Category Archives: Books (incl.Biographies – w.e.f.01 jan 2018 )

India’s Urdu Press: A Bitter-Sweet Bicentenary

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Community Involvement / Social Issues, Leaders, NRI's / PIO's, Uniquely Indian - Inter Faith (wef. February 08th, 2023), World Opinion, , ,

INDIA:

In the past 75 years a community of Urdu magazines that used to be read by the entire family has disappeared unmourned, so too their journalists and readers. There is also now no major Urdu newspaper or magazine that is edited by a non-Muslim.p

Last year, Urdu institutions in India celebrated a landmark in the history of that language—the 200th anniversary of the publication of Jam-i Jahan-Numa, the first modern newspaper in Urdu. It debuted on 27 March 1822, carrying a name that was clever and most befitting. It referred to the fabled “world-revealing goblet” of the legendary Iranian monarch, Jamshed, into whose depths the regal eyes could peer and see all that was happening in the world.

A big surprise about the new journal was its place of publication, Calcutta (now Kolkata), not known as a major centre of Urdu language and literature. Surprising also was the identity of its publisher, Harihar Dutta, a feisty upper-class Bengali young man with no ties to the north Indian regions more closely identified with Urdu. His grandfather had been the Dewan at the East India Company’s Custom House for 50 years, a position of some status, later held by his father Tarachand Dutta.

Tarachand is better known in records as the co-founder, with Raja Ram Mohan Roy, of the progressive Bangla weekly Sambad Kaumudi in 1821, and the publisher of Roy’s Persian weekly, Mirat-al-Akhbar, arguably the first newspaper in that language, which came out a month after Jam-i Jahan-Numa. Thus, the father and son can rightly be described as the founders of modern journalism in both Urdu and Persian. My account of the Duttas and their journal is based chiefly on Gurbachan Chandan’s Jam-i Jahan-Numa: Urdu Sahafat ki Ibtida (New Delhi: Maktaba Jami’a, 1992), and Nadir Ali Khan’s Urdu Sahafat ki Tarikh (Aligarh: Educational Book House, 1987).

The editor, Munshi Sadasukh Lal, was an equally remarkable man. Hailing from Agra, which had come under British control in 1803, he had travelled to Calcutta to make his fortune, either as a tutor to some foreign employee of the Company, or as a munshi at some business house, handling their formal correspondence. Besides an expertise in Sanskrit, Hindi, Persian, and Urdu, he had some knowledge of Arabic. He also knew English well enough to read and understand official publications, and later translated many professional texts into Urdu and Hindi.

In a few years [after 1828], with the spread of litho technology, Urdu newspapers began to appear all over North India.

We do not know the significant dates of Sadasukh Lal’s life, but he is known to have left Calcutta some years later, travelling first to Allahabad and then to Agra. At both places, he established a printing business and published newspapers and books in both Urdu and Hindi.

The Duttas were not wrong in expecting some demand for the two journals. Persian was still big in Indian upper circles and in the colonial officialdom, and Calcutta was a major trading centre attracting Iranian, Armenian, and Afghan merchants. It also had Warren Hastings’ madrasa that provided instruction to many Indians in Arabic and Persian, and the College of Fort Williams, which trained British and European employees of the Company in whatever Indian language they needed to “command”. But in the 1820s things were also in flux.

After seven issues exclusively in Urdu, Jam-i Jahan-Numa had to include a column in Persian to attract more readers, and after two more issues, it was entirely in Persian. The Calcutta Journal succinctly commented on the change:

The Hindoostani (sic) is merely a popular language, much employed in colloquial discourse, but little used in writing; the taste for reading newspapers is very little among the natives, and perhaps confined entirely to people who have received a polite education. A native newspaper, therefore, can expect little support from those who know only Hindoostani, and those in better circumstances will naturally prefer a paper written in Persian language, which is a necessary part of the education of every person who has any pretentions to respectability.Quoted in M. Aslam Siddiqi (1947): “Persian Press in India”, Indo-Iranica, I: 2, Calcutta, p. 18.

Some months later, a sheet of Urdu was added as a supplement, and a note in English under the title appealed to non-Indian readers: “European Gentlemen, who may wish to be supplied with this paper, either for their own perusal or from a benevolent desire to diffuse knowledge among the native members of their establishment, may be supplied with it […] at three rupees per month, including Ordoo Supplement.” A few years later, it was again an Urdu weekly, but of more general interest than just the news.

In 1828, however, it stopped publication altogether – just two years before Urdu replaced Persian on the colonial pedestal, thus gaining a special appeal. In a few years, with the spread of litho technology, Urdu newspapers began to appear all over north India.

[W]hat had stayed unchanged for well over a century after the appearance of ‘Jam-i Jahan-Numa’ in 1822 has undergone a drastic change in the last 75 years.

The celebrants in India last year noted with a great deal of satisfaction that the very first newspaper in Urdu was edited and published by two non-Muslims. It confirmed their claim that Urdu was not just the language of Muslims.

Urdu had indeed been just like any other Indian language and not restricted to the adherents of any one religion. Like Tamil or Gujarati. Like Braj, Awadhi, or Rajasthani. But I am not sure if the same is true now. I strongly doubt if any ardent ‘Urduwalla’, asked now to name an Urdu newspaper edited by a Hindu or any Urdu journal catering to the needs of a non-Muslim readership, would be able to name either. I may fervently hope I am wrong, but what had stayed unchanged for well over a century after the appearance of Jam-i Jahan-Numa in 1822 has undergone a drastic change in the last 75 years.

Khwaja Hasan Nizami, a self-made man of many talents and varying reputations, was a widely known public figure in the first half of the last century. His weekly, Munadi, was mostly written by him but read by thousands of his admirers across the country. The latter particularly enjoyed his daily “diary”, selections from his correspondence with the high and low, and his polemic against the antagonist of the week—all done in a literary style that was his own.

In 1937, in the Annual Number of his journal, he offered his readers a long list of the Urdu journals that came to his office every month, presumably in exchange for his own. Much to our benefit now, he also provided some information on each of them, including the names of their editors and his view of their politics. Of the 147 titles, 22 were edited by non-Muslims.

We see that no category was restricted in range. Jains and Sikhs, Arya Samaji Hindus and Sanatani Hindus, even Radha Swamis, all found it worth their while to publish their concerns and considerations in Urdu to reach a sizable portion of their respective faith communities. So was the case with political identity, where even the Hindu Mahasabha found it useful to make its views available, at least in Punjab, in Urdu. There are two “medical’ journals, indicating the extent to which Urdu was used by Punjabi practitioners of both the indigenous traditions, Ayurveda and the Greco-Arabic Tibb. Most of the journals on the list were seemingly flourishing and were of a respectable size and quality.

Nizami’s list is by no means exhaustive. It only tells us what he liked to get in exchange for his own magazine, which he described as “Islamic, Non-Congress.” I would interpret it as: concerned in particular with Islam and Muslims, not affiliated with any political party, and not disloyal to the colonial government. Despite being a prolific, almost compulsive, writer with an unmistakable stylistic charm, Nizami apparently received no Urdu literary magazine – not even Daya Narain Nigam’s Zamana (Kanpur), which was then in its 34th year of publication.

And though he received a few general magazines, including the newly started Musavvir (Bombay), a film plus literature magazine edited by none other than Saadat Hasan Manto, Nizami does not seem to have been getting Mast Qalandar, ‘Sufi’ Prithi Singh’s highly popular monthly, which was then in its 19th year. It boasted as its motto, Hindu hai ek ankh Musalman dusri – “The Hindu is one eye of India, the Muslim the other”, an image first made famous by Sir Syed Ahmad Khan (1817-1898) in a speech at Banaras when he was posted there as a judge (1867–1876). The magazine claimed to have “the largest net sales of any Urdu monthly printed in India”.  It also looks like Nizami did not receive ‘Sufi’ Lachman Prashad’s Mastana Jogi, which was no less successful and had been going strong longer.

Nand Kishore Vikram was only 18 when his family left Rawalpindi for India. He followed an uncle to Kanpur and joined another budding journalist, a similar refugee, to bring out a semi-literary Urdu monthly.

