of Nawab of Oudh Shuja-ud-Daula. The backdrop is of a 20th-century silk wedding gown that has been decorated using gilt thread, beads and ‘zardozi’, or embroidery. Public domain images and Farmina Khan, CC BY-SA 4.0, via Wikimedia Commons

My cousin, Tee, relinquished her oath of singlehood, got her ears pierced and was besieged with intense gharara pangs. She would not, like the rest of us, wait for the groom’s family to bring the wedding gharara. Making your own bridal gharara was unheard of in a conservative Muslim family in 2005, but one could only expect the unexpected from Tee. The besotted groom decided to spin a story about a designer friend making the gharara and we, the sisterhood of cousins, busied ourselves in making Tee’s trousseau and the all-important nikah gharara.

The gharara is a pair of wide-legged pajamas worn with a tunic and a dupatta. A farshi gharara, which Tee craved, has a train that would trail behind on the floor – the “farsh”. For a North Indian Muslim bride, the gharara ensemble is the essence of the nuptials. The groom’s family is judged by the bridal ensemble offered and the bride sees it as a testimony of the love of her future family. My mother wept seeing her sister’s too-plain wedding gharara, feeling sure that the sister would have to endure a tough, married life.

Like Tee, I too desired a farshi gharara trailing behind me, held by my teary-eyed sisters as I walked towards my smiling groom. My in-laws got an elaborate farshi of 20 metres of cloth for me – it had sliced my waist in half and contributed to my delirious happiness.

https://www.instagram.com/p/C-c0hUAS4a8

By the mid-19th-century, inspired by Awadh fashions, the gharara became the embodiment of elegance in the aristocratic Muslim families of North India. Abdul Haleem Sharar writes in Guzishta Lakhnau, a historical work on Awadh, that in the early 19th century, ladies’ pajamas had voluminous skirts fitted at the waist and the hems were tucked in at the waist while walking – a precursor of the present farshi gharara.

Rampur, a Muslim princely state under British colonial rule, was deeply influenced by Awadhi culture. Jan Sahib Rekhtigo’s composition, Musaddas e Tahniyāt e Jashn e Benazir, which describes a festival at the Benazir Palace of Rampur in 1860s, has sketches of tawaif courtesans wearing farshi ghararas with short blouses. The book can be said to be a cultural snapshot of Rampur, reflecting the changes in its Rohilla Pathan culture.

By the end of the 19th century, the farshi gharara, or farshi pāyechā, was essential courtly attire for women attending the zenana durbar to pay respect to Her Highness Begum Rampur. It was quintessential dress for weddings and festivities. At home, the noblewomen generally wore a shorter version of the gharara gathered at the knee with an ankle-length frill. This was the gharara my grandmother wore all her life with a mulmul kurta and a crinkled cotton or georgette dupatta. The colour of the dupatta changed to white when she was widowed – she had to give up the gharara altogether when she became bedridden and was made to wear the more convenient petticoats. She knew, then, that life was dwindling to its logical end for her.

For generations, the brides of my family wore intricately embroidered Rampuri ghararas. Heirloom ghararas with real silver work were bequeathed to daughters-in-law. When my grandparents moved from Rampur to Aligarh, a wedding necessitated several trips to Rampur’s narrow gullies for embroidery and stitching of ghararas. My mother and aunts favoured the shorter gharara and the fashionable single skirt – the sharara – for their wedding trousseaus in the 1970s.

For some reason, all married aunts left their ghararas in their rambling maternal home at Aligarh as they busied themselves with childbearing, household duties and shifted locations to wherever fate and husbands took them. A large tin box was the repository of generational masses of silk ghararas, which were sunned every winter.

The ladies of the bride’s or groom’s family are dressed in ghararas – the married ones wear ghararas from their trousseaus and the singletons borrow, or, if they are lucky, get them stitched for the occasion. We sisters dipped into the gharara box trying out and fighting over the garments before every wedding. There was a hectic mixing and matching of ghararas and dupattas, the kurtas were tightened or loosened to accommodate our body types and metamorphosing bodies.

The bridal gharara was out of bounds, only to be worn by married women. It was too heavy, anyway, to negotiate the rituals and festivities in which we were to play an important role – joota churai, rasta rukai­­, the dancing and eating. Only an NRI cousin had her own ghararas because her mother decided to get her trousseau made years in advance, even though there was no boy in sight.

Photographs of the “dancing girls” of the “Oudh Court of Lucknow”, from the 1874 album, “The Beauties of Lucknow”, by Darogah Abbas Ali. Credit: public domain images, The New York Public Library Digital Collections.

About 20 years later, confronted with Covid-19 lockdowns and my son’s sudden decision to get married, I wished I had the NRI aunt’s foresight. My daughter had already laid claim to my nuptial ensemble. The bride and bridegroom to be, working from their respective homes, wanted only a simple ceremony before the impending third wave.

Everything could be arranged within a few days, except the bridal gharara. A gharara is generally custom made but there were no markets to get the material from: the embroiderers were ill or had been forced to close their workshops. The option of a store-bought lehenga was unthinkable. A bride had to have her bridal gharara, even in the middle of a pandemic. I was one of the hundreds of desperate Muslim mothers-in-laws attempting to make a suddenly fashionable – thanks to Pakistani wedding Instagram sites – farshi gharara. I was also trying to demonstrate our love by giving our daughter-in-law the nuptial gharara of her dreams.

I was pondering using my sky-blue Banarasi saree and magenta Kanjeevaram to make a farshi gharara when my cousin Mona, the one and only gharara queen of our sisterhood, entered the fray. “You cannot, I repeat, cannot pair a brocade with a tanchoi!” she screamed.

Over long video sessions, she pulled out her old ghararas and educated me on luxurious silks – poth, kamkhab, atlus – which had to be spruced up with dabka, aari, thread, sequins and bead embroideries. Then came the moving parts of the gharara: two legs with the upper half, called the paat, and the lower half, the goat, each with several sub parts and embroidered ribbons, tassels, and lachkas stitched to the seams. The upper tunic has now – thanks to Pakistani fashion – transformed from a short, plain garment to a long and thickly embellished kurta. And finally, the heavily embroidered dupatta.

Mona sent me a slew of Instagram photographs of farshi ghararas that left me hyperventilating. I didn’t even have the material to begin working and Mona said it took two months to get a decent gharara made. Meanwhile, my daughter had shared Kareena Kapoor’s wedding pictures on the family WhatsApp group and the bride and groom could only think of Kareena’s heirloom gharara.

https://www.instagram.com/p/B0oRPBhFL6p/?utm_source=ig_embed&ig_rid=3e30dbc4-8187-454c-b795-e880f7d428ea

Even in the 1990s, when I got married, there were few people who could stitch a farshi gharara in Rampur. Now, the Rampuri embroidery work has deteriorated, real zardozi work is hardly done here because it is more lucrative to make sequins and bead work. I contacted a gharara maker in Lucknow and sent him pictures.

