Tag Archives: Humayun’s Tomb – Delhi

There is no history of India’s freedom without its Muslims

INDIA :

At 80, revisiting the Muslim lives, movements and sacrifices that shaped India’s struggle for freedom, and the politics of forgetting them.

Stroll through the pages of India’s history, because academia has failed to acknowledge some names and contributions in the Indian freedom struggle. From the Taj Mahal, Red Fort, Qutub Minar, Humayun’s Tomb, Gol Gumbaz, Charminar, to Fatehpur Sikri and the bustling lanes of Chandni Chowk, they all speak volumes louder. But the cultural pattern of ‘selectively remembering’ and ‘selectively forgetting’ has downplayed nation’s history into one-dimensional narratives , while external sources of learning like cinemas, textbooks, public places re-branding, etc,  are getting colored with contemporary political dynamics, to legitimize their plans and policies. 

To fathom India’s past sincerely, we must be willing not only to learn but also to unlearn. Learning involves discovering forgotten contributions, while unlearning requires shedding inherited biases, political narratives, and simplified versions of history. Because, as eminent historians have speculated, the past is constantly reinterpreted in the light of new evidence and new questions. Consequently, the framing of our past will affect the present, which will further be read as a past in the future, thus entrusting us with sheer responsibility of weaving a lineage of conscience, not insidious storytelling.

The lost dots of the Indian freedom movements

Revisit in Indian history afresh because erasure never happens all at once, it happens slowly and systematically.

Independence Movements did not count from the very battles fought, but from the conditions laid down before and after to formulate and fixate Indian society and culture altogether. Resistance to the economization, politicisation, and, ultimately, colonization by the Britishers was confronted by the collective plurality which our country possessed with pride. Testifying that resistance was not always born on the battlefield, often it began with communities refusing to harbor animosity for one another. 

Hindu sanyasis and Muslim fakirs whom the British Company wanted to fragmentalise, chose each other instead. Naga ascetics of the Dashnami order like Pandit Bhabani Charan Pathak stood beside Muslim fakirs of the Madari and Burhana sects, Majnu Shah Fakir, Chirag Ali, Musa Shah, and together resisted the oppressive taxation and economic exploitation the Company had imposed. It was one of the earliest organized rebellions against British rule in India, and yet how many of us have even heard these names?

Tipu Sultan

That same defiance carried into Mysore, Tipu Sultan, a name antagonized in recent years that people even slipped away from the fact that he is the man who invented Missiles in India, a ruler who terrified the British. He built iron-cased rockets before most of the world imagined such a weapon, and fought the British across four wars, refusing again and again to let his kingdom bow. And what do we do with that legacy today? 

Islamic gallantry didn’t halt there. Moulvi Ahmadullah Shah, one of the key leaders of the First War of Indian Independence in 1857 was called the lighthouse of rebellion in Awadh, an epitome of the Ganga-Jamuna culture of Faizabad. The rebel army of Awadh was led by Barkat Ahmad and Maulvi Ahmadullah Shah, with Barkat Ahmad declared Chief Army Officer of the rebels after the Battle of Chinhat. ​​​​​​

Moulvi Ahmadullah Shah

At the head of that same uprising stood Bahadur Shah Zafar, lending his name and his throne to the rebellion we call the Sepoy Mutiny. He gave everything a king could give, and the British broke him in the cruelest way. After his surrender, his sons Mirza Mughal and Mirza Khizr Sultan, and his grandson Mirza Abu Bakr, were stripped and shot in cold blood by Major William Hodson at what is now called Khooni Darwaza, and their severed heads were brought before their own father as a trophy. So many lives were lost in that struggle, so many families broken, and it is widely said that nearly 5 lakh Muslims were martyred, close to 50,000 of them ullema who chose the battlefield over silence. After rotating around 79 years of India’s independence, we are still cynical over the contributions carved by Indian Muslims.

Bahadur Shah Zafar

Another buried name is of, Ashfaquallah Khan, was hanged on 19th December 1927, at just 27 years old, along with other Kakori comrades who were sent to the gallows. This Kakori robbery was to pull back the wealth of Indian soil to channelize it for the national struggle. Khan revolutionized nationalist movement with his participation in Hindustan Republican Association (HRA), founded by Ram Prasad Bismil along with two others. Like Kakori robbery, many other raids were rolled out to confront with required force rather than abstracting the notion of peace towards the gruesome tortures.   Have we ever lent an ear to these lines of Khan’s  ‘Hasrat’ poem- “Kuch aarzoo naheen hai, hai aarzoo to yeh hai, Rakh de koi zara si Khaak-e-watan kafan men” who as his last whim, recited this poem soaked in patriotism. Are we made to remember these lines by a Muslim freedom fighter when we are reminded about the terrified misapplication of the divine slogan “Allah-u-Akbar” to polarize the Islam?