Arguably, the entire non-Muslim population, young and old, that had been engaged in Urdu journalism and publishing in West Punjab fled to India in 1947. Some found permanent refuge in East Punjab, in places such as Amritsar, Ludhiana, and Jalandhar. The more notable went directly to Delhi, and took not long to get going again. The younger upcoming ones sought their fortunes further away.

Nand Kishore Vikram was only 18 when his family left Rawalpindi for India. He followed an uncle to Kanpur and joined another budding journalist, a similar refugee, to bring out a semi-literary Urdu monthly. The venture did not last long but it nevertheless settled his career choice. Moving to Delhi, he took up various jobs involving Urdu, and completed his formal education. Eventually, he worked for the Information Bureau of the Government of India and was for decades on the editorial staff of its Urdu monthly, Ajkal. Its editor was a senior émigré, Balmukund Arsh Malsiyani.

After retirement, Vikram began publishing a bi-annual literary journal of his own, Alami Adab, and also produced a torrent of translations in both Urdu and Hindi. I never met him but had a couple of long chats over the telephone a few years ago. On learning that he was compiling three separate lists of the non-Muslim writers of Urdu – Hindu, Sikh, and Christian – I asked him to share them with me, and he most graciously did. He was compiling them mostly from memory, having access only to the books and journals in his own library. Sadly, he passed away soon after. Abdur Rashid of Delhi and I hope to complete the work as best we can.

Vikram identifies for us 70 Sikh, 97 Christian, and 531 Hindu writers of Urdu prose and poetry, and makes a point of identifying the journalists. Christian names are more numerous because he may have had the benefit of two previous works – Ram Babu Saxsena’s European and Indo-European Poets of Urdu and Persian and D.A. Harrison Qurban’s Urdu Ke Masihi Shu’ra. To my knowledge, no similar work exists for the Sikhs, despite such prominent writers as Rajendra Singh Bedi, Kirtar Singh Duggal, Mahendra Singh Bedi ‘Sahar’, and Sampooran Singh Kalra ‘Gulzar’.

Two other reasons may also have contributed: the steely allegiance amongst the Sikhs to Punjabi and the Gurumukhi script, and a preference amongst the Sikh elite for advanced proficiency in Persian, the formal language of the Sikh Durbar, that ended only when the British took over in 1849 and literacy in Urdu became necessary for government jobs.

Maftun told his rags-to-riches story in a page-turner autobiography,’ Naqabil-i Faramosh’, which is as ‘unforgettable’ as its title proclaims. Intriguingly, another equally candid and thoughtful autobiography, Gyan Singh Shatir, subtitled “a biographical novel”, was also written by a Sikh.

Though not many took to Urdu journalism, at least one Sikh scribe, Sirdar Diwan Singh Maftun, made a lasting name for himself. His slick weekly, Riyasat, was for a couple of decades a dreaded scourge of the rajas and nawabs of India as it exposed their peccadilloes and serious crimes. Printed on fine paper, it regularly carried eight pages of pictures and cost four annas – a princely price in the 1920s. It was, however, so popular that even car dealers regularly advertised in it. (The one and only instance I know of in Urdu.)

Maftun told his rags-to-riches story in a page-turner autobiography, Naqabil-i Faramosh, which is as “unforgettable” as its title proclaims. Intriguingly, another equally candid and thoughtful autobiography – by Gyan Singh Shatir, subtitled “a biographical novel” – was also written by a Sikh. Both books deserve to reach new readers through English translations.

Among the 97 Christians, there are very few prose writers. But one name is very important historically. Yesudas Ram Chandra, better known as Master Ram Chandra, was orphaned at a very young age but with the support of his mother and sheer hard work he managed to finish his education at the old Delhi College, specialising in mathematics. He was then appointed to teach at the college. In 1853, when he was 32, he converted to Christianity. During his tenure at the college, he edited and published two journals, Fawa’id-ul Nazirin and Muhibb-i Hind.A useful account of his life and times is Sadiqur Rahman Kidwai’s Master Ram Chandra, published by the Department of Urdu of Delhi University in 1961.

Reading an Urdu daily (Delhi) | Jeremy Graham/Alamy Stock Photo

The first Urdu journal published in Delhi is said to be Dahli Urdu Akhbar. Started in 1837; it was a joint project of a Muslim editor and a Kashmiri Hindu printer and publisher. In 1845, the newly appointed Swiss-German principal of the college, Dr Alois Sprenger, started Qiran-us Sa’dain, a weekly journal containing short essays on social issues, scientific news, and new technology, illustrated with line drawings. Its first editor was Dharma Narain Bhaskar, a “senior scholar” in English at the college. The earnest but preachy journal lasted 10 years, but chiefly on the subscriptions of colonial officers.

Ram Chandra’s first foray into journalism was Fawa’id-ul Nazirin (1845), a fortnightly inspired by Qiran-us Sa’dain, but more outspoken, wider in its range of social concerns, and allowing some space to contemporary Urdu and Persian poets. It regularly challenged the more conservative views of other Delhi papers, and at the height of its popularity had close to 200 subscribers – a notable readership, given that the earlier newspapers were not inexpensive.

Coming to Hindu writers, their sheer number on Vikram’s list sufficiently indicates how significant their role was in the development of Urdu literature.

Three years later, Ram Chandra started Muhibb-i Hind, a monthly of a similar nature. Unfortunately, both journals could not gain enough support from the elite of Delhi and were closed by 1852. A second Christian essayist-poet, Pyare Lal Shakir Merathi, gained prominence in the first half of the last century as the editor-publisher of a literary magazine, Al-’Asr. He also wrote much for younger readers, and several of his poems once had a place in school textbooks. (His short-lived magazine for children is on Nizami’s list.)

Coming to Hindu writers, their sheer number on Vikram’s list sufficiently indicates how significant their role was in the development of Urdu literature. That role becomes crucial when we consider just prose fiction. Nazir Ahmad may have written the first “novel” in Urdu, but the real foundation on which the edifice of Urdu fiction later arose was laid down by a Kashmiri Pundit, Ratan Nath Sarshar, whose episodic sagas were serialised in the pages of Awadh Akhbar, a famous weekly published by Munshi Newal Kishore.

The Urdu word for magazine is risala … a typical risala… normally carried in every issue two or three stories, a dozen pieces of poetry, three or four informative/topical articles, and some regular sections…

No doubt, Hindu journalists wrote in Urdu because it was their preferred means of considered expression, but they also wrote confident in the belief that a large Hindu readership, diverse in its literary tastes, political views, and social concerns, awaited them. (The diversity we glimpsed in Nizami’s categorisation.) There was also something else – a seemingly insatiable demand amongst Urdu readers in general for middlebrow writings, both fictional and factual, that had started in the 1880s and tapered off only after 1950. It gradually created a market for all sorts of magazines. (The first thing Vikram and his friend did after reaching Kanpur was to launch one.)

The Urdu word for magazine is risala (treatise; pamphlet; magazine), and a typical risala, unless further qualified as medical, sectarian, or religious, normally carried in every issue two or three stories, a dozen pieces of poetry, three or four informative/topical articles, and some regular sections, two or three pages each, devoted to “scientific discoveries,” “health news,” “films,” and “entertaining tidbits.” Editorial notes were a must in every issue. They established the tenor of the magazine and also gave it a human identity, to which readers could relate, adversely or in agreement, by submitting letters for the final must-have section: “Letters from Our Readers.”

A simple, all-purpose risala was meant for the whole family. Since some were quite inexpensive, a fairly large number of Urdu reading middle-class families bought one or two every month besides a daily newspaper. ‘Sufi’ Prithi Singh’s Mast Qalandar (Lahore; illustrated; multicolour cover; 90 pages) cost five rupees in 1947 for an annual subscription; “Maulana” Zafar Niyazi’s Kamyab (Delhi; monotone cover; 50 pages) cost only one rupee for 12 issues.

All major journalists, however, sooner or later ended up in Delhi, working for their original journals or for the Information Bureau and the Publications Division of the Government of India.

The large cohort of sharanarthi (refugee) journalists, forced in 1947 to abandon lives and careers in Lahore, Sialkot, Rawalpindi or Sargodha, lost little time in building new lives and careers in Delhi, Amritsar, Ludhiana and Jalandhar. The major publishing outfits already had their branch offices there; the minors took their chance wherever they could. All major journalists, however, sooner or later ended up in Delhi, working for their original journals or for the Information Bureau and the Publications Division of the Government of India.