“You are the 21st person who has called me for this Kareena gharara,” Mr Lucknow gharara sighed on the phone. After lamenting the sad extinction of the tissue silk – the material of Kareena’s heirloom gharara – he suddenly “found” a similar material that we could use. Mona said the best option was to buy the material from him, but the gentleman was loath to part with the material. We broke off with teeth-gushing politeness from both sides. Now, I had no cloth, no farshi in sight and two months to the wedding.

Mona, in lifesaver mode, introduced Nilo appi, an experienced farshi gharara maker from Lucknow. We could send her the brocade and monitor the work over Zoom calls. We made a life-threatening trip to Delhi, double-masked, grabbed brocades and silks in the manner of surgical strikes and couriered the material to Nilo appi.

The next two months were filled with disastrous pictures from Nilo appi and damage control Zoom meetings. The kurta sprouted stereotypical roses on the stem and had to be hidden in masses of nebulous patterns and the pearl beads on the dupatta were too trite. Finally, the kurta was declared irretrievable and the bride had to cover it by wrapping the elaborate dupatta around.

The sisterhood agreed that the red and sea green ensemble looked magnificent – Mona still mourned the kurta – the opulent skirt trailed behind the bride with timeless perfection, as she glided into our lives buoyed with our love.

Writer Claire Chambers, Historian Siobhan Lambert Hurley with author Tarana Husain Khan and historian Rana Safvi at the Jashn-e-Rampur food festival. Credit: Tarana Husain Khan.

Tarana Husain Khan is a writer and food historian based in Rampur.

source: http://www.scroll.in / Scroll.in / Home> History / by Tarana Hussain Khan / September 22nd, 2024

This book asks why the Indianness of Aligarh Muslim University, Jamia Millia Islamia is questioned

NEW DELHI :

‘Between Nation and Community’ cites primary and secondary sources and oral testimonies to understand what India thinks of the two universities.

Bab-e-Sayyad, the entrance to Aligarh Muslim University. | Hhkhan / CC BY-SA 3.0

By sheer serendipity, I happened to begin reading Laurence Gautier’s Between Nation and ‘Community’ immediately after TCA Raghavan’s Circles of Freedom, which locates the life and career of the barrister-politician Asaf Ali in the national freedom struggle and probes the challenges of being a moderate Muslim or a nationalist Muslim within the Indian National Congress. Coming close on the heels of Raghavan’s book, I was struck by the opening line of Gautier’s Introduction: “Can a Muslim university be an Indian university?” Clearly, the doubts and apprehensions, the mistrust and suspicion that afflict Indian Muslims similarly afflict Muslim institutions, including universities that Gautier is at pains to clarify at the very outset were “established by Muslim individuals or organisations, primarily – though not exclusively – for Muslim students.”

Between Nation and ‘Community’: Muslim Universities and Indian Politics after Partition, Laurence Gautier, Cambridge University Press.

Having worked briefly at both Aligarh Muslim University (AMU) and Jamia Millia Islamia (JMI) – a few short months at Aligarh and a few years at Jamia – I can say that there is a Muslimness, an unmistakably Muslim character to both: the time table changes during the month of Ramzan, a long break for the Juma namaz, the presence of several mosques on campus, the opening of academic/formal events with recitations from the Holy Quran, and increasingly the presence of ever more hijab-clad women (this was pointed out by mother who studied at AMU in the 1950s and noted that there were very few women in hijab let alone the full burqa in her time). The question, however, is: Does any of this diminish or detract or take away from the Indianness of these universities or, for that matter, from those who study or work here? That would lead us to the larger question: What is Indianness?

We come back to the question posed by Gautier in her very first line when she goes on to cite Gyanendra Pandey, who has compared Hindu nationalists and nationalist Muslims. Hindus are seen as nationalists by default whereas Muslims are often put to an agni pariksha to prove their nationalist credentials. As Gautier puts it: “Indian Muslims are taken to be primarily Muslims, whatever their political stance might be. Unlike Hindus, their commitment to the nation cannot be taken for granted; it has to be proven, for their Muslimness casts doubt on their Indianness.”

Incidents like Batla House in the Jamia neighbourhood or the anti-CAA protests at both JMI and AMU bolster the argument that these universities are nurseries of disaffected anti-nationalists and prompting a politician to famously declare: “Desh ke gaddaron ko…Goli maaro saalon ko.”

Aligarh Muslim University and Jamia Millia Islamia

While there is much to read and reflect on in this richly detailed book that brings together, seamlessly, many primary and secondary sources and oral testimonies, a few things need to be flagged. One is the obvious differences between AMU and JMI, by now both Central Universities though the two have entirely different histories. The reasons and the circumstances behind their establishment and their distinct “historical character” have cast a long shadow on their growth and development. AMU was set up to provide secular, western education to the Muslim qaum in a campus modelled on the colleges at Oxford and Cambridge, and to “develop a strong bond with the colonial authorities in order to preserve their access to power”.

JMI on the other hand clearly had different ideas right from its inception: “Hers was a voice of rebellion, one that highlighted the dissonances within the supposedly unified Muslim community.” A splinter group of ardent nationalists, led by Maulana Mohamed Ali, broke away from the MAO College to set up a new kind of educational institution devoted to the service of the nation. In the heady days of the Khilafat Movement and the high noon of Hindu-Muslim unity, Gandhi pledged instant support to this new venture, famously declaring to go begging bowl in hand, if need be, to support this nationalistic enterprise.

It’s interesting to note the different treatments meted out to the two universities immediately after independence, and their vastly different public perception. While AMU was given Central University status in 1951, one among three central universities, Jamia – that had once been famously called the “lusty of the freedom movement” – struggled financially. It seems as though it quite suited the Congress government of the day and Nehru in particular – who had close personal ties with several of Jamia’s teachers and was a frequent visitor – to view the Jamia as a quaint space where visitors such as the Shah of Iran would be shepherded to view its projects and schemes.

Even the cover photograph on Gautier’s book written with immense empathy though it is, perhaps unintentionally, reinforces this quaintness with gamine-faced boys dressed like grown-ups in shervani and Gandhi caps against a building designed by the German architect Karl Heinz. There are other photographs in the Jamia archives showing several eminent people earnestly poring over rough-and-ready hand-made charts and diagrams. Overall, the picture that emerges is that it suited everyone to have this quaint, charming, idealistic venture in one’s backyard as long as it showed no great ambitions to grow into anything bigger or grander.