Ashfaqullah Khan

Walking further, Abdul Habeeb Yusuf Marfani, gave away his entire estate for a freedom he’d never see honoured. His courage was never separate from the cause, it was central to it, and it’s long overdue we remember it that way.

Abdul Habeeb Yusuf Marfani

Muslim participation in India’s freedom struggle was not boxed in a specific time or way, it encompassed armed resistance, societal reforms, mass mobilization, revolutionary events, and non-violent protests. The hurls on the invasions done by Muslims are widely made, but onlookers of the contributions by very same people, are tactfully airbrushed.

Sacrifices for the Indian motherland were proven on silent or loud battlefields,  not by the mere recital of ‘Patriotic Songs’ such as Vande Mataram as a contemporary reference. That is turned down by Indian Muslims lyrically, not soulfully, because of the religiosity which the Indian Constitution guarantees them. When did the recital of patriotic songs begin to outweigh the very acts of sacrifice they were meant to spring up?

Freedom fighters such as Maulvi Ahmadullah Shah, Begum Hazrat Mahal, Fazl-e-Haq Khairabadi (clarified the Jihad term through his war against the British), and Azimullah Khan were also important in the 1857 uprising. Barely, we learn or are made to learn about them? While vilifying other names of this very same community. 

The Ali brothers, Shaukat Ali (1873-1938) and Mohamed Ali Jauhar (1878-1931)

Even the popular moments like the non-cooperation movement and the Khilafat Movement were helmed by some unheeded names: Mohammad Ali Jauhar and Shaukat Ali. Erected on the former’s name, there stands a university in Rampur, U.P. which recently has fallen prey to the communal politics, staking Indian youth’s future at darker stage, thus disregarding the blood of these freedom fighters.

Khan Abdul Ghaffar Khan

Khan Abdul Ghaffar Khan who spent three decades in prison and headed the non-violent Khudai Khidmatgar Movement among Pashtuns against British rule, wherein he combined social reform, service, and discipline. His demise took place during his house arrest in Peshawar. 

Abid Hasan Safrani

Without a single community-led leader, ideologies often find a loose hand to wrestle for their individual existence rather than collective results. Abid Hasan Safrani,  prominent INA member, mobilized the Muslim youth and committed to Subhas Chandra Bose’s movement (Azad Hind Fauj), which underpinned armed resistance in the Indian Freedom Struggle rather than non-violent means, brewing the unity for winning back the motherland.

Having said that, the famous Ghadar Party, founded in 1913, was pioneered by one more buried name- Maulana Barkatullah Bhopali. He was the first Prime Minister of the Provisional Government of India (Government-in-Exile), which was established in Kabul in 1915. He traversed across Europe, Asia, and North America to usher in the momentum for the Indian freedom struggle. His death took place in the US, leaving him deprived of bidding adieu to his motherland one last time.

Maulana Barkatullah Bhopali

Then, “Inquilab Zindabad”, the popular hymn echoed at Jantar Mantar very recently, was originally coined by Urdu poet-politician Hasrat Mohani at the Congress’ Ahmedabad session, while Bhagat Singh solely made it popularized. Mohani had been a soulful Krishna Bhakt, leaving him writing eulogies for ‘Hazrat Krishna’ (Hazrat is not a religious tag; it is an honorary title).  He, being the co-prisoner of Gandhi ji, presented him with the USSR idea of federalism for empowering the localized and regional pockets of the agglomerate India. His courage and values proved his patriotism in the debates of the Constituent Assembly and confrontations with the Britishers. 

Hasrat Mohani

We remember Mahatma Gandhi more than any other freedom fighter, but are we mindful of the fact that the man who saved him was Batak Mian Ansari during the Champaran Satyagraha in 1917? He was the cook deployed by the Britishers, who then ordered Batak Mian Ansari to serve venomous milk to Gandhi ji. His integrity made him stake his life to save Gandhi ji. He sneakily warned Gandhi ji, and, as anticipated, he was kicked out of his job by the Britishers, further leaving him battered by the villagers and ousting him and his family from his residence. To date, his family couldn’t receive what was promised for his courage by India’s first president, Rajendra Prasad. Questioning how much we have honoured the honorable personalities on the ground?