The famous triad of Pratap, Milap, and Tej probably never lost a publication day. ‘Sufi’ Prithi Singh’s Mast Qalandar, ‘Sufi’ Lachhman Prashad’s Mastana Jogi, and (Ram Rakha Mal Chadda) Khushtar Garami’s Biswin Sadi – all three were perfect examples of a simple risala – were soon reaching the eager hands of thousands of their readers. The last named not only outlasted the two oldies, it grew to be the most popular Urdu risala in post-1947 India. (Two other hugely popular Urdu magazines, Sham’a and Jasusi Dunya, specialised in movies and crime fiction respectively.)

When these seniors left the scene, a younger generation that had come with them and, like them, favoured Urdu, took over. But Urdu’s fate was sealed relative to the very young ones. In economic importance, in Delhi and Uttar Pradesh, Hindi was second only to English, and the long communal tussle for power in Punjab, strategically disguised as a struggle for linguistic rights, made certain that there would be no third generation of Urdu-favouring journalists from amongst the Hindus.

It took six decades, but it happened. In the bicentenary year just ended, there was no major Urdu newspaper or magazine in India that was edited and published by a non-Muslim – and it has been the case for some time. One by one, they took their leave, the “Jolly Jogi” and the “Jolly Qalandar.” The great triad of Tej, Milap, and Pratap, my Delhi friends tell me, still exists but only online – none is seen on newsstands.

The situation, actually, is dire overall. Except for the ones published by a few information bureaus and academic or religious institutions, there is no independent Urdu magazine of any kind that comes out regularly or sells more than a few hundred copies. There is no risala now in Urdu that could claim to be read “in every home and by all members of the household.”

Urdu poetry recitals (musha’ira) may still bring out some enthusiastic non-Muslim participants and connoisseurs, but the prose pages of Urdu newspapers and magazines are starkly devoid of them.

Even the long series of exclusively literary (adbi) monthlies that began with Shaikh Abdul Qadir’s Makhzan (Lahore) in 1901, and continued through Mian Bashir Ahmad’s Humayun (Lahore), Daya Narain Nigam’s Zamana (Kanpur), Shahid Ahmad’s Saqi (Delhi), Ejaz Siddiqui’s Sha’ir (Mumbai), Gopal Mittal’s Tehrik (Delhi), and Abid Suhail’s Kitab (Lucknow), ended with Shamsur Rahman Faruqi’s Shabkhoon (Allahabad) in 2006.

When we turn our gaze away from journalism and take note of the larger literary scene in the 21st century, we see that a much greater and quiet tragedy. There is not a single non-Muslim essayist, literary critic, literary researcher, or fiction writer of significance in Urdu. Urdu poetry recitals (musha’ira) may still bring out some enthusiastic non-Muslim participants and connoisseurs, but the prose pages of Urdu newspapers and magazines are starkly devoid of them.

The present generation of Hindus in north India may well produce some interesting Urdu poets down the line, the likes of Bani, Kumar Pashi, or Manmohan Talkh, but it is certain that we may have to wait a long time for another Joginder Pal, Surendra Prakash, Ram Lal or Balraj Mainra. How this happened, and what it means for Urdu language and literature in India is, of course, a separate sad tale.

This article is dedicated to Nand Kishore Vikram.

C.M. Naim is professor emeritus of South Asian languages and civilizations, University of Chicago. His recent book A Most Noble Life (Orient Blackswan, 2021) is about two remarkable Muslim women of the 19th century.

source: http://www.theindiaforum.in / The India Forum / Home> Culture / by C.M. Naim / February 01st, 2023

21 ‘Most Influential Business individuals’ feted with ‘Gulf Karnataka Ratna Awards

Amazing Feats, Books (incl.Biographies - w.e.f.01 jan 2018 ), Business & Economy, Education, Events, Exhibitions, Conferences (wef. Nov 18th, 2021), Karnataka (under research project), Leaders, NRI's / PIO's, Transport, World Opinion, , , , , , , , , , , , , , , , , , , , , ,

KARNATAKA / DUBAI, UAE:

The distinguished honorees pose for a group photo during the mega event in Dubai.

The Gulf Karnatakotsava, an event dedicated to honouring the outstanding contributions and work of Karnataka-origin business icons in the Gulf region, concluded on a grand note.

The mega event marked a significant milestone as it paid tribute to a total of 21 exemplary ‘Most Influential Business individuals’.

These distinguished honorees, recognised as ‘Gulf Karnataka Ratna,’ received their recognition from the esteemed Chief Guest, Sheikh Mohammed Maktoum Juma Al Maktoum, a Member of the Royal Family of Dubai and the Chairman of MBM Group. The heart of this momentous event was a coffee table book launch, capturing their achievements and dedication to both the Gulf nations and their home state of Karnataka.

The Gulf Karnatakotsava was a resounding success, drawing more than 1000 attendees from all walks of life and capturing the essence of Karnataka’s rich culture, heritage, and business prowess. The event served as a platform to acknowledge and celebrate the remarkable success stories of these individuals who have made a significant impact on the economic and social fabric of both the Gulf countries and Karnataka.

The highlight of the event was the felicitation of the 21 distinguished individuals who were honoured as ‘Gulf Karnataka Ratna Awards.’ These business icons, representing the most influential and powerful leaders from a wide array of industries, who have achieved tremendous success but have also contributed significantly to the welfare of their communities and the betterment of Karnataka.

The list of notable icons featured in the coffee table book and ‘Gulf Karnataka Ratna 2023’ awardees included Dr. Thumbay Moideen, emerging as the number one contributor in Medical Education and Healthcare sector of UAE. Notably he’s the only businessman from Karnataka who holds the distinction of being world’s only businessman from Karnataka to own a private medical University outside of India, the leader in healthcare and medical education in UAE.

Other awardees included: Hidayatullah Abbas, Founder & Chairman, Hidayath Group; Mohammed Meeran, Chairman of EMCO International and Electric Way; James Mendonca, Founder & Chairman, Reliable Group of Companies; Nissar Ahmed, Chairman, Nash Engineering; Ramchandra Hegde, Managing Director, Spraytek Coatings; Joseph Mathias, Managing Director, Merit Freight Systems; Vasudeva Bhat Puthige, Owner, Venus Group of Restaurants; Mohammed Naveed Magundi, Intignis Naveed Company; Mansoor Ahmed, Chairman, Saara Group; M. Syed Khalil, Founder Chairman, K&K Enterprises; Michael D’Souza, Managing Director, Ivory Grand Real Estate; Ibrahim Gadiyar, Managing Director – Gadiyar Group of Companies and Director Projects – Pantheon Development Group; Dr. B.K Yousuf, Executive Chairman, Air Chateau International; Dr. Sathish P Chandra, CEO, Global Tech Park; Zafrullah Khan Mandya Chairman and Founder, ZGC Global / Zain Group of Hotels; Devid Frank Fernandes, Chancellor General MEA, Peace Ambassador & Chief of Mission (UAE) ICDRHRP IGO, Martin Aranha, Managing Director, Globelink West Star Shipping, John Sunil, Group Chief Executive Officer, Burjeel Holdings, Mohammed Ashif, Co-president and CEO, Expertise contracting and Ravi Shetty, Managing Director, Advanced Technical Services. Their stories of perseverance, innovation, and commitment to excellence served as an inspiration to all attendees.

The Gulf Karnatakotsava was not just about awards and accolades; it was a true celebration of Karnataka’s vibrant culture and artistic heritage. The event featured a captivating blend of cultural performances, musical concerts, and comedy acts that left the audience enthralled. Traditional dances such as Pili Vesha were showcased, transporting the audience to the heart of Karnataka.

Hidayathullah Abbas, Founder and Chairman, Hidayath Group told Gulf Today that he is honoured to have been recognised at this Gulfkarnatakotsava platform, alongside so many accomplished individuals who share a connection with Karnataka and have made remarkable contributions in the Gulf.

“The Gulf Karnataka Ratna Awards event celebrates our shared heritage and showcases the incredible achievements that have taken shape from this cultural bridge.”

