Tag Archives: Roshanara Begum

Roshanara Begum: A Princess or a Powerhouse?

DELHI / INDIA :

The wider Indian audience, including many women in the 21st century believe that this is the most emancipated age of women and the women who proceeded them from centuries gone by were powerless dolls dressed in finery and painted and wooed by the men of the ancient and medieval world. 

Compared to most countries of the world, India has had a longer and a more complex story, where the fortunes of women advanced and regressed from time to time. India is the only country of the time where a Muslim woman was chosen by her father to be the heir of his throne, we are ofcourse referring to Razia Sultan and her father Iltutmish of the Delhi Sultanate period in the 13th century.

After Razia and into the Mughal period, we increasingly see the growing power of the Mughal women which was not just limited to women of the royal family. Many icons of Delhi, some of which are even part of the UNESCO World Heritage Sites have been built by women for their husbands.

Bega Begum was the senior wife of Emperor Humayun, who got his incredible mausoleum built. Similarly Fatehpuri Begum was one of the wives of Emperor Shah Jahan and she has left us with the iconic Fatehpuri Mosque situated at the heart of Chandani Chowk.  

Born in 1617, Roshanara Begum was a Mughal princess and the second daughter of Emperor Shah Jahan and his wife, Mumtaz Mahal. Roshanara was a brilliant woman and a talented poet. She was a partisan of her younger brother Aurangzeb and supported him during the war of succession which took place after Shah Jahan’s illness in 1657. After Aurnagzeb’s accession to the throne in 1658, Roshanara was given the title of Padshah Begum by her brother and became the First Lady of the Mughal Empire. She became a powerful political figure.

Roshanara’s rise to power began when she successfully foiled a plot by her father and Dara Shikoh to kill Aurangzeb. According to history, Shah Jahan sent a letter of invitation to Aurangzeb to visit Delhi, in order to peacefully resolve the family crisis. In truth, however, Shah Jahan planned to capture, imprison and kill Aurangazeb in prison as he viewed his third son as a serious threat to the throne. When Roshanara got wind of her father’s plots, she sent a messenger to Aurangzeb, outlining their father’s true intentions, and warning Aurangazeb to stay away from Delhi.

Aurangazeb was extremely grateful to Roshanara for her timely warning. When the war of succession was resolved in favour of Aurangzeb, she quickly became a very powerful and effective figure at court. Fearing that Dara Shikoh would kill her for her role in the war of succession if he ever returned to power, Roshanara insisted that Aurangazeb order Dara’s execution. Legend has it that Dara was bound in chains, paraded around Chandni Chowk and beheaded. Roshanara then had his bloody head wrapped in a golden turban, packaged neatly and sent to her father as a gift from Aurangzeb and her. Shah Jahan, who opened the package just as he was sitting down to dinner, was so distressed by the sight of his favorite son’s head that he fell unconscious to the floor. He remained in a stupor for many days after the incident.

Eventually, however, Roshanara and Aurangzeb fell out with each other. Mughal princesses were obliged to remain single since the time of Akbar so their offspring would not make a challenge for the throne. Roshanara was rumoured to have taken on lovers, which was not viewed well by Aurangzeb.

After her fall from grace, she chose to leave the court at the Red Fort and built for herself the Roshanara Bagh complex which is about six kilometres from the Red Fort. She was a lover of the arts and music and didn’t prefer the austere lifestyle promoted by Aurangzeb. This is proven by the fact that when one visits Roshanara Bagh the remaining building itself is built in a very romantic style, a Baradari (open on all sides) built surrounded by a pool of water apart from the canals and gardens surrounding it. 

Even within the Baradari the main motif for decorations seems to be nature, one can see remnants of blooms on every wall, arch and even the capitals of the slender pillars. The fades blue, green and red colours gives us an idea as to how brilliant and bright the designs were when Roshanara herself was in residence. 

The main gate of entry into the gardens still has mosaics left on its upper parts, which show that a bright hue of yellow was used apart from the blue, green and red. One can imagine, how this gate shone in the brilliance of the sun with such a colour combination. 

The brief history that has remained about the life of Roshanara Begum shows us what a woman she was and more importantly how open Mughal society was at least for the women of the royal household and nobility. 

The fact that she was capable enough to understand the intrigues of Shah Jahan along with Dara Shikoh in order to get Aurangzeb eliminated shows us that she had a perfect understanding of such matters and how to play a role in it. 