Batak Mian Ansari

The last Nizam of Hyderabad, Mir Osman Ali Khan, is also in this queue of the buried names. Independence movement is not merely the swing between direct confrontation with colonial regime, it too laps over the pre and post period that either nudged the movements or repaired the damages caused to India. He has reportedly granted mammoth donations across educational and religious institutions. From BHU, AMU, IISc, publication of critical editions of Mahabharata, Golden Temple, Amritsar and many more places . We rewind through cruel rulers who demolished Indian structures, to attack their community and make them accountable in the present, but are we awakened with these submerged realities as well? One-sided history or evolving history, rationality comes with the choices citizens make to discern their roots.

Mir Osman Ali Khan

The history of Muslim resistance to British colonial rule also travelled deep into Malabar in Kerala, where Variyankunnath Kunjahammad Haji, Ali Musliyar , and Sayyid Fazal Pookoya Thangal emerged as formidable names in a long tradition of anti-colonial mobilisation. Fazal Pookoya Thangal, the 19th-century Mappila spiritual leader of Malabar, became an influential voice against British authority and the oppressive agrarian order sustained under colonial rule, eventually being forced into exile in 1852. Decades later, that inheritance of resistance found powerful expression in the 1921 Malabar uprising, with Ali Musliyar, a religious scholar and Khilafat leader, and Variyankunnath Kunjahammad Haji becoming among its most prominent leaders. Haji challenged British authority in parts of Malabar and established a parallel administration in areas under rebel control, while Ali Musliyar mobilised people against colonial rule before being captured and executed by the British. Haji, too, was eventually captured and executed by firing squad in January 1922.

Ali Musliyar

Culture can marginalise women, but religion pours courage 

“Khoob Ladi Mardani thi, Wo Jhansi Wali Rani thi”, Whenever we speak of women who took up arms for this land, Rani Lakshmibai of Jhansi is the name that comes to every tongue, and she deserves every bit of that memory. But here’s what gnaws: she was not alone. There were other women just as fearless, standing in the same fire, and history simply didn’t bother to write their names down. 

Begum Hazrat Mahal

Begum Hazrat Mahal was one of them, and she wasn’t a side character, she was one of the rebellion’s most formidable forces. Even William Howard Russell, a British correspondent writing for his own side, couldn’t deny her fire. In his My Indian Mutiny Dairy, describing her as a woman of remarkable energy who had stirred all of Oudh into rising for her son’s cause and had herself declared undying war against the British. At Musa Bagh in Lucknow, she didn’t issue orders from a distance, she personally fought alongside and rallied nearly 9,000 rebel soldiers, moving from camp to camp, lifting morale with speeches that set entire camps on fire.

Abadi Bano Begum

And then there’s Abadi Bano Begum- the woman history remembers, if at all, only as “Bi Amma.” A widow with six children, one of the sons Maulana Shaukat Ali, and the other Mohammad Ali Jauhar, above-mentioned together known as the Ali Brothers. She could have used every excuse the world hands a woman to stay silent. widowhood, motherhood, the weight of raising children alone. She used none of them. When the country needed people brave enough to stand up to the British, she stood up too. She became the first woman to address a political rally while wearing a burqa and let that sink in for a moment. She didn’t have to remove a part of her identity to be taken seriously in public life; she broke the idea that a veiled woman couldn’t also be a fighter, a leader, or a voice loud enough to move a crowd. She urged women to stop hiding at home and join the struggle, organizing funds and meetings where they were addressed as political beings for the first time, and taught why boycotting foreign goods mattered. She convinced them to donate to the Tilak Swaraj Fund, set up by Bal Gangadhar Tilak to finance India’s freedom struggle.

Kulsum Sayani

Not every battle was fought with a sword, some were fought with pen and paper. Kulsum Sayani, awarded the Padma Shri in 1960, waged her own war against illiteracy through the Jan Jagran movement, teaching under “each one, teach one” and leading centres for Muslim women that grew from 50 to 600 by sheer will. Begum Rokeya, a fiercely prolific feminist writer at a time when a woman dreaming was seen as rebellion, imagined a world turned upside down in Sultana’s Dream, then built that vision into reality, founding a girls’ school in 1909 and the Muslim Women’s Association in 1916, giving women space to learn and speak.

Begum Rokeya

80th Indian Independence Day’s call to unwind the narratives 

As the author of ‘Sare Jahan Sai Achcha, Hindustan Humara’– Allama Iqbal penned- “The freedom lovers of the nation stepped forward with such dignity that even those long imprisoned by deprivation watched in admiration.” It has been shouldered on the present generations to soak in the evolving history to sanitize the present from groans of hatred, rotting the Indian society. 