“The launch of the coffee table book emphasizes the stories, journeys, and legacies of Karnataka’s business icons in the Gulf. It serves as a testament to the entrepreneurial spirit of our community and the lasting impact we’ve made across industries and borders. I hope that these stories inspire future generations to continue the legacy of excellence and compassion that our community represents.” Abbas added.

The musical segment of the event witnessed renowned artists and musicians such as, Santosh Venky, Guru Kiran and noted playback singer Chaitra HG, was a testament to the harmonious coexistence of cultures and the bond between Karnataka and the Gulf countries.

Comedy, often regarded as the universal language of laughter, also played a pivotal role in the event. Comedian Kannada actors Prakash Thuminad and Deepak Rai Panaje had the audience in splits, providing moments of pure joy and amusement amidst the grandeur of the evening.

The Gulf Karnatakotsava was a celebration of success and a testament to the strong ties between Karnataka and the Gulf countries. It highlighted the importance of recognizing and honoring the contributions of individuals who have bridged the gap between these two regions, fostering cultural exchange, economic growth, and mutual understanding. As the curtains closed on the Gulf Karnatakotsava, it left behind a legacy of inspiration and pride. The ‘Gulf Karnataka Ratna’ awardees serve as an encouragement for aspiring entrepreneurs and a reminder that Karnataka’s heritage and success stories continue to shine on the global stage.

source: http://www.gulftoday.ae / Gulf Today / Home> Business / by Inayat-Ur-Rahman, Business Editor / September 11th, 2023

Dr Makhmoor Kakorvi: On the mission to collect all the ‘chronograms’ on epitaphs

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Uncategorized,

Lucknow, UTTAR PRADESH:

Chronogram is an ancient art. On the tombstone, along with the person’s information, the poetry is inscribed and the last couplet or line has a numerical value as per the ‘Abjad’ system that represents the date or year of death. Poets like Dr. Makhmoor, who can compose chronograms or write ‘Qita-e-Tareekh’ are few.

Dr Makhmoor Kakorvi and Chronogram: The poet of Kakori, who keeps alive the ancient art

Lucknow: 

One would be surprised to see the passion of poet Makhmoor Kakorvi, who has several books to his credit, is quite often seen visiting graveyards and hospices, dargahs and mazaars.

He started the mission to collect all the ‘chronograms’ on epitaphs in Kakori, one of the most important towns of North India that is known for its litterateurs and writers apart from Sufis.

The master poets who have absolute command over language are able to write poetry in the manner that their numerical value, either of the stanza or a phrase, comes out as the year of a person’s demise. This art is termed ‘Tareekh-Goi.’

It’s an ancient art and such skilled poets who can compose chronograms or write ‘Qita-e-Tareekh’ are few. On the tombstone, along with the person’s information, the poetry is inscribed and the last couplet or line has a numerical value as per the ‘Abjad’ system that represents the date or year of death.

And, this mathematical equation is also engraved, often, on the tombstone’s plaque. In an era when people are no longer able to compose poetry in meters and as per traditional and hard standards of prosody, it is even more difficult to find someone who writes chronograms.

But till a few decades ago, it was common. When Makhmoor began registering the long verses and couplets carrying the chronogram on the epitaphs, he found that there were not a few but dozens of senior poets who had composed them over the last three centuries in Kakori.

In a town that has a population of barely 22,000 but has a history of producing one of the biggest Urdu dictionaries—Noor-ul-Lughaat, as well as being home to writers and poets of the calibre of Shah Turab Ali Qalandar, Mohsin Kakorvi, Furqat Kakorvi and scores of others, Makhmoor found that poets with the ability to write chronograms were exceptional, in fact, too many poets who were perfect in this art in Kakori in the past.

“I would go to the graves, clean the plaque and then try to decipher the verses. The last line or stanza or phrase is the poetic chronogram. I found more than 60 different poets who had written chronograms in Kakori alone. Many of them were poets of such stature and command over language that is not seen anymore.

Some of them wrote many chronograms and the terms used are fascinating as well as a reflection of their mastery over Urdu poetry”, says Makhmoor Kakorvi, who is also a poet and has also written chronograms. He is, perhaps, the only person who can pen it, in the town now. However, he hopes to compile all these couplets and information about these poets of yore in the form of a book.

source: http://www.enewsroom.in / eNewsRoom / Home> Audio-Video> Top Stories / by Shams Ur Rehman Alavi / December 07th, 2022

Renowned researcher, author Dr. Shamsul Islam, to deliver BV Kakkilaya Inspired Oration 2023

Amazing Feats, Books (incl.Biographies - w.e.f.01 jan 2018 ), Community Involvement / Social Issues, Education, Events, Exhibitions, Conferences (wef. Nov 18th, 2021), First War of Independence 1857 / Naval Mutiny 1946 / Others PreIndependece (wef. July 27th, 2022), Freedom Fighters (under research project), Leaders, Martyrs of the Nation, , , ,

NEW DELHI:

Mangaluru:

Renowned researcher, author, and former Associate Professor of Political Science at the University of Delhi, Dr. Shamsul Islam, is scheduled to deliver the BV Kakkilaya Inspired Oration for 2023. The oration, titled “Joint Martyrdoms, Joint Heritage of 1857 War of Independence,” will take place on Saturday, September 9, 2023, at 10 a.m. at Ravindra Kalabhavana, University College, Mangaluru.

The annual BV Kakkilaya Inspired Orations serve as a tribute to the life and contributions of Sri BV Kakkilaya (1919-2012). Kakkilaya was a freedom fighter, a leader in the Karnataka unification movement, a prominent figure in the Communist Party of India and All India Trade Union Congress, a member of the first Rajya Sabha, and the Karnataka State Assembly.

He was also an award-winning writer and thinker. The oration aims to promote alternative thoughts and approaches to address the challenges faced by the underprivileged masses in India. The event is organized by Hosatu Monthly, Bangalore, MS Krishnan Trust, Bangalore, and Samadarshi Vedike, Mangalore, in collaboration with the Department of History, University College, Mangaluru.

During the event, Dr. Shamsul Islam’s book, “The Untold Amazing Stories of 1857,” will be released in its Kannada translation, titled “Bharatada Modala Swatantrya Sangrama 1857 – Helade Ulida Adbhuta Kathegalu.” The book is translated by Dr. B.R. Manjunath and published by Navakarnataka Publications. Dr. Jayaraj Amin, Vice Chancellor of Mangalore University, will have the honor of unveiling the translated work.

Additionally, the event will feature the publication of the names of 128 martyrs from Karnataka, who hailed from diverse backgrounds including various castes, religions, sects, and socio-economic strata. These martyrs gave their lives during the 1857-58 anti-British revolts. Dr. Shamsul Islam compiled this list from national archives, and the occasion will be marked with tributes to these brave individuals.

The public is warmly welcomed to attend this significant event.

source: http://www.varthabharati.in/ Vartha Bharati / Home> Karnataka / by Vartha Bharati / September 09th, 2023

‘Muslim women fly planes, serve in police and armed forces, write books and create art’

Amazing Feats, Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Business & Economy, Community Involvement / Social Issues, Education, Inventions, Innovations (wef. Nov 30th, 2021), Leaders, Sports, Women/Girls(since May26-2021), , , , , , , , , , , ,

Lucknow, UTTAR PRADESH:

Lucknow :

Muslim women are not a monolith, says Dr Farah Usmani, the founder and honorary editor of the “Rising Beyond The Ceiling” (RBTC), an initiative born out of frustration with the stereotypical narrative surrounding Muslim women in India. RBTC is preparing a directory of Muslim women who have excelled in different fields.

However, millions of Indian women, who identify themselves as Muslim, reach across spectra of ethnicities and languages, states and union territories, do not look the same or sound the same and contribute towards nation building in a variety of ways, says Dr Usmani adding that the compendium is under finalisation.

Member, UP Sunni Central Waqf Board, Sabiha Ahmad, who is busy preparing the list of prominent Muslim women in Uttar Pradesh, said, “The organisation is in the process of preparing a directory of such Muslim women who hold certain positions in social, corporate and professional workspace.”

She says the women spotlighted here from Uttar Pradesh do many things—they fly planes, serve in police and armed forces, they are skeet shooters and bike riders, write books and poetry, create art, play snooker and tennis, administer and govern, espouse social issues, serve as lawyers, scientists and doctors, are entrepreneurs and corporate professionals and are substantive contributors to the progress of the country.