Her warning to Aurangzeb guaranteed her power when he acceded to the throne and in return she became the most powerful woman in the Mughal Empire. The fact that such a rank existed in the first place showcases how Mughal princesses were considered an integral part in the proper functioning of the State. 

She had her own sources of income which no doubt increased after she was bestowed with the rank of Padsha Begum. The fact that she bought land, had a beautiful and very extensive garden complex built for herself and lived a life of luxury shows to us that she was a highly educated woman understanding the complexities of titles, deeds, interests, savings etc.

She even had the power to decide where she wanted to be buried. She didn’t choose a pious cemetery but rather had herself buried within the Baradari of her beautiful gardens, the gardens which we still get to enjoy after more than three centuries of her passing and have made her name immortal in annals of time. 

source: http://www.thewomb.in / The Womb / Home> Blog> Entertainment> Lifestyle / by Barun Ghosh / October 29th, 2020

Muslim Women, Waqf, and the Power of Charitable Legacy: A Forgotten Force in the Shadows of Reform

INDIA :

A New Law, A Timeless Legacy

The Waqf Amendment Act 2025, recently passed by the Government of India, has stirred a wave of public discourse. Promising to regulate and modernize the administration of waqfproperties across the country, the law is being introduced as a means to improve transparency and benefit marginalized communities, especially Muslim women.

However, in this swirl of policy language, governance reform, and bureaucratic oversight, we must not forget a foundational truth: Muslim women have always been central to the waqftradition—not as passive recipients, but as active architects of community transformation.

Waqf as a Tool of Empowerment—Before the State Claimed It

Before governments created waqf boards, before institutional frameworks shaped their regulation, and long before women were officially recognized in policy narratives, Muslim women in India were shaping societies through charitable endowments.

They:

• Founded schools and madrasas for girls and boys alike

• Donated lands and properties for the construction of mosques, shrines, and Sufi lodges

• Built hospitals, water fountains, and orphanages

• Funded scholarships, welfare kitchens, and even public rest-houses for travelers.

This was not mere charity—it was strategic social intervention, embedded in Islamic ethics and guided by a vision of communal upliftment.

👑 Queens of Waqf: A Glimpse into Heroines of Charity and Community Leadership

🏛️ Razia Sultana (1205–1240, Delhi)

India’s only woman Sultan, Razia established educational and civic institutions supported by state waqf. Her leadership emphasized justice, learning, and infrastructure.

🏛️ Jahanara Begum (1614–1681, Delhi)

Daughter of Shah Jahan, she created waqf endowments for Sufi shrines, caravanserais, and public gardens. Her waqf documents are among the earliest female-authored ones preserved in India.

🏛️ Roshanara Begum (1617–1671, Delhi)

Sister to Jahanara, she built Roshanara Garden and a Sufi lodge. She maintained religious institutions through royal waqf.

🏛️ Sultan Jahan Begum (1858–1930, Bhopal)

The last Begum of Bhopal, she modernized education, built hospitals, supported madrasas, and legally registered many waqf properties to support her reforms.

🏛️ Begum Hazrat Mahal (1820–1879, Lucknow)

Regent of Awadh, she protected the city’s religious institutions and supported waqf-based welfare during the 1857 Rebellion.

🏛️ Khair-un-Nissa Begum (18th c., Hyderabad)

Established Khairtabad Mosque and other public works through her waqf. One of the early noblewomen to invest in education and water supply systems.

🏛️ Begum Rokeya Sakhawat Hossain (1880–1932, Kolkata)

A visionary educationist, she established the Sakhawat Memorial Girls’ School using her own resources and informal waqf practices. A true reformer of women’s rights.

🏛️ Begum Sughra Humayun Mirza (1884–1958, Hyderabad)

Urdu novelist and educationist who established the Safdariya Girls School through personal endowment. One of India’s earliest women school founders.

🏛️ Princess Durru Shehvar (1914–2006, Hyderabad)

Ottoman princess and daughter-in-law of the Nizam. Founded the Durru Shehvar Hospital, a major maternity and child-care waqf.

🏛️ Princess Niloufer (1916–1989, Hyderabad)

Ottoman royal by birth and philanthropist. Established Niloufer Hospital for women and children in response to maternal health tragedies.