The Jamia too, I suspect, chose to live in a shell of its own making, hiding its light under a bushel, making a virtue of frugality and simplicity and service. It seemed content to allow the world to view it as a curiosity, a whimsical other-worldly place, a retreat from the mainstream; for some, it was even a recalcitrant child bent upon being odd and different from others, especially its older sibling, the AMU. For far too long, the serious students and the professional scholars stayed away from the Jamia choosing to go to AMU instead.

The differences

The Jamia biradari – a word constantly used by Prof Mushirul Hasan, the most faithful chronicler of Jamia’s history – was a close-knit community. Being small, much smaller than the sprawling AMU campus, Jamia fostered from its earliest days a sense of fellowship among its students and teachers. We get a sense of that in the oral testimonies and memoirs of its teachers and students frequently referred to by Gautier: the annual Jamia Mela, the idea of selfless service (be-laus khidmat) reinforced by teachers often voluntarily taking cuts in their salaries, the emphasis on community service and shram daan, the sense of community living, the devotion of not just staff but their families to the “idea” of Jamia, all of which was fostered by the compactness of the campus. Also, Jamia was more democratic in its functioning than AMU, again possibly due to its size. In this, it drew inspiration from early Islamic society. There are instances of school functions starting punctually on the dot when the chief guest, Vice Chancellor Dr Zakir Hussain, happened to be running late.

Then there was the presence of female students from its earliest days – in classes, in reading rooms, even on stage – with the earliest students being daughters and sisters of Jamia teachers and workers. However, as Gautier points out, this was “primarily out of practical considerations, not out of ideological principles” and Mujeeb, a long-serving Vice Chancellor, recognised it as a valuable project only in hindsight. Whatever the reason, Jamia offered new opportunities for women in its feeder schools, Balak Mata centres, teacher training courses, and adult literacy classes.

The presence of women on campus seen as a threat in AMU with Islamist groups gaining ascendancy, was much less so in JMI in the 1970s and 80s when debates on “proper” and “improper” mingling of the sexes began to gain ground between the “conservatives” and “progressives” and questions about the presence of women, especially in cultural programmes, began to be raised. While present in JMI, too, these voices were muted and not as strident as in AMU.

Then, there is the rather obvious difference of location and how that has impacted the development of the two universities: Jamia’s location in Delhi compared to AMU’s approx 180 km away. While in the early years, AMU was far more cosmopolitan than the mosquito-infested neck of the woods beside the Yamuna that was home to Jamia, from the 1980s a perceptible change became visible. The establishment of a working women’s hostel in 1982 by AJ Kidwai was possible in Jamia primarily due to its location, followed by the MCRC. We see that change accentuated in recent years in the changing profile of both staff and students with Jamiabeing more open to change and AMU becoming more closed, more insular, more inward-looking.

source: http://www.scroll.in / Scroll.in / Home> Book Review / by Rakshanda Jalil / September 29th, 2024

Siyasi Muslims: In a new book, Hilal Ahmed argues for a more nuanced understanding of political Islams in India

NEW DELHI :

In Siyasi Muslims, Hilal Ahmed offers “an evocative story of politics and Islam in India, which goes beyond the given narratives of Muslim victimhood and Islamic separation”

How do we make sense of the Muslims of India? Do they form a political community? Does the imagined conflict between Islam and modernity affect the Muslims’ political behaviour in this country? Are Muslim religious institutions, such as mosques and madrasas, directly involved in politics? Do they instruct the community to vote strategically in all elections? What are ‘Muslim issues’?

These are just a few of the questions Siyasi Muslims (Penguin India), a recently published book by Hilal Ahmed, attempts to answer. “Examining the everydayness of Muslims in contemporary India, Hilal Ahmed offers an evocative story of politics and Islam in India, which goes beyond the given narratives of Muslim victimhood and Islamic separation,” a synopsis for Siyasi Muslims reads.

Ahmed, who is associate professor at the Centre for the Study of Developing Societies in New Delhi, discusses some of the ideas articulated in his book in this interview with Firstpost.

You begin your book with Ramachandra Guha’s now infamous op-ed in Indian Express in which he compared the burqa with a trishul. While Guha later admitted that his comparison was ill-chosen, you write that even in his clarification, the idea of the Muslim community as an unchanging and regressive monolith remains. In your experience, how pervasive is this gaze about Muslims among liberal intellectuals?

Let me begin with a clarification. I find Ramachandra Guha’s intervention very powerful and provocative. He forced many of us to revisit the idea of Muslimness to problematise the given imagination of public presence of Muslims in postcolonial India. This line of argument is not systematically explored — primarily because Muslimness is always seen in relation to aggressive Hindutva.

Guha, in my view, pushes us to get rid of the official story of Muslim victimhood and pay close attention to those internal power structures which determine the everyday life of Muslim communities. In this sense, Guha was criticised for the wrong reasons!

I did not respond to the Indian Express debate intentionally. The debate centres on a puzzling binary between ‘declared liberals’ and ‘problematic liberals’. It gave us a strong impression that complex ideas and arguments about Muslims can easily be accommodated in these neat and clean categories. It was not an easy task for someone like me to adjust my findings and inferences in this framework.

There was also a problem of perception. Those who participated in the debate (except a few) did not take the idea of Muslim social and political heterogeneity very seriously.

We must remember that there is a difference between Muslim presence and Muslim everyday life.

Muslim presence is always constituted as a homogeneous entity in the public discourses; while highly diversified Muslim everyday life has its own pace and rhythm. Many a time, we invoke ‘Muslim presence’ as a read-to-use-template to explain virtually every aspect of Muslim social life.

This is what we observe in this debate as well. Most of the participants expressed their opinions to the nuances of Muslim presence without problematising the idea of Muslim oneness. This analytical laziness eventually led to oversimplification. Consequently, we are again forced to choose between liberal beliefs and Hindutva stereotypes.

Nevertheless, I do recognise the significance of this debate. In this sense, I offer a constructive, critical analytical framework in Siyasi Muslims — not refute what Guha and his adversaries argue — but to expand the scope of the present mode of thinking about Muslimness and its politics.

Your book is prefaced with an FAQ that has 19 questions and answers about Muslims and politics. This is not something commonly found in books and I couldn’t but think of it as a burden of a Muslim scholar writing on Muslims to clarify certain positions and address misinformation up front. Did you imagine the FAQ as something similar? Who do you think is the audience for this book?