These lost chapters from Indian history wouldn’t have been possible to muster without the effulgent works of Salim Khan, Romila Thapar, Ramachandra Guha, S. Irfan Habib, Mushirul Hasan, A. G. Noorani, Rana Safvi, etc. Grinning us with the fact that the pluralistic framework of India is not only designed by the constituent makers, but it is also originally earned by all the freedom fighters, from pre- to post-independence.

Adeena Navaid is a law student and writer covering legal, social, and feminist issues, with work published in Maktoob, Bar & Bench, The Quint, Siasat, SheThePeople, and other platforms. Aiman Tabassum is a final-year LL.B. student at the University of Mumbai who writes on constitutional law, legal history, and socio-political issues, with work published in Bar & Bench.

source: http://www.maktoobmedia.com / Maktoob Media / Home> Opinion / by Adeena Navaid & Aiman Tabassum / August 14th, 2026

Delhiwale: The ultimate Mughal souvenir

DELHI :

The marble throne of Bahadur Shah Zafar, the last Mughal emperor, symbolizes a collapsed dynasty, now housed in a museum near Humayun’s Tomb in Delhi.

Delhiwale: The ultimate Mughal souvenir

Behold this marble throne. Preserved inside a glass case at the Humayun World Heritage Site Museum in Delhi, it was once the stately seat of Bahadur Shah Zafar. As the last Mughal sovereign, the poet-king is likely to have sat on this throne while reflecting on the dissolution of his 300-year-old dynasty. The throne is, in fact, less ostentatious than the throne-like sofas found in the drawing rooms of Delhi’s wealthy today. Yet it is far more elegant. The armrests are supported on latticework, and faint flecks of colour cling to the marble like the last glimmers of extinguished stars. The fragile-seeming relic assumes truly epic proportions as the viewer connects it to the legend of a collapsed empire whose layered legacy continues to resonate in our republic (vividly chronicled in this newspaper yesterday).

The Mughals spanned over 18 rulers. Their kissa-kahani began 500 years ago in 1526, when Babur defeated Delhi Sultan Ibrahim Lodi in a field 80 kilometres from Delhi. Soon after, Babur entered the city and visited the shrine of the mystic Hazrat Nizamuddin Auliya. At that time, nobody would have guessed that this pilgrimage would recur across generations of Mughals, binding them to the city’s sacred, grave-dotted topography.

Truth be told, Delhi surpasses the dynasty’s other great centres, Agra and Lahore. Shahjahan may have built the immortal Taj in Agra, but his creation of Old Delhi throbs more with real life. For Delhi’s pre-eminence in Mughal India, we must first credit Babur’s son, Humayun, who established his capital, Dinpanah—today’s Purana Qila—near the shrine of Hazrat Nizamuddin. His son Akbar later built Humayun’s mausoleum close to the same shrine.

Over time, Humayun’s Tomb came to be known as the “dormitory of the Mughals.” This 16th-century complex contains 160 graves of kings, princes, and princesses, representing a broad cross-section of the dynasty. Seven Mughal emperors are buried here: Humayun, Azam Shah, Jahandar Shah, Farrukhsiyar, Rafi ud-Darajat, Rafi ud-Daulah, and Alamgir II. It was here, at Humayun’s Tomb, that Bahadur Shah Zafar took refuge after the collapse of the 1857 uprising against the British. He was captured at this very site, marking the end of the Mughal Empire.

The aforementioned museum, which houses Zafar’s throne, is across the road from Humayun’s Tomb. In the lead-up to its inauguration two years ago, a significant moment was the installation of the throne, personally overseen by museum curator Ratish Nanda—see photo. A conservation architect, Nanda had earlier helped restore the garden around the first Mughal emperor’s tomb in Kabul.

As for the last Mughal, the unfortunate Zafar had intended to be buried in Delhi, but the British exiled him to Rangoon, where he was finally laid to rest. As a consolation, his ill-fated throne may be seen as a symbolic substitute for his Delhi tomb. Indeed, as the tomb of his dynasty itself.

source: http://www.hindustantimes.com / Hindustan Times / Home / by HT Correspondent / May 04th, 2026

The actual Taj story: how a monument’s history has been warped

Agra, UTTAR PRADESH :

Tushar Goel’s film, ‘The Taj Story’, has reignited controversy over the Taj Mahal’s origins, claiming it is a Hindu temple rather than a mausoleum built by Mughal emperor Shah Jahan. The film’s debut highlights debates about the interplay of history and ideology in contemporary India.