🏛️ Dr. Uzma Naheed (Contemporary, Mumbai)

Thinker and leader who founded the IQRA International Women’s Alliance. Created vocational and educational centers for women through charitable trusts and waqf-like models.

🏛️ Begum Abadi Bano (Bi Amma) (1850–1924)

Mother of freedom fighters Maulana Mohammad Ali and Shaukat Ali, she supported the Khilafat movement and women’s education through charity and informal waqf support.

🏛️ Begum Qudsia Aizaz Rasul (1909–2001)

Only Muslim woman member of the Indian Constituent Assembly. Promoted educational waqfs and women’s legal rights in independent India.

🏛️ Hamida Habibullah (1916–2018, Lucknow)

Educator, politician, and philanthropist who helped establish Talimgah-e-Niswan, a leading girls’ school, partially supported by endowments and community waqf models.

🏛️ Tayyaba Begum (early 1900s, Hyderabad)

Co-founder of Anjuman-e-Khawateen-e-Deccan, she organized women’s welfare through educational trusts and neighborhood charities alongside Sughra Humayun Mirza.

These women are not anomalies in history. They are evidence of a forgotten mainstream—a rich legacy of Muslim women using waqf, education, and philanthropy to shape the public sphere.

What the Law Misses

The 2025 Amendment claims to create better access for women and transparency in waqfgovernance. Yet, many community members raise concerns about:

• Increased government control over waqf boards

• Reduced autonomy of local Muslim stakeholders

• Weak representation of women in decision-making roles

If reform is truly meant to benefit women, it must not just focus on current access. It must honor and preserve the legacy of those women who built the system through vision, sacrifice, and faith.

Reclaiming the Narrative

As students of history and as researchers in the contributions of Muslim women across disciplines—al-Muhaddithat, scholars, judges, educators, warriors, nurses, and philanthropists—we find it essential to reclaim and highlight this tradition in the current discourse.

This document delves into the intersections of gender, history, law, and social development, spotlighting women’s roles in charitable work and community building through waqf and related institutions.

Our goal is not just to preserve history, but to activate it: to inspire current and future generations to recognize the power of service, leadership, and waqf in reshaping communities. The struggle for recognition today stands on the shoulders of those who built with purpose and gave with dignity.

Conclusion: From Past to Future

Muslim women in India have been pioneers of welfare through the waqf system for centuries. Their work wasn’t performed for applause or public acclaim. It was done with quiet resolve, deep faith, and a vision for lasting impact.

As new policies reshape the landscape of waqf, let us not merely react—we must respond with wisdom, rooted in history and hope. Let the legacy of women like Razia, Jahanara, Durru Shehvar, Niloufer, Sughra, and Uzma guide us in reimagining waqf as a tool not only for preservation—but for progressive, inclusive development.


The author is a Social Worker, Student of History and Educator

source: http://www.muslimmirror.com / Muslim Mirror / Home> Education> Positive Story> Waqf> Women / by M A Lateef Atear / June 04th, 2025

Roshan Ara Bagh: Where sleeps a princess

DELHI :

Being a heritage site and a monumental garden, Roshanara Park is one of the many gardens Delhi boasts of. With the unmarked tomb of princess Roshan Ara Begum, her elegant palace, and a dense garden, the park narrates a beautiful tale of lost history

All photos: Ali Fraz Rezvi

Within a few kilometres from the Pul Bangash Metro Station, and quite near to Delhi University’s north campus, stands Roshan Ara Bagh – a Mughal monument dating back to the 17th century AD.

Named after Emperor Shah Jahan’s daughter Princess Roshan Ara Begum, the heritage site was once a palace and then turned into the princess’ tomb. It now serves as a garden under the Municipal Corporation of Delhi (MCD).

The heritage site spans over a large area of 8.5 acres. It houses an open gym, a playground, a garden and an ignored mausoleum, which is yet to be revamped as a world-class nursery by October 2022.

The last surviving memoirs, one being an unmarked grave, lies at the centre of the palace’s garden area. The architecture here is beseeching, with dilapidated walls and pillars, wooden doors and windows.

The tomb, where exists the unmarked grave of Roshan Ara Begum, has suffered the most with its marble jaalis crumbling from three sides and broken at the fourth. The marks of repairs by the ASI on the pillars and walls are nothing more than a cemented patch.