I am a trained researcher and an academic. I write primarily for an academic public — teachers, researchers and students of social sciences and humanities. But Siyasi Muslims is not written exclusively for them. My aim is to reach out those readers who are interested in knowing about Muslims and Islam or what is now called ‘political Islam’.

I have been observing for a long time that our English-educated public in general and literate public in particular do face two very specific problems:

First, the ‘reading culture’ is declining. The pace of life, especially in metro cities, where English-educated readers are mainly located, does not allow them to follow an argument in densely written texts. I often describe the contemporary moment of knowledge as an “FAQ moment”. The reader wants a summary that can navigate him/her into the text.

Unlike other academics, I do not blame my students/readers for their apathetic attitude towards reading. They are the product of the FAQ moment! On the contrary, I take up this challenge as an author to write for an indifferent reader — to provoke him/her to go beyond the WhatsApp University and FAQ mode.

The second problem, in my view, is related to the subject matter — Muslims/Islam. As I said, we rely heavily on a few liberal beliefs and Hindutva stereotypes to think about Muslims. The 19 FAQs I identify in the book emerge from these perceptions. As an academic, I believe that it is my duty to answer these questions by using my research tools so that the reader could draw her/his own informed meaning. I believe that this book must also be written in Hindi so that it could reach out to non-English readers as well.

That said, I do not feel that it is a burden for me because I am a Muslim. My Muslimness is also related to other identity attributes of my individual self: I am a teacher, a researcher, and an author. These attributes are not in conflict with each-other.

You touch upon the issue of caste among Muslims a few times in the book and also profile Ali Anwar. Caste has been one of the most glaringly omitted aspects in studies and theoretical frameworks about Indian Muslims so far, and consciousness about it among mainstream and upper caste writers is very nascent and due to the work and assertion of Pasmanda scholars and activists. How would you say your understanding of caste has affected the manner in which you understood politics around ‘Siyasi Muslims’ in India?

Yes, I agree with this observation. I admire the Pasmanda movement because this has given us a new vantage point to look at the question of Muslim social stratification and the diversity of Muslim political discourse in India. In my view, the Pasmanda movement as an intellectual force has expanded the scope of the tradition of the internal critique initiated by Hamid Dalvai and further developed by Asghar Ali Engineer and Ali Anwar.

My understanding of caste among Muslims is inextricably linked to my theoretical position on Muslim politics.

I believe that caste, class, and gender play a very powerful role in shaping the nature of Muslim engagements with different form of politics.

Two related arguments that emerged in different historical moments — the 1960s and early to mid-2000s — may be useful to elaborate this point:

The 1960s argument was that Muslims must act as a homogeneous minority pressure group in the realm of competitive electoral politics so as to protect their cultural-religious interests. This evocation of Muslim oneness allowed the upper caste, upper class, aristocratic and/or Ulama elite to establish themselves as community representatives.

In the mid-2000, especially after the publication of the Sachar Report — a revised version of this argument is produced. We have been told that Muslims are more backward than Scheduled Castes. Therefore, there is a need to have a comprehensive agenda of Muslim empowerment.

No one can deny that Muslims are poor and marginalised. But, it does not mean that they should be treated as a singular entity for the purpose of affirmative action. The caste and class are two important sociological indicators to offer a context-specific view of Muslim backwardness.

Interestingly, the publication of the Sachar Report, which aimed at transforming the Muslims into a developmental category, eventually reestablished Muslim homogeneity as a frame of reference in the political sphere. This led to what I call a counterproductive politics of Hindutva victimhood.

In a chapter on religiosity, you use CSDS data to note that unlike what is otherwise perceived, Muslims do not think of themselves as very religious, and many Muslim do not observe namaaz or roza regularly. This is important to note but I have a question on the method of understanding and determining religiosity in general.

You treat the “Five Pillar Theory” [of Shahada (belief), NamaazRozaZakat and Hajj> as the root of Islam for Muslims in India. However, are there any studies to show that Muslims across India consider these the basic constituents of Islam in their lived experience? I ask this because recent work by religious studies scholars iterates that daily lived experiences and practices are a better marker of religiosity than “belief”.

For example, what about subcontinent practices like faith in a mazaar and dargah that many Shia and Sunnis communities swear by? Are they necessarily subordinate to the “Five Pillars” of Islam?

This is a very valuable question. I agree with your point that Muslim religiosity should not be reduced merely to the Five Pillar Theory.

However, the purpose of that chapter is not to reestablish the supremacy of textual Islam over the lived religiosity. On the contrary, I am interested in unpacking the idea of pucca Musalman — a dominant mode to measure Muslim religiosity and moral conducts. This question leads me to two sets of issues: the nature of organised/reformed Sunni Islam and the self-perceptions of Muslims about their own religiosity.

The Five Pillar Theory, in this schema, emerges as an important reference point to compare the Muslim self-perceptions about their own religious practices. If you closely look at the structure of the chapter and presentation of data, you may find that it actually corroborates the point you make here: Muslims do not think that they are sufficiently religious because various forms of lived religiosities cannot entirely be accommodated in the given framework of textual-reformed Sunni Islam. The chapter ends with Hali’s comments on everyday religiosity and the attitude of [the> Ulama to further substantiate this argument.

You have dedicated a chapter to discuss Muslim “backwardness”. You show that only six percent of the total Muslim male workforce manages to get white collar occupations, and Muslims constitute only three percent of the directors and senior executives among the BSE 500 companies. Could you throw some light for our readers on what these numbers say about the overall backwardness of Muslims in general, and class-caste disparity among Muslims?  

There can be two ways to look at this issue. We may interpret the given set of information to underline Muslim backwardness by arguing that there are very few Muslims in white collar jobs. However, we can also infer this data to make a completely different observation: it can be suggested that there are very few Muslims at top level which shows that there is serious economic disparity among Muslims in India. In my view, both of these interpretations are valid for the purpose of my argument. I try to demonstrate the nature of class division among Muslims to show how the idea of backwardness merges with the emerging forms of politics, especially in the post-Sachar period.

Muslim Personal Law has been in the eye of the storm with the Triple Talaq Bill. In your book, you write about how the evolution of Sharia as a legal entity drew its inspirations from colonial modernity. How do we understand the Sharia vis-a-vis the Quran on one hand and colonial modernity on the other?

The Islam we know today (which is often described as a more than 1,400-year-old religion) is a relatively new phenomenon.

Muslims in India — and for that matter South Asia — follow those versions of Islam that emerged in the 19th century as religious reform movements. This is true of other religions as well. The Islamic reform movements had to respond to colonial rule in two very different ways: First, they had to adjust themselves with a new kind of political institutions, which were completely alien to them. On the other hand, the intellectual challenges posed by the colonial knowledge system forced the religious elite to reconfigure their imaginations of Islam itself.