Recently an online international meeting was organised in which the issue was discussed at length.

Veteran politician Mohsina Kidwai; vice chancellor, Era University, Lucknow, prof Farzana Mahdi; writer Sabeeha Anwar; artist Dr Farzana Shahabuddin and Samreen Ahmad were prominent among those who attended the virtual event.

Ahmad further says there is a myth surrounding Muslim women in India that they are highly conservative, prefer to stay home, not at par in education with women of other communities.

“Rising Beyond the Ceiling (RBTC), a non-profit organisation focused on supporting and promoting Indian Muslim women and their leadership and contributions in their respective fields, is working to bust this myth,” says Ahmad, who is also incharge, RBTC UP 100 .

RBTC UP 100 is a congregation of 100 women representing 22 million (2.2 crore) Muslim women from UP.

It is working under the leadership of Dr Farah Usmani, the founder and honorary editor of RBTC initiative who is also serving at United Nations Population Fund (UNFPA) headquarters in New York as director-1 level.

“The stories of these Indian Muslim women are for all women and girls to draw inspiration, role model them and thus become mentors in their own districts and neighbourhoods thereby become inspirations themselves for future generations,” Ahmad adds.

source: http://www.hindustantimes.com / Hindustan Times / Home / by HT Correspondent, Lucknow / September 22nd, 2021

Inside The Tablighi Jamaat: A Book Review

Books (incl.Biographies - w.e.f.01 jan 2018 ), Community Involvement / Social Issues, Leaders, , , , , , , , , , , , , , ,

INDIA:

As Tablighis came under the scanner of the government post lockdown in India for allegedly ‘ spreading the coronavirus intentionally’, journalist and noted author, Ziya Us Salam pens down a topical book on the history and evolution of this Jamaat. The book is being published by Harper Collins India.

Cover Page of The Book : Inside The Tablighi Jamaat 

A book such as Inside the Tablighi Jamaat is an important intervention to understand the historical continuity of a contemporary phenomenon, more so in the context the controversy involving the movement and its headquarters popularly known as Markaz. Tablighi Jamaat has been in existence for almost one hundred years but it preferred a life of quietude till such time it was made the focus of sustained media attention in the month of April for its congregation in the context of the pandemic.

Many would have preferred to remain quiet on the issue but Ziya us Salam chose to dig out material from the history and place them and the movement in the contemporary context. Devoting twenty four chapters and 260 pages to unravel the layers of the existence of the movement must be viewed with as much seriousness as the book deserves. The scholarly community as well as an interested reader would find mist evaporating from the body and the movement that were initiated about a hundred years ago.

The clarion call of the movement has been to invite the Muslims to become better Muslims and follow the prescribed rituals of Islam. But in the course of doing so it moved in the direction of revivalism in personal life of a member of Jamaati and then spreading out to those who would come under its influence through personal contacts in the course of conducting Chilla whether for three days or forty days or a year. The very fact that the Jamaatis would invite their contacts to live a life of piety as modeled during the times of the Prophet Muhammad and his companions.

For the purpose of helping a new entrant to the charmed circle of the Jamaatis, a book consisting of several volumes known as Fazail-i-Amal was compiled, generally believed to have been done in good faith preaching lessons from the Islamic scholarship and traditions. Among the jamaatis the book evokes tremendous respect and acceptability. As a matter of matter of fact in their circle the book attracts much greater attention than any other book. It is believed that for a Jamaati there is no word beyond Fazail-i-Amal. But the author is not quite impressed as his scholarly scrutiny of the movement takes him to argue, “In other words, Fazail-i-Amal introduces a lot that is biddah (a practice not approved in Islam) based on hearsay. The stories and anecdotes might seem attractive to a layman, but they do not always pass the crucible with scholars of Islam.” (p.102)

An overwhelming emphasis on the good conduct and personal piety does not create conditions of bringing about social reforms within the community of believers. For instance it has opened the door of the Jamaat on women without laying emphasis on social reforms leading to an ideological and cultural climate of gender equality. The Tablighi Jamaat has been shying away from the question of women performing namaz in masjids. The author has highlighted instances where tablighi controlled masjids have been openly hostile to the idea of men and women performing namaz simultaneously. Precedents from the instructions by Hazrat Umar are invoked while a reference to Surah Tauba talking about men and women going for prayers in a masjid is ignored.

The author explains has argued that the tablighis rarely engage themselves in issues which social and political bearings. This benign neglect of contemporary issues such as Tripple Talaq or the issue of Babri Masjid judgement etc. is borne out of their understanding of the movement that it must not get involved in the worldly affairs. This reclusive approach has helps the movement to keep itself away from the gaze of public and the government of the day. However, the fact remains that values imbibed on social plane have bearings in personal life too as it become hard to maintain a distinction between the two. Seen in this perspective, life of an average tablighi is reflective of the larger values they inculcate in the course of their interactions within the organization.

However, such an approach has borne them fruits of a different kind. Their apolitical nature and tendencies to avoid getting involved in contentious issues have gained them access to far off land in the Western hemisphere. They have significant bases in countries such as the UK and USA in a significant way. They have managed to penetrate certain African nations such as South Africa and others without difficulty. However, South-east Asian nations such Indonesia and Malysia have proved to be fertile grounds for the expansion of the Tablighi work. But in the Central Asian countries a similar luck eluded the movement as many regimes suspected it for spreading too much religious mindedness and making masjids as centers of their activities.

While the author has subjected the tablighi movement to scrutiny in a number of ways especially as regards gender justice in spiritual spaces he emerges a trenchant critic of the movement as regards the leadership issues. He raises the issue of absence of democratic values within the oragnisation as no member of the organization has risen to the leadership position due to the stranglehold of the family since the time of Maulana Ilyas. There is a dedicated chapter, ‘All in the Family’ and has argued, “Right from the 1920s to 2020 not a single president has come from outside the family.” (p.138)

The most interesting aspect of the book is its journey into the past to explore historical dimensions of the Tablighi Jamaat and return to the contemporary to examine the continuity and digressions and adjustments. Attempts to locate its genesis take the readers to 1920s when the Shudhi movement under the aegis of the Arya smamaj, especially it’s leader Swami Shradhanand was launched. Culturally vulnerable groups were targeted. Much like the Ghar Wapsi campaigns in recent years.

The author has cleverly used his skills of navigating between the popular and academic language format, which makes the book immensely readable. While it is a book on Tablighi Jamaat, it quietly introduces myriad dimensions of the Islamic religious traditions to the readers.

 ( Views are personal) 

The Reviewer, Prof. Rizwan Qaiser teaches History at Jamia Millia Islamia. 

The Author , Ziya Us Salam writes for Frontline Magazine. 

source: http://www.outlookindia.com / Outlook / Home> Books / by Rizwan Qaiser / September 29th, 2020

A 1857 martyr’s skull taken as a ‘war trophy’ to Ireland waits to be buried in India

Amazing Feats, Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), First War of Independence 1857 / Naval Mutiny 1946 / Others PreIndependece (wef. July 27th, 2022), Freedom Fighters (under research project), Martyrs of the Nation, World Opinion, , , , , , ,

Kanpur, UTTAR PRADESH / BRITISH INDIA:

Prof Kim A Wagner and his book
Prof Kim A Wagner and his book

The skull of a martyr Sepoy Alam Baig of the first war of Indian independence in 1985 must be brought to India for burial at the site where he was blown into pieces with a cannon for rebelling against the British Army in 1857.

This campaign is being run by British Professor Kim A. Wagner, who teaches Global and Imperial History at Queen Mary University of London and is also the author of the book The Skull of Alum Bheg: The Life and Death of a Rebel of 1857.

Prof Kin Wagner is an authority on the subject as he has published several books like ‘Thuggee: Banditry and the British in Early Nineteenth-Century India’, ‘The Great Fear of 1957: Rumours, Conspiracies and the Making of the Indian Uprising’, and ‘Amritsar 1919: An Empire of Fear and the Making of a Massacre’.

Wagner says this grisly war trophy was found in a  pub in south-east England in 1963. The owner handed it over to him in 2014 and he published this book on Alum Bheg in 2017.

Wagner says the skull was brought to Ireland by someone from the British authorities and later changed hands.