Scaffoldings are pictured as restoration work goes on at the dome of the Taj Mahal in Agra on October 17. | Photo Credit: AFP

A little over 60 years ago, Purushottam Nagesh Oak slept and dreamt. He woke up and claimed that the Taj Mahal in Agra was actually a Hindu palace going back all the way to 4th century. Friends of Mr. Oak, an English teacher-turned-lawyer-turned-journalist but never a historian, told him that the Taj Mahal couldn’t have been a fourth century structure as the technology employed in building the Taj in the 17th century didn’t exist back then. The fantasist turned a pragmatist, and Oak brought his argument forward by a few centuries. The Taj was now claimed to be a Hindu temple. This was in 1989. He wrote articles and a book too, but found no support from historians. Even the Supreme Court dismissed his claims as “a bee in his bonnet” in 2000.

But post-2014, history is like a revolving door, you enter and exit at your ease and pleasure. You pick and choose, you circumvent and invent. Dress it up as a movie and claim you are looking at history anew. That is how we get a movie like Tushar Amrish Goel’s The Taj Story, starring former BJP MP Paresh Rawal; just like we had The Kashmir Files and The Bengal Files, starring Anupam Kher and Mithun Chakraborty, all ideological partners of the Bharatiya Janata Party (BJP).

With The Taj Story, Goel goes where no historian has gone. Proof, evidence and knowledge amount for nothing as the director makes a case for the Mughal monument being actually a Hindu temple, much like the BJP leader Sangeet Som who called it alternately a Shiva temple and a monument built by a man who incarcerated his father. Mr. Som obviously couldn’t make out a Shah Jahan from an Aurangzeb and hence got mixed up. Much like Oak, oops, Goel, who sees no difference between history and mythology, facts and fantasy.

Recorded history

Talking of facts, the Taj Mahal was built by the Mughal emperor Shah Jahan after his favourite wife Arjumand Bano Begum breathed her last after bearing the last of their 14 children. Its chief architect was Ustad Ahmed Lahori. The land for her last resting place was procured from Mirza Raja Jai Singh of Amber who had inherited it from Raja Man Singh, a celebrated general of Akbar, who was Shah Jahan’s grandfather. Shah Jahan compensated Jai Singh with four havelis from the royal property for the massive haveli in which rests Mumtaz Mahal. His firman to Jai Singh, the latter’s agreement and the Mughal emperor’s subsequent letter of granting him four havelis in lieu of one, are all part of history; unlike the claim of The Taj Story which talks in terms of a massacre and genocide of the locals for fulfilling the wishes of an emperor and his consort!

The work on the tomb started in 1632 with the finest craftsmen from across the country and West Asia. The chief mason was Mohammed Hanif from Baghdad who earned ₹1000 a month for his efforts. The pinnacle was built by Qayam Khan of Lahore and its Quranic inscriptions were done by Amanat Khan Shirazi. The mosaic work was done by local Hindu workers. Above all, some 20,000 workmen toiled for 22 years to build the monument to love. Its white marble came from Jaipur, lapis lazuli from Sri Lanka, crystal from China and coral from Arabia. The monument uses the double dome technique, previously seen only in the Humayun’s tomb in Delhi, and never seen in the country before the arrivals of the Turks.

Not the first time

Over the years, many have tried to appropriate credit for its beauty and majesty. In the 17th century, it was claimed by many in the West that the architect of the Taj was Venetian Geronimo Veroneo, a jeweller by profession. Then came the claim by Mughal Beg in Tarikh-e-Taj Mahal that it was designed by Muhammad Effendi, an architect supposedly sent by the Sultan of Turkey. Effendi though was as much an architect as Oak was a historian. In the mid 19th century it was claimed that the monument was the result of the genius of Frenchman Austin de Bordeaux, a jeweller. However, Austin died in 1632, the year the work on the Taj began. With his death all claims of Austin being the Taj’s architect were buried. And facts began to be raised.

As for fantasy, well there is Goel’s film, never mind its claim of presenting the “untold history of the Taj Mahal”. The film, replete with stereotypes of kohl-lined, skullcap-donning Muslims aims at building a nation’s memory on unreasoned mythology, far removed from the well argued debates of history. Much like Oak’s view that Christianity was nothing but Krishan-Niti. Not game for any ridiculous claims in an insipid film which opened with a mere 14% attendance in the first show? Watch M. Sadiq’s 1963-saga Taj Mahal. Sure, you would remember its song, ‘Jo wada kiya woh nibhana padega’, penned by Sahir Ludhianvi and sung with much love by Mohammad Rafi and Lata Mangeshkar. Sadiq’s film with Pradip Kumar and Bina Rai in the lead cast, made no effort at replacing history with mythology.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies> In the limelight / by Zia Us Salam / November 07th, 2025