Interestingly, they imbibed the framework of modern knowledge to produce a more organised form of Islam: the society of the Prophet Mohammad was identified as the classical Islamic past; the spread of Islamic power was presented as the triumph of Islam; strict sets of rules and norms were codified as Shariat. This structured form of idealised religion eventually received official recognition by the colonial state. The Shariat Law of 1937 is good example in this regard. This process continued in postcolonial India in a very different form. The Islamic religious organisations and elites recognised the discourse of minority rights as a source to refashion their interpretation of Islam.

In this backdrop, the book makes a modest attempt to problematise the popular perceptions about Shariat and its politics, especially with regard to the triple talaq issue.

Many readers would be surprised to read that the Shahi Imam of Delhi’s Jama Masjid appealed to vote for the BJP in 2004. In your book, you suggest that around 6-7 percent of Muslims vote for the BJP at the national level. But you go on to say that “in 2014, there was a tacit acceptance of Narendra Modi among Muslims”. What makes you say that?

I have written extensively on fatwa politics and the idea of the Muslim vote bank in my first book, Muslim Political Discourse in Postcolonial India: Monuments, Memory, Contestation (2014), which examines the nature of Muslim politics.

The second part of the question is about the 2014 elections. We find that unlike previous elections, the Muslim support for BJP increased significantly in 2014. The party managed to get around nine percent Muslim votes at the national level. This trend continued in 2019 as well.

However, this national picture must be adequately analysed. There are four important aspects of Muslim voting, which we must note while discussing the increasing vote share of BJP among Muslims:

First, Muslim voting pattern depends on party competition at the state level. In those states where the nature of electoral competition is bipolar (meaning there are only two main parties in the fray such as Gujarat), the Muslim vote would naturally be divided between two main contenders. Therefore, the chances of the BJP to secure Muslim voters would be higher.

Second, we must also remember that a number of regional leaders have joined the BJP in last few years. These leaders also bring with them a section of ‘loyal voters’, which also includes Muslims.

Third, elections are always fought at the constituency level, where personal equations, caste considerations and economic interests play a major role. BJP, like other parties, try to use informal network to attract Muslim voters at this level.

Finally, the anti-Muslim discourse somehow also creates an atmosphere of fear. Muslims are directly threatened to vote for the BJP, like Maneka Gandhi in one of her election meetings this time.

source: http://www.firstpost.com / Firstpost / Home> Lifestyle / by Shireen Azam / August 17th, 2019

Beyond the Headlines

JAMMU & KASHMIR / NEW DELHI :

A celebration of country’s unsung heroes

Role Model: Inspiring Stories of Indian Muslim Achievers’ by the former vice president of the Jawaharlal Nehru Students’ Union (JNUSU) Shehla Rashid comes at a time when the Indian Muslim has been negatively portrayed as a non-entity in the eyes of a commoner.

The first book by Shehla, who has research interests in technology and politics, is divided into 16 chapters which inclusively talk about the achievements of Indian Muslims in varied fields ranging from science, entertainment, and sports.

‘Role Model: Inspiring Stories of Indian Muslim Achievers’ highlights the contributions of Indian Muslims to civic national life by presenting the life stories and work of achievers.

The personalities which Shehla sheds light on are Nigar Shaji, Programme Director of Low Earth Orbit Missions at Indian Space Research Organisation (ISRO) and Project Director of the Aditya L-1 Solar Exploration Mission, globally renowned music composer and reticent genius A R Rahman, tennis ace Sania Mirza; Padma Shri awardee Dr Zahir Kazi, actor, producer, and author Huma Qureshi, military leader Lt Gen Syed Ata Hasnain, former ambassador of India to Saudi Arabia and Yemen, Dr Ausaf Sayeed, former vice chancellor of Aligarh Muslim University (AMU), Prof Tariq Mansoor, former vice chancellor of National Academy of Legal Studies and Research (NALSAR), Prof Faizan Mustafa, and the pioneer of dendritic cell immunotherapy in India, Dr Jamal Khan, among others.

“We have seen many negative media portrayals of Muslims, and this book attempts to humanise the discourse about Muslims by presenting inspiring life stories that everyone can relate to,” notes Shehla, a prominent youth figure in India.

The author emphasises that while people are somewhat aware of the contributions and sacrifices made by Indian Muslims during the freedom struggle, highlighting the work of notable Muslims in contemporary India was a long-overdue task. “This book is rare in that it provides detailed insight into their lives for the first time,” the author writes.

Interestingly, the foreword of the book is written by legendary film-writer Salim Khan. In his inspiring style, Khan, in the foreword, writes that the Indian Muslims must own their dreams and participate in the vision with vigour and optimism.

“Instead of unproductive fixations on our differences, we as Indians need to think about how to excel professionally and be kind to one another, for the sake of our motherland,” Khan writes in the foreword of the book.

Shehla, who is also a tech policy consultant, writes that the former President of India, the late Dr A P J Abdul Kalam, gave the country Vision 2020 for India and that Prime Minister Narendra Modi has energised people again with the mission of building a Viksit Bharat by 2047.

The book is published by Penguin Publishing House and costs just INR 203 on Amazon.

The author has accepted that while the book contains the life stories of a select few achievers, it must be mentioned that there is a vast majority of Muslims, which silently makes its contributions to various professions – civil services, fashion design, customer support, film direction, medicine, philanthropy, and so on.

Shehla, who cares deeply about the condition of Indian Muslims, notes that there are millions of Muslims engaged in informal employment in both organised and unorganised sectors who power the Indian economy, making life in India incredibly convenient and increasingly making the country a preferred destination for tourism, business, and investment. “We should be equally proud of them. All of them, whether rich or poor, skilled or semi-skilled, are an essential component of Brand India, which is premised on the power of youth, skills, innovation, a positive outlook, a growth mindset, and hard work,” the author points out.

Shehla, who deeply cares about women’s rights, notes that the unfortunate use of the term puncturewallas (‘puncture mechanic’) on social media as an insult for poor, hardworking Muslims has permeated the discourse.

She says that it is these puncturewallas who ensure that there isn’t a stranded woman anywhere in the country without recourse to assistance.

“While it is surprising that no volume on the contributions of contemporary Muslim public figures exists, it is also unsurprising because it wouldn’t make sense for them to over-emphasise their identity for fear of being boxed as ‘Muslim’ professionals when they are otherwise universally celebrated,” Shehla writes in the book.