Along with the surviving parts of the palace which includes a bara-dari (a structure with twelve gates) and a well, there exists the last remains of a lake which covers around four acres inside the garden. The lake, enclosing the tomb, was initially a part of the palace of Roshan Ara Begum. But it has now dried up and turned into a garbage dump.

The 372-year-old structure with a garden of Mughal grandeur and architecture was commissioned by Padshah Begum – the First lady of the Mughal Empire in 1650 AD. It is used by the residents and the visitors till date.

Despite being in a distorted condition, the site is still magnificent and stands as a reminder of an ignored past. 

The main entrance to the Roshan Ara Garden.

People chit-chatting after a long morning walk

The open gym in the park area.

A well from the past.

The bara-dari around the tomb often serves as a resting place for visitors in the daytime.

Remnants of the lake.

Structure that survives.

The last breaths of a breath-taking monument.

A man and a dog, on the two sides of the princess’ grave.

source: thepatriot.in / The Patriot / Home / by Ali Fraz Rezvi / All photos: Ali Fraz Rezvi / August 22nd, 2022

Roshanara Begum, the First Muslim Woman Lyricist of Tamil Cinema

Coimbatore, TAMIL NADU :

She made her entry into the entertainment industry at a time when Muslim women were still forbidden from doing so.

Roshanara Begum who studied in St. Francis Convent, Coimbatore was gifted even when she was young.

Just a mention of the song Kunguma Pottin Mangalam will take patrons of the classic age of Tamil cinema into a nostalgic drive. The song, which came out way back in 1968, was picturised on two of the biggest stars of the Tamil industry, both of whom would later go on to become Chief Ministers of the state. If that is not a dead giveaway altogether, we are talking about MG Ramachandran and Jayalalitha on whom the song was picturised. It was from the movie Kudiyiruntha Kovil, which was a remake of the Hindi film China Town. However, do you know that one of the contributors to the song Kunguma Pottin Mangalam was the first Muslim female lyricist in Tamil cinema?

Yes, the lyrics of the evergreen song were written by Roshanara Begum, which sadly, remains the only cinematic achievement she ever made. She made her entry into the entertainment industry at a time when Muslim women were still forbidden from doing so. Things were different back then, and for a Muslim woman, from a conservative background, writing lyrics for a film song was historic.

Roshanara Begum who studied in St. Francis Convent, Coimbatore was gifted even when she was young. Having formally learnt music, she used to win awards at school. Even though her family followed strict Islamic traditions, her father Sheikh Mustafa recognised her daughter’s potential and realised she was meant for bigger things.

He decided to support his daughter. Fortunately, Sheikh Mustafa was friends with composer MS Viswanathan, who used to frequent their house in Coimbatore. MS Viswanathan requested the producer of Kudiyirundha Koyil to give the young woman a chance and the result was the beautiful lyrics of the song Kunguma Pottin Mangalam.

However, unfortunately, this was both Roshanara Begum’s first and last project. Roshanara Begum’s name got lost somewhere in the sands of time but the song will always remind us of her achievement.

source: http://www.news18.com / News18 / Home> Entertainment Bureau / by Local News Desk / June 13th, 2022

Author Ira Mukhoty’s peek into the Mughal household

NEW DELHI :

Of History and Gastronomy: Ira Mukhoty at Jaypee Vasant Continental’s Paatra restaurant in New Delhi | Photo Credit: SHIV KUMAR PUSHPAKAR
Of History and Gastronomy: Ira Mukhoty at Jaypee Vasant Continental’s Paatra restaurant in New Delhi | Photo Credit: SHIV KUMAR PUSHPAKAR

From the resilience of Khanzada Begum to the food habits of Akbar, author Ira Mukhoty reveals many Mughal secrets over a lavish vegetarian meal

Those who suffer from colonial hangover or know their Mughals through movies have an exotic notion about the haramam or harem – a place where many women were housed to please the most important man in the empire. Author Ira Mukhoty, who scans history and mythology to find the status of women in India, counters the perception through a well-argued book, “Daughters Of The Sun” (Aleph). “This idea of ‘oriental harem’ came through the British historians because they had a long association with Islam right from the times of crusades. For them, the Mughals, the Sultans and the Tughlaqs were all the same – part of one Islamic marauding entity. The idea was completely false.”