“The handwritten note found with it revealed the skull to be that of Alum Bheg, an Indian soldier in British service who had been blown from a cannon for his role in the 1857 Uprising. His head had been brought back as a grisly war trophy by an Irish officer present at his execution,” writes Kim Wagner.

Prof. S. Sehrwat of the Department of Anthropology, Punjab University had said in a statement that during the revolution of 1857, Havaldar Alam Baig (the way it is spelled in India) was captured and blown up with cannon. His skull was found in England.

He said Wenger had told him about this.

The note found with Alam Baig’s skull

A complete search record of the skull has been found. The scientists are now keen to do a DNA test to ensure the identity of the skull. It is known that Alam Baig was from the Kanpur area of Uttar Pradesh and even a family has claimed him to be their ancestor.

According to Prof Dineshwar Chaubey, who teaches genetics at BHU, Varanasi, two types of tests can be done on Alam Baig’s skull. A Kanpur family living in Delhi has claimed to be related to Alam Baig. Their genes can be matched with it.

Kim Wagner and other historians are campaigning for givinh a due burial to at some place along the India-Pakistan border, where he was done to death.

Wagner says the British had accused Baig of killing a Christian priest family and it was a fabricated charge. The record says that he was a sepoy of the 46th regiment of the Bengal Native Infantry.

Kim Wagner believes that it is the right time to bury Havaldar Alam Baig in his country, at the same spot where he fought in the Battle of Trimu Ghat on the banks of the Ravi River in the border region between India and Pakistan.

He said, “I do not consider the return of Alam Baig’s skull as political. My aim is only to bring the mortal remains of Alam Baig to his homeland so that he may rest in peace long after his death.

Although the historian’s statement has also passed a long time, there is no progress in this matter to date. It is also waiting for the time when the skull of one of the great sons of India will be brought to India and buried in the soil here.”

The Natural History Museum confirmed its likely authenticity and Wagner, with little evidence to go on, traced Bheg’s history using various sources.

source: http://www.awazthevoice.in / Awaz, The Voice / Home > Story by ATV / by Ghaus Siwani, New Delhi / posted by Aasha Khosa / September 02nd, 2023

‘History’s Angel’: Past and present collide to tell uncomfortable truths about Muslim lives in India

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), Women/Girls(since May26-2021),

New Delhi / Shillong, MEGHALAYA / Bengaluru, KARNATAKA:

Anjum Hasan’s novel considers what it is like to live in troubling times.

History’s Angel, Anjum Hasan, Bloomsbury India.

Living in an ancient city is like living in two time periods – the present (when you are alive) and the past (when the city was alive and you were not). It’s a strange conundrum. In a city like Delhi, where Alif from History’s Angel lives, the past creeps into the present in ordinary, mundane ways. There’s Humayun Tomb to visit, the Red Fort that you see on your way to work, the ruins of Tughlakabad where people reside…the city of Delhi is effortlessly ancient and ever-expanding. And what about the intangible past – the memories of what Delhi used to be, the violence that ravaged it and the unexpected friendships that were born in dire times, the natural seat of power that stood strong even as the city exchanged hands between emperors and regimes? History is a double-edged sword – there’s pride in continuing the legacy and there’s a burden of living with its failures.

Author Anjum Hasan. | Lekha Naidu

Anjum Hasan’s latest offering, History’s Angel considers what it is like living in Delhi in troubling times (something the city always seems to be in). Alif teaches history to students aged between nine and 14 at a private school. He believes in history – its nuances, nonlinear existence, and its ability to make its students upright, empathetic people. But Indian school education system does not care for holistic scholarship. As long as the students successfully mug up facts and figures and hurl them onto the answer sheets, the teacher’s job is done. But Alif has bigger aspirations – he wants the children to understand and appreciate history in all its complexity. And in striving for this noble goal is where the trouble begins.

Humayun, Hanuman, Hindustan

Hell breaks loose when nine-year-old (upper caste Hindu student) Ankit Kumar disappears from his sight on an excursion to Humayun’s Tomb. Alif imagines the worst, but after a brief period of great anxiety, Ankit is finally found. Overcome with relief, Alif is only too happy to indulge the child when he seeks permission to ask a question. Only it is not what Alif was expecting.

Ankit asks his teacher, “Are you a dirty Mulla?” Perhaps before Alif could even make sense of the child’s question, he reaches for the boy’s ear and twists it. Corporal punishment is a punishable offence – as it should be – but in this case, it is something of a reflex action. Alif is stunned and he feels helpless.

Always keeping himself out of the way of trouble, and with his faith dialled down to the minimum, Alif does everything he can to be a “good Muslim”. However, the India he lives in is not so kind. The story, as it moves from one tongue to another and one imagination to another, takes a grotesque form. The final version is this: Ankit disappeared after Alif insulted his god Hanuman and threatened to throw him out of the rickshaw. In the absence of any reliable eyewitnesses, it is Alif’s words versus the majority’s hostility which is ever ready to exaggerate the failings of Muslim citizens.

The school where Alif teaches is a mini India. There are people of all faiths and cultures but one seems to be quickly taking precedence over the others. Alif wonders why the children stopped singing Muhammad Iqbal’s Saare Jahan Se Achcha in the assembly, why the principal was conducting a havan on the school premises, or why history lessons on Muslim emperors were no longer essential. The principal clearly instructed him to not bring religion into the school – visits to Humayun’s Tomb etcetera – while Hindu traditions were proudly being paraded as the culture of the country. Alif can see the gradual shift from Iqbal’s Hindustan to the narrow-minded, saffron-tinted Bharat. And so can we.

The state of any minority in our country has never been worth much and now, even more so. The hostility and open call for violence is not just encouraged but rewarded. The news cycle works on repeat – lynchings of Muslims, the murder of an untouchable, a Kashmiri’s freedoms curbed, a journalist attacked or jailed, a farmer dead from suicide. And screaming news reporters who are oblivious to it all. An endless, vicious cycle that sucks the common man dry. And it is in this soul-sucking, gut-wrenching India that people like Alif and his wife Tahira strive to be perfect (Muslim) citizens.

Horrors, hounding, humiliation

Simple things like renting a house become an impossible dream as brokers ask the couple if they slaughter goats at home and tell them – feigning kindness – that there are no mosques or madrasas nearby. Tahira and Alif are made to participate in humiliating interrogation – they are not only questioned about their faith and eating habits but made to answer for Muslim invaders and also those who stayed back. The fact that these events happened many centuries ago and the “invaders” had long since integrated with the Indian peoples is immaterial.

The indignity that Muslims are subjected to in India is one-of-its-kind. Disparaging remarks are always at hand and fingers are quick to point to Muslims when something goes wrong in the nation-state. Alif’s mother says stoically, “Things are bad…but if that is what’s bothering you then forget it. Because it is not new.” It is not new. Through the elderly lady’s voice, Anjum Hasan tells us that this has always been the reality of being a Muslim in India. It always has been humiliating. Of course, things have become alarmingly bad in the last decade, but none of us should think even for a moment that India was a secular haven before.

Alif’s is an interesting characterisation – his history teacher persona makes him acceptable as an upright citizen. In India, a teacher exists beyond the classroom – they are considered quite literally a “guru”. In the same way, Alif exists beyond the textbook. He contemplates the Sufi way of life, sorrowfully remembers the demolition of the Babri Masjid and the violence that followed, and imagines the horrors of the Partition.

Not just the past, Alif must also answer for the loud azaan and “land jihaad” of the present. It’s a life of questions and interrogations and like most of us – any of us – Alif does not always have an answer. He is no more responsible for the actions of Muhammad Ghori than Hindus are for the pillaging and killing that many kings of their religion were known for. But only one of them is allowed to cut the cord from the notorious past.

While Hasan easily incorporates the past in her portrayal of the contemporary Indian Muslim, the figures and events of this past can sometimes be distracting. The nine-year-old child who gets the wheel turning on Alif’s ruination fades into the shadows – how did the child become so hateful, what made him falsely accuse his teacher, and why did he not fear being punished? I wanted to know more.