The book is a celebration of contributions of Indian Muslims to the country. The book brings spotlight on the people who have long remained in shadows. It is a story that shatters the stereotypes. The book celebrates Muslim achievers of the country, a community that otherwise remains in the headlines for all the wrong reasons.

source: http://www.greaterkashmir.com / Greater Kashmir / Home> Opinion and Editorial / by Syed Rizwan Geelani / October 24th, 2024

Accumulation by Segregation by Ghazala Jamil

NEW DELHI :

Accumulation by Segregation by Ghazala Jamil / India, OUP India, 2017 / 244 pages / ISBN: ‎9780199470655/750 INR

Muslims in India continue to live in precarious conditions. Being classified as a minority implies more than just their small numbers; historically, it has implied a completely varied identity, negatively affecting their political, social, or cultural lives. With complete disregard for the geographical and cultural diversity within the Muslim community, postcolonial Muslims in India are differentiated by their aspersed identity. Within this overall restriction, which frequently took violent turns and formed the circumstances for surviving, Muslims had to negotiate their citizenship. Muslims’ circumstances were affected by their humiliating, dehumanising, and stereotypical identity.

Seen in this light, this book by Ghazala Jamil is an intervention into the conditions of Muslims in Delhi, studied as a part of the globalisation process. It provides readers with a systematic way of looking at the segregation of Muslims in Delhi. It looks at segregation in the context of the 1857 mutiny, the partition of 1947, Emergency and communal violence, and examines the relationship between globalization and segregation.  It also examines the discursive practices perpetuating and strengthening the Muslim identity as anti-modern, backward, and unchangeable, thereby hindering the developmental potential among Muslims.                                             

The author argues that comparing the historical ghettos of the Jewish population in Europe to the concentration of Muslims is misleading. The situation of Muslims is not primarily caused by coercion, violence, and oppression but rather by the limited options they face. This makes their situation historically specific and functionally distinct, warranting critical examination.

The book largely focuses on areas in Delhi, including parts of the walled city and localities outside Shahjahanabad; Seelampur and other trans-Yamuna Muslim areas in  North Eastern Delhi. It also includes Jamia Nagar in South Delhi; Nizamuddin and Nizamuddin West, and the Taj Enclave. Through ethnographic explorations, Jamil explores the city’s inhabitants’ memories, living experiences, dreams, and discontent.

Violence, displacement, discrimination, migration and hope remain common in making these settlements. Various events, such as post-partition violence, the beautification drive during the emergency, and subsequent violence associated with growing Hindu nationalism, particularly in Gujarat, have contributed to the establishment of these settlements. As a result, a large influx of people migrated to settle in Delhi. By the late 1980s, segregation in Delhi on religious identity lines became almost final and complete (p. 5). These settlements faced various forms of discrimination, including being labelled as centres of terrorism, poverty, backwardness, and fanaticism associated with Muslims. 

These places are identified as Muslim settlements and are subsequently termed ‘mini-Pakistan’, as with Seelampur. These conditions further determine the relationship of Muslim settlers beyond the segregated areas.

In the context of economic liberalisation, Delhi provided a sense of security in segregation but also better educational and economic opportunities to Muslims. Capitalism is found in Muslims as an ‘incarcerated resource’. For example, in Jamia Nagar, students with the requisite skills are making their place in the global economy. In Seelampur, the small manufacturers, both semi-skilled and unskilled labourers have ‘benefited’ from manufacturing jobs brought to India by globalization. But what is making them functionally distinct and incarcerated resources from other beneficiaries is that their involvement with globalization is restricted by their location in the segregated areas, which limits their movement and confines them to these areas only. Globalization, in this case, is not promoting progress but rather enforcing separation and discrimination, creating barriers that are challenging for Muslims to overcome.

Muslims are incorporated into the capitalist objective of maximizing profits. However, their situation is distinct due to several limitations. Firstly, they receive less financial help from banks and lack capital, both socially and financially. Additionally, they face a disproving work and business environment. Moreover, they are often viewed as enemies, backward, stagnant, and traitors. These factors ultimately determine their terms of incorporation with the outside world. Hence, making the point that aspersed identity has a distinctly exploitative and material function.

Despite segregation, the real estate business thrives within these settlements while keeping the segregated topography of Delhi undisturbed. Within these processes Muslim neighbourhoods have become complex and diverse in economic classes. Zakir Nagar Extension, Jogabai Extension, Johri Farm and Taj enclaves have emerged as affluent enclaves, areas of the neighbourhood where the wealthy citizens are clustered. Despite being wealthy, the residents are unable to leave their neighbourhood because Hindu property owners in other sections of the city refuse to sell or rent their homes to Muslims or because they see a threat of violence or claim to have had already experienced it.  They try to enclose themselves and try to become less like the popular stereotypes about Muslims.

The author argues further that old Delhi, Jama Masjid with adjoining areas and that of Nizamuddin fell prey to commodification from the 1990s. The less significant structures, the Partition’s history and legacy, the clothing, the eateries, and the fragrances all serve as living artefacts and installations for tourists in addition to the historical monuments and religious sites in the region.  The taboo topics of Muslims and “Muslimness” have evolved into odd, even weird, spectacles for the adventurous.

People flock to the streets of old Delhi to explore the exotic and the antique, reducing the inhabitants to spectacular displays for the consumer while rendering political contestation and mobilization difficult (p. 91). Through accumulation, it functions as a means of constructing the identity of individuals, connecting them to a particular place and creating an impression of an inherent and unchanging nature.

Jamil notes that in this effort of commodification, the state, civil society, and media are all involved, promoting history tours and good exotic Muslim foods to tourists. Keeping these things in mind, marketable Muslims in segregated areas has to remain as it is for the consumption of others.          

Ghazala Jamil, drawing from Althusser, argues on the same lines that ideological state apparatus is reflected in cinema and media representation. She argues that Muslims and Muslimness are always shown and understood as homogenous entities, with utter disregard for their variation in political interest and in cultural practices. This notion is sustained and perpetuated in popular media films. Where the lines between reality and the stage are blurred. The author here analyses various Hindi movies during the period between 2008 to 2010, where the popular image of Muslims depicted as fundamentalist, parochial and backwards was given a space and subsequently uncritically consumed by viewers. When examining print media descriptions, it is evident that irrational attitudes, dangerous behaviour, volatility, and backwardness continue to be prominently used to portray incidents involving Muslims, often generalising the entire community.                                                                                                                                                                                       

 Further, framing her case through fake encounters, extra-judicial killing, and differential treatment, she claims the Indian Muslim is fashioned as homines sacri. They are being made to “feel guilty for the partition of the country, represented as irrational fundamentalist fiends, loathsome and polluted, disloyal normative non-citizens, and potentially dangerous terrorists”(p. 99).

Homines sacri, according to Trevor Parfitt (2009), are individuals who have been placed outside the boundaries of the law, rendering them outlaws. They can be harmed or even killed without any legal repercussions. Their lives are meticulously planned, controlled, and regulated in every possible aspect.

When employing the concept of ‘homo sacer’ for Muslims in India, akin to its application to Jews in concentration camps, it raises the question of how to interpret the legal constitutional rights granted to Muslims in comparison to the rights that Jews were deprived of. This brings to light the inquiry as to how the treatment of the Muslim case, which Jamil considers “historically specific and functionally distinct,” falls short in addressing this issue.

The author puts forth a convincing viewpoint concerning the Muslim community’s struggle with a deficit in citizenship and a feeling of alienation within the political sphere. This argument carries logical weight as it emphasizes the obstacles faced by Muslims in fully exercising their rights as citizens and achieving a sense of inclusion within the larger political framework.

Particularly since the rise of right-wing governments, hatred against Muslims has become more crude and naked; where everything associated with Muslims is being politicized and then criminalized. Every activity in the eyes of sponsored vigilantes has become some or other kind of jihad against the government and the people. Responses from the government include intimidation, demolitions, and arrests of victims guised as perpetrators. With the unfolding of these events, experts are even raising concerns over the situation and its striking similarity with past historical atrocities. 

However, this violence is not absolute. The Muslim remains an equal citizen theoretically capable of posing counter-hegemonic discourse, which the author does acknowledge.  Therefore, it is crucial to approach the situation of Muslims with an understanding that their experiences, though marked by violence, do not reduce them to the status of ‘homo sacer’, as they retain the capacity for political agency and the ability to contest dominant narratives.            

The author in the end puts her hope in education and the growing enthusiasm around it among Muslims. Muslims themselves are expected to make interventions in their own circumstances and discourses around them. For instance, measures to combat epistemic Islamophobia would also require adjustments in other areas. This can be found in the ‘Discursive-Political’, which encompasses manifestations of daily life, culture, and behaviour and are primarily considered non-political. These activities, as she claims, involve transformative political practices that reveal the ‘contingent and socially constructed’ nature of what is portrayed as ‘necessary and natural’. The effective resistance for her is to claim and assert citizenship and be able to represent and define rather than getting defined.

References 

Parfitt, Trevor. (2009). Are the Third World Poor Homines Sacri? Biopolitics, Sovereignty, and Development. Alternatives: Global, Local, Political, Vol. 34, No. 1 (Jan.-Mar. 2009), pp. 41-58.  

source: http://www.thedaak.in / The Daak / Home> Issue No.4 / by Rizwan Hamid / July 15th, 2023

Threads of resistance: How Kashmir’s shawl weavers spun a revolution

JAMMU & KASHMIR :

Abdul Ahad’s nuanced book explores Kashmir’s artisans’ legacy, offering profound insights on resilience amid enduring turmoil.

Kashmiri women at work on crewel embroidery. | Photo Credit: Jaspreet Kaur

In the annals of Kashmir’s tumultuous history, the Zaldagar agitation of 1865 is a watershed moment. On April 29, 1865, the community of Shawlbafs (traditional weavers of the famed Kashmiri shawl) hit the streets of Zaldagar in Srinagar in a peaceful protest against the high taxes levied upon them by the Dogra rulers. In the mayhem and stampede that ensued when the Dogra Army attacked the unarmed protesters, as many as 28 Shawlbafs drowned and scores were injured.

The Zaldagar rebellion, as it came to be known, was not just a revolt against immediate grievances. It was the first indigenous political movement of modern South Asia, a precursor to the broader struggles against colonial and feudal oppression. Though the Shawlbafs are often relegated to the shadows of history, their defiance at Zaldagar lit a flame that would ignite countless hearts, shaping the resistance ethos of Kashmir for generations to come.

Who are these unsung heroes? How does the painstaking labour of these artisans elevate the Kashmiri shawl to a symbol of global prestige? In what ways does a labour uprising from the 19th century continue to resonate within the veins of Kashmir’s political discourse today?

The former bureaucrat-turned-historian Dr Abdul Ahad deftly navigates these questions in his most recent book Shawls and Shawlbafs of Kashmir: Legends of Unsung Heroes,which sheds light on the enduring legacy of these artisans and the historical events that continue to shape the cultural and political fabric of Kashmir. Well-researched and richly embellished, this book is a painstaking exploration of the origin of the Kashmiri shawl as an indigenous product and the commitment and craftsmanship of its makers, the Shawlbafs.

Embedded within Kashmir’s cultural tapestry, this cottage industry, now on the precipice of oblivion, finds a voice in these pages, as the text meticulously chronicles its decline and the indelible mark it has left upon the region’s historical and socio-cultural landscape. The book serves not merely as a chronicle but as a poignant requiem for an artisanal legacy that teeters on the brink of extinction.

The shawl as an emblem of Kashmiri identity

Dr Ahad’s groundbreaking work fundamentally challenges the narrative that positions the Kashmiri shawl as an exotic import, alien to the indigenous cultural and artistic milieu of Kashmir. In Chapter One titled “Birth of an Occupation”, while departing from the perspectives presented in earlier works like Frank Ames’ The Kashmir Shawl and Its Indo French Influence and Parviz Nemati’s Shawls of the East: From Kerman to Kashmir, both of which suggested a foreign origin for this craft, Dr Ahad argues that the shawl is not merely a fabric but a profound articulation of Kashmiri artistic identity, deeply interwoven with the region’s socio-cultural fabric from its inception.

Shawls and Shawlbafs of Kashmir: Legends of Unsung Heroes / By Dr Abdul Ahad / South Asia Distributors and Publishers, 2024 / Pages: 100 / Price:Rs.6,250

Archaeological evidence shows that the art of shawl-weaving in Kashmir began in Burzahom, Srinagar, over 5,000 years ago. Tiles found in Harwan, Srinagar, and Hutmur, Anantnag, suggest that people in Kashmir at that time were highly skilled in weaving fine, transparent cloth. These discoveries highlight the long and rich tradition of weaving in the region. The shawl, Dr Ahad asserts, is emblematic of the Kashmiri ethos, reflecting the intricate interplay of history, tradition, and artistry that defines the region, thereby reasserting its rightful place as an indigenous craft that is not a derivative of Central Asian influences.