Ahmad, a minor character in the novel, is a devout Muslim. And being devout often means enforcing one’s personal beliefs on others. He complains that Alif’s family “shirks shirks shirks” their faith –photos of human faces adorn the walls at home, Alif’s mother does not cover her head, the men do not always attend prayers at the mosque, the women go out to work, and the children are not being educated in madrasas. Hindus have alienated and hounded Muslims, and so have Muslim fanatics. The common Muslim who just wants to go about their day without getting into trouble is on the losing side of a lost war. Hasan’s attack on Muslim orthodoxy is subtle yet impressive.

History’s Angel ends on a predictive note. You can see it coming however it does not dampen the reading experience – surely you were not expecting justice to be delivered to a wronged Muslim history teacher?

pix02

source: http://www.scroll.in / Scroll.in / Home> Book Review / by Sayari Debnath / July 30th, 2023

18 year old Syed Amjad keen on presenting prominent Urdu writer Akhtar Orenvi to the youth

Arts, Culture & Entertainment, Books (incl.Biographies - w.e.f.01 jan 2018 ), , , , , , , , , , , , , , , , , , , ,

Shaikhpura, BIHAR:

Syed Amjad Husain

Syed Akthar Ahmad, also known as Akthar Orenvi, was a Bihar-born Urdu writer who produced exceptional literary works, devoted his life to Urdu, and died in 1977 after suffering from a severe illness.

Now, almost 35 years after Orenvi’s death, Syed Amjad Hussain, an 18-year-old aspiring writer, is writing a book about him in Hindi, an extraordinary task for a student in his first year of college.

“Bihar has been home to many Urdu writers and poets, some of whom are still remembered, while others have been relegated to obscurity in an era when the language itself is on the verge of extinction,” said Hussain, who is currently pursuing BBA at the Maulana Abul Kalam Azad University of Technology in West Bengal, adding that he has chosen to write a book about Orenvi and “re-introduce him to the youth of today.” 

Why Akthar Orenvi?

Hussain was introduced to Urdu writers in his house, where education has always been a priority, through the elders who spoke about prominent Urdu writers of Bihar and also narrated the stories written by them. 

“ My great grandfather had married a girl from Oren. She was the daughter of Magistrate Syed Irshad Hussain.  And my father, his cousins all spent their childhood in Oren. And whenever they visited our house there used to be a lot of discussions about the village and the prominent people of the village, one of whom was the poet Akthar Orenvi” said Hussain to Two circles.  

This connection with the Oren village and all that he heard about Akthar sahab gave young Amjad Hussain the idea to write about him.

Hussain was also moved by the fact that Orenvi suffered from severe illnesses but kept on writing till his last breath. 

“In the current era of reel, people have been cut off from real life. And in the process, they have forgotten the rich Indian culture of reading. Earlier there were book clubs despite the fact that not all people had access to them. Today when people have such easy access to books, they are no longer interested in reading,” Amjad said. 

“Akthar Sahab suffered from typhoid thrice. And in those days medical treatment was not advanced, and we can imagine how much he suffered then. Even while sick he never stopped writing; such was his devotion to writing. And I felt such commitment and dedication needs recognition. But sadly, non-Urdu readers don’t know much about him. So, I decided to write his biography.”

Cover page of the Hindi book authored by Syed Amjad Hussain

Amjad said his fascination about History and his own love for the Urdu language were also reasons why he chose to write the biography of Orenvi. 

Amjad shared that there is one very popular book by Orenvi titled ‘Bihar mein Urdu Zaban -O-Adab ka Irtaqa’ which also played a role in prompting him to write about him. 

And surprisingly his parents agreed to his project with no questions asked!

What the book contains

Syed Akthar Ahmed hailed from Urain or Oren, a village in Munger division of Bihar State. The book Amjad is writing is titled ‘ Akthar Orenvi: Bihar mein Urdu Sahitya ke Nirmata’ and has roughly around 70-80 pages containing a brief history about Orenvi – birth, education, marriage, achievements, his meeting with Pandit Jawaharlal Nehru, his sickness, his works and his death. 

“Unfortunately, not much material is available about Akthar Orenvi”, said Amjad to Two circles, “I did extensive research, even visited Oren the place where Akthar sahab belonged to. His house in the village is intact. And I found some pictures which I shall include in my book,” he added. 

Amjad spoke to the people of the village, especially the elders who had more to tell. He started his research in October 2022 and began writing the book in January 2023. 

The people in the village told him that Akthar sahab shifted to Patna after his marriage so they did not hear much about him later. “His house in the village is intact and so are his memories in our hearts”, said one of them. 

Akthar Orenvi’s brother Syed Fazal Ahmed retired as Inspector General.  Akthar Orenvi did not have any children but has some popular descendants (nephews) who are well known TV and theatre personalities like Roshan Seth who played the role of Pandit Jawaharlal Nehru in the epic movie ‘Gandhi’ and Aftab Seth, retired Indian diplomat.

Akthar Orenvi’s works are included in the syllabus of many a Urdu University all across India. And his short stories are included in SSC Board exams. And Amjad’s favourite story by Orenvi is ‘Ek Darakht ka Qatal’. 

Akthar Orenvi’s house in his village Oren

Future plans 

Amjad feels this book, slated to release on the 14th of July will not only introduce the poet, writer AKthar Orenvi to the youth but also make them want to learn Urdu so they can read the original works of the author. 

The first edition will have 300 copies only which will be sold online through Notion Press, Chennai.

Interestingly Amjad has worked on the book alone, reading, re-reading, spell check, proofreading etc. 

Amjad, originally from Shaikhpura, Bihar now lives in Kolkata pursuing his studies while his parents and siblings continue to live in Bihar. 

His father, Syed Ahmad Hussain founded ‘Madrasatul Banat Azizul Uloom’ in the 90s which is exclusively for girls.  Syed also looks after their business along with his eldest son while his younger siblings are studying. 

Amjad plans to write another book about Sufism in Bihar. He likes reading Urdu Shayari, especially the works of Juan Elia Sahab and Imam Ahmed Raza Khan. 

He wants to work towards preserving the Urdu language because he feels that it is foolish to associate any language with one particular community and discriminate against it. 

But overall, he is just like any other teenager, fun loving and hangs out with his friends. 

source: http://www.twocircles.net / TwoCircles.net / Home> Indian Muslim> Lead Story> TCN Positive> Youth / by Nikhat Fatima, TwoCircles.net / July 05th, 2023

Contribution Of Muslims To India’s Freedom Struggle

Amazing Feats, Books (incl.Biographies - w.e.f.01 jan 2018 ), Community Involvement / Social Issues, First War of Independence 1857 / Naval Mutiny 1946 / Others PreIndependece (wef. July 27th, 2022), Freedom Fighters (under research project), Indian Muslims in World War I and II (wef. July 09th, 2022), Leaders, Martyrs of the Nation, Royal Families, PreIndependence -Descendants (wef. Jan 02nd,2022), Women/Girls(since May26-2021), World Opinion, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

INDIA:

The famous writer Kushwant Singh, once wrote: “Indian Freedom is written in Muslim blood, since their participation in the freedom struggle was much more, in proportion to their small percentage of the population.”

The story and history of India’s independence are written with the blood of Muslims. According to historical references, 65% of those who stood, fought and sacrificed against the British for India’s independence were Muslim freedom fighters, the hams live reported.

A large number of people from all religions and castes took part in the freedom struggle, undoubtedly. However, the struggles of many Muslim prominent personalities who also contributed to India’s freedom and even sacrificed everything including their lives are little known. Muslims have been at the forefront to oppose the British and stood shoulder to shoulder with people from other communities while fighting against them. Getting freedom was not easy, our ancestors had to go face a lot of struggles and difficulties to get us the freedom that we are enjoying now.

The First Call To Oppose British

In the 1750s, Nawab Siraj-ud-Daulah was the first awakened Indian ruler, who stood his ground against the British. He lost the Battle of Plassey in 1757 due to the betrayal of Mir Jafar (Commander of Nawab’s army). With this, Siraj-ud-Daulah’s reign marks the end of the last independent rule in India and the beginning of the East India company’s rule that was unabated for the next two hundred years.

First Freedom Struggle By Muslim Rulers

The first freedom struggle against the British was started by the rulers of Mysore Hyder Ali and his son, Tipu Sultan, during the 1780s and 90s. Both used the first iron-cased rockets and cannons effectively against the British invaders.