In the chapters “Shawl Karkhanas: Avenues of Employment” and “Shawl Trade: A Lucrative Business”, Dr Ahad provides a comprehensive analysis of the wool industry in Kashmir, presenting it as a cornerstone of both economic and social development. He elucidates how shawl karkhanas (woollen weaving workshops) functioned as traditional special economic zones, providing extensive employment opportunities and facilitating the socio-economic upliftment of rural and urban Kashmir. Dr Ahad’s documentation highlights how the integration of these industries into broader economic frameworks not only spurred local development but also positioned the shawl trade as a significant contributor to the region’s prosperity.

Haji Ghulam Rasool Khan, a master craftsman from Srinagar who was awarded the Padma Shri for reviving the art of Jamawar patchwork. | Photo Credit: Jaspreet Kaur

The unsung Shawlbafs

In the forthcoming chapters, Dr Ahad unveils the tribulations of Kashmir’s artisans—its weavers, embroiderers, designers, spinners, and craftsmen. Through a comprehensive analysis, he shows us how their labour not only influences the socio-economic fabric of Kashmir but also feeds into the region’s political discourse of dissent. In this way, he highlights the historiographical neglect of the shawlbafs, whose lived experiences and socio-economic struggles have been conspicuously absent from historical narratives. He writes: “The productive and creative activities of Shawlbafs—who have carried them out against heavy odds to eke out their existence, improvise their skills, increase the quality of shawl products, and, thereby, build the edifice of Kashmiri society and the soul of its cultural stockpile—have regrettably been denied (and are being denied even today) the space they deserve in the history of Kashmir.”

Dr Ahad posits that the significant surge in population, coupled with the expansion of the commodity economy, catalysed a profound disjunction between industry and agriculture, as well as a bifurcation of artisans from the agrarian populace. This transformation, driven by the burgeoning bazaar economy, engendered a reliance of artisans on intermediaries and merchants, thereby undermining the autonomy of production.

Abdul Rashid Bhat, the famed “chain-stitch master” from Tengpora, Srinagar. | Photo Credit: Jaspreet Kaur

The shawl industry languished under the weight of relentless taxation imposed by successive regimes. Except the benevolent reign of Zain-ul-Abideen, the Mughal, Sikh, and Afghan dynasties exacted crippling levies upon the shawlbafs, driving these artisans, the very lifeblood of the craft, to the brink of destitution. Their impoverishment and subsequent migration to alternate livelihoods marked the slow erosion of a once-flourishing tradition. A Persian couplet in the book poignantly captures the tragedy of Kashmir and its workforce during the Afghan rule:

Purseedum az khadabiye gulshan zi baghban Afghan kasheed, guft ki Afghan khadabiye kardd (When the poet asked the gardener who laid waste to his garden/ Drawing a deep sigh, he replied: ‘Afghan’)”

This book, ostensibly a treatise on Kashmiri craftsmanship, is also a poignant memoir chronicling the region’s turbulent politics. It dissects how labour strife and uprisings laid bare the yearning for Kashmiri sovereignty, a yearning tragically marred by the relentless machinations of political expediency, which plunged the Valley into perennial turmoil. The narrative captures the essence of the Zaldagar Rebellion of 1865 which ignited a wave of cooperative movements that reverberated far beyond Kashmir’s borders, their ideological ripples echoing across distant geographies.

It also meticulously charts the region’s descent from a bastion of cultural and historical significance into a landscape marred by chaos, anarchy, and oppressive foreign occupations. Through a nuanced exploration of centuries of political resistance and agitation, the book captures Kashmir’s relentless struggle to reclaim its lost identity and agency, offering a profound commentary on the resilience of a people amid enduring turmoil.

This book sheds light on the often-overlooked artisans whose skilled hands have brought international fame to the humble shawl, from gracing the shoulders of VVIPs at events like the FIFA World Cup to driving an industry worth Rs.5,000 crores annually. It is a poignant call to recognise the quiet resilience of these unsung heroes, whose craftsmanship speaks louder than their voices, yet remains largely unheard. Shawls and Shawlbafs of Kashmir is a remarkable ode to Kashmiri culture, seamlessly weaving history, artistry, and tradition into a compelling narrative.

Bilal Ahmad Wagay teaches Politics at Government College, Beerwah.

source: http://www.frontline.thehindu.com / Frontline / Home> Books> Book Review / by Bilal Ahmad Wagay / September 20th, 2024

VC Jamia Hamdard Unveils Book on Muslim-Established Educational Institutions in India

NEW DELHI :

New Delhi:

A new book titled “Educational Institutions Established by Muslims in India (1986-2016),” authored by Naaz Khair and commissioned by Institute of Objective Studies, was unveiled by Professor Afshar Alam, Vice Chancellor of Jamia Hamdard, at the IOS auditorium here Saturday.

While releasing the book, Professor Alam highlighted its comprehensive examination of educational institutions founded by Muslims in India over a thirty-year period.

He noted, “The book offers insightful analysis of how these institutions have contributed to the educational and social progress of the Muslim minority, focusing on both the challenges faced and the achievements made. It also underscores the significant role of institutions like Aligarh Muslim University and Jamia Millia Islamia in providing access to higher education for Muslim students, who are often marginalized in India’s broader educational landscape.”

Naaz Khair, the author and an independent consultant in education and social sector, shared key findings from the book. She revealed that, between 1986 and 2016, Muslims established 21,338 recognized and unrecognized private schools, including madrasas, as well as seven UGC-approved private universities, 111 UGC-approved private colleges, 3,660 minority-run private schools, colleges, and universities, and 226 minority-run technical institutions.

Professor Furqan Qamar from JMI’s Department of Management Studies praised the publication, noting, “This is an excellent starting point, but it’s crucial to continue updating this data. The creation and regular updating of a comprehensive database of Muslim-established institutions will benefit researchers both nationally and internationally.”

Professor M. Akhtar Siddiqui, a retired faculty member from JMI’s Faculty of Education, remarked, “This study firmly establishes that Muslims have made significant contributions to nation-building, despite criticisms to the contrary. It shows that the community values education and is committed to the nation’s progress.”

Professor Madhu Prasad, a retired professor from Zakir Hussain College, reflected on her own experience, stating, “I come from an institution, Zakir Hussain College (formerly Madrasa Ghaziuddin), which represents the rich history of Muslim education in India. For over 300 years, it has been a leading institution for higher education in North India, and its legacy is a testament to the Muslim community’s enduring contribution to the country’s educational landscape.”

RTI activist and researcher Saleem Baig discussed the difficulties encountered in gathering data for the book, noting the reluctance of stakeholders and government bodies to share information about Muslim-established institutions.

source: http://www.radiancenews.com / Radiance News / Home> Focus> Report / by Radiance News Bureau / October 20th, 2024