Tipu Sultan is considered to be one of India’s first freedom fighters for his fierce fight and brave against the East India Company. He resisted the conquest of the British in southern India and was reluctant to welcome them on his soil. He was the only Indian ruler who understood the dangers that the British posed to India, and fought four wars to oust them from the country.

The Unsung Heroines Of India’s Freedom Struggle

Begum Hazrat Mahal, the unsung heroin, played a very important role in India’s war of Independence. Being a woman, she led a rebellion against the British East India Company in 1857. She shot the British ruler, Sir Henry Lawrence and defeated the British army in a conclusive Battle at Chinhat in 1857.

In the great revolt of 1857, as many as 225 Muslim women sacrificed their lives in the uprising. These unsung Muslim women freedom fighters who have sloganeered, shed blood and given their lives for the country’s independence have now been forgotten to due biases.

A majority of freedom fighters did a nameless service to the nation and one such lesser-known name was Abadi Bano Begum (Bi Amma). Bi Amma was the first woman to address a political rally wearing an abaya. She took part in National freedom struggles, Khilafat Movement and propagated Hindu-Muslim unity. Following Mahatma Gandhi’s advice, Bi Amma played an. An important role in encouraging women to take part in the freedom movement. Further, she played a pivotal role in the Swadeshi movements.

In the book, Gandhi and the Ali Brothers: Biography of a Friendship by Rakhahari Chatterji, Maulana Mohammad Jouhar says, “Suffice it to say that, although she was practically illiterate, I have, in all experience, of men of all sorts of types, come across none that I could call wiser and certainly that was more truly godly and spiritual than our mother.”

Bi Amma was also the mother of Muhammad Ali Jauhar and Shaukat Ali popularly known as the Ali Brothers whom she raised on her own after her husband died when she was young.

Amjadi Begum, the wife of Muhammad Ali Jauhar and daughter-in-law of Bi Amma, is yet another Muslim women freedom fighter. Mahatma Gandhi also dedicated an article on her titled ‘A Brave Woman‘ where he admired her as a courageous wife of a courageous man. 

At the age of 45, Asghari Begum, another forgotten Muslim woman, has also taken part in the 1857 revolt and challenged British rule in the present-day Uttar Pradesh. However, she was captured by the British in 1858 and burnt alive.

Habiba, a Muslim woman’s fought many battles against the British in Muzaffarnagar in 1857. However, she was captured and hanged along with 11 other female warriors at the age of 25.

The Great Revolt of 1857

During the Great Revolt of 1857, Hindus and Muslims under the leadership of the last Mughal emperor Bahadur Shah Zafar tried to oust the British from India. A majority of Hindu sepoys requested Zafar to lead them in the war of Independence. Although the Revolt failed due of several reasons, Muslims have always stood on the front line to oppose the British.

Former Prime Minister of India, Rajiv Gandhi during his visit to Bahadur Shah’s grave, wrote in the visitor’s book: “Although you (Bahadur Shah) do not have land in India, you have it here; your name is alive… I pay homage to the memory of the symbol and rallying point of India’s First War of Independence….”

Muslims came to India and ruled here for over 800 years but they did not steal anything from here as the British, the Dutch and the French did. By bringing plenty of knowledge in literature, architecture, judiciary, political structure, government body and management structure, which is still used in Indian management strategy, they helped India to progress into a unified and civilized nation.

Lighthouse of Rebellion

How many of us know that the organizer and leader of “First Indian freedom struggle” in 1857 was Moulavi Ahamadullah Shah. Known as the ‘Lighthouse of Rebellion’ in Awadh, he Faizabad free from British rule for almost one year, until his death at the hands of British agents on June 5, 1858.

“With being a practicing Muslim, he was also the epitome of religious unity and Ganga-Jamuna culture of Faizabad. In the revolt of 1857, royalties like Nana Sahib of Kanpur, Kunwar Singh of Arrah fought alongside Maulavi Ahmadullah Shah. Maulavi’s 22nd Infantry Regiment was commanded by Subedar Ghamandi Singh and Subedar Umrao Singh in the famous Battle of Chinhat,” according to researcher and historian Ram Shankar Tripathi.

The important role of Muslims in the uprising is the reason that the British government singled out the community for the worst revenge. From the Nawab, the King of Mysore, the last Mughal King, Princes, the landlords, the Ulemas, intellectuals, Urdu journalists, including common people, all members of the Muslim community have made great sacrifices for the freedom of India.

In the uprising of the 1857 revolt, thousands of ulema were slaughtered and the whole of Delhi was emptied of Muslims, according to excerpts from Syed Ubaidur Rahman’s book Biographical Encyclopedia of Indian Muslim Freedom Fighters. They were not even allowed to return to their homes and reclaim their properties.

First Journalist To Sacrifice His Life During The Great Revolt

Moulvi Muhammad Baqir, a scholar and activist of Indian independence activist was the first journalist to be executed following the rebellion in 1857. The editor of Urdu newspapers, Delhi Urdu Akhbar, was washed dead on 16th September 1857 for writing Nationalist articles, without even a trial.

Although India got independence on 15 August 1947, the foundation of the freedom struggle was laid before 1857. Since the time of the Revolt of 1857, which is considered to be the beginning of India’s freedom struggle, Muslim leadership has spearheaded the cause.

First Muslim To Be Hanged For Conspiring Against East India Company

At the age of 27 years, Shaheed Ashfaqulla Khan was the first Muslim to be hanged for conspiring against the British Raj. Khan was hanged to death on December 19, 1927. With this, he became a martyr and a legend among the people because of his love for the country and his unshakeable spirit.

Reshmi Rumal Tehreek (The Silk Movement)

Muslims not only took the lead in the uprising, but also stood in the front line in all other efforts to topple the British colonial regime in India.

After the revolt of 1857, the Muslim leaders changed their strategy of resistance by setting up educational institutions across the country. Reshmi Rumal Tehreek or The Silk Letter Movement (1913-1920) was an initiative by Deobandi Leaders Maulana Mahmud Hasan and Maulana Ubaidullah Sindhi to topple the British Empire.

However, when British intelligence learned about it, hundreds of sympathizers of the initiative were arrested and put in prison for years without any trial. The top leaders including Maulana Mahmud Hasan and half a dozen of his followers were banished to Malta after a faux trial where they faced the worst hardship.

Role of Muslims in Congress’ anti-colonial struggle

Justice Abbas Tyabji, an Indian freedom fighter from Gujarat and associate of Mahatma Gandhi, was the first Muslim president of the Indian National Congress party. Justice Tyabji is also known for leading Salt Satyagraha following Gandhi’s arrest in 1930.

Another Congress president during the colonialism was Maulana Abul Kalam Azad, who is one of the chief Muslim leaders of the anti-colonial nationalist movement. He became the youngest President of the Indian National Congress in 1923 at the age of 35. He faced multiple imprisonments by the colonial state.

From Justice Tayabji to Maulana Abul Kalam Azad, there have been eight Muslim leaders who were in the Indian National Congress’s freedom movement. The other prominent Muslim leaders include, Muhammad Ali Jauhar, Shaukat Ali, Maulana Azad, Dr Mukhtar Ansari, Hakim Ajmal Khan, Maulana Mahmud Hasan and many others. They made every possible sacrifice for the cause of the end the colonial rule.

Frontier Gandhi

Khan Abdul Ghaffar Khan was a Pashtun independence activist who campaigned to end the rule of the British Raj in India. He founded the Khudai Khidmatgar resistance movement against British colonial rule in India. He was also known as Frontier Gandhi for his principles of non-violence and friendship with Gandhi. Khan worked towards the formation of a united, independent, secular India. 

Muslim Man Coins “Jai Hind”

The patriotic slogan “Jai Hind” was initially coined by Zain-ul Abideen Hasan, but it was adopted by Netaji Subhash Chandra Bose. It is now used as a way of salutation throughout India. It means “Victory to India” in English.

The Creation Of the National Flag

For a majority of us, the current national flag was designed by Pingali Venkayya. However, it was a Muslim Lady Surayya Tyabji, who created the flag’s final look today.

Although we have recounted several names of the Muslims who have contributed to India’s freedom struggle, there are several thousands of them who fought on the streets against the British Raj.

source: http://www.thecongnate.com / The Cognate / Home> History / by Rabia Shireen / August 15th, 2022