The whole harem space, she says, evolved from the time of Babur, who wanted his women to be well-educated and was pragmatic about women who ‘fell’ to an enemy. “Over a period of time, when Mughals absorbed some elements of Rajput culture, it became a little different but even then it was completely alien to the oriental idea of a sexual space. Most of these women were in no way sexually available to the Padshah. The harem had relatives, other noble men’s wives; there were servants and attendants…there was a huge collection of women but not to please the emperor,” says Ira, as we settle for an elaborate lunch at Jaypee Vasant Continental’s Paatra restaurant.

The catalyst came from Ira’s previous book, Heroines, where she wrote about powerful women in myth and history. “One of them was Jahanara Begum. I was interested in finding more women like her associated with the Mughal empire.” She found many. But the one story that is most compelling is that of Khanzada Begam, the sister of Babur, whom he left behind with Shaybani Khan as war conquest when he escaped from Samarkand. She remained with Khan for ten years but remained true to her brother’s cause. And when she eventually returned to Babur’s household, her sacrifice and resilience was celebrated. “In fact, she went on to be anointed Padshah Begum of Hindustan during Humayun’s reign,” says Ira.

Powerful women

Women are a neglected lot in our history. Ira says this is not specific to our country. “Around the world, women stories are neglected to a smaller space – it is not just about Mughals or India. You first talk about the kings and and rajas. Women were treated like wallpapers. It is not that I have found something special here. The resources have been there but they have seldom been used to join the dots. For instance, Gulbadan Begum’s biography of her father Babur and brother Humayun was translated from Persian into English in 1907.” She reminds how Jahanara Begum wrote about her Sufi masters in two books. “Her lines are very powerful and erotically charged for Sufis believe in erotic love as means for union with the divine. A 17th Century Muslim woman writing such a powerful language is extraordinary.” Ira has tried to find out first hand information about these women who engaged in diplomacy and patronised the arts. “ I have written about Mughal women who were highly educated, who advised emperors and traded with foreigners. Babur saw them as symbols of Timur legacy. He wanted them to engage in verbal repartees and write poetry.”

Ira says her study of royal firmans reveal that Jahanara Begum asked for permission to go for Haj but it was denied. “Years before her, Gulbadan Begum had made the famous journey that lasted seven years. But by the time of Jahanara, royal women were not encouraged to take this hazardous journey. But she did make a request. I looked at the date and it was one month after her sister Roshanara Begum had died. I wondered that did something come over her.” It is her ability to join these dots that makes Ira’s work much more engaging and accessible than academic works by the likes of Prof Ruby Lal, whom Ira has extensively quoted.

“I try to find a thread between these stories to make fully-rounded characters. With women’s stories you get that sense. However, I tell the reader where I am not sure and am talking about possibilities.” Ira, who studied Immunology in Cambridge University, says her science background has always helped her in research. “It gives me patience. History brings subtlety and nuances which interest me much more. Science is no good for that,” she chuckles. Having said that, she doesn’t believe in speculating. “You should tell the reader where you are not sure even if it breaks the rhythm of the story. If I say it could have happened, I expect the reader to make his own mind.”

A vegetarian these days, Ira undertook ‘walks’ to the Walled City to understand the fragrances and the language of the time gone by. “They might not help you with facts, but they definitely help in writing about a past whose remains are very much part of our ecosystem.” As she appreciates the lavish spread at Paatra, she remembers the meal she had at the Nizamuddin dargah.

Introduction to ghee

Ira hasn’t written much about the Mughal kitchen but she has mentioned some instances which give us an idea of what was cooking. For instance, she captures Humayun’s exile in Persia with Hamida Banu Begum after the embarrassing defeat to Sher Shah Suri. “At one point they were actually cooking horsemeat to survive. But when they went to Persia, they were greeted as kings. Suddenly, the meal changed from fibrous, overcooked horsemeat to the amazing food that the Shah would offer them. When they were leaving, Shah Tahmasp wanted a banquet in Hindustani fashion prepared by his guests. What he liked the most was something called dal khuske which was like matar ka pulao. He tasted ghee for the first time as Persians used to cook in fat.”

Over the years, Mughal food became more and more refined. “There came a time when hens were massaged so that the chicken would be soft and tender. Akbar was a frugal eater who used to have just one meal a day but the time for it was not fixed. At any given time around 100 dishes were kept almost ready for him so that they could be served to the emperor at a short notice.”

Ira, who is now working on a biography of Akbar, says the emperor turned vegetarian under the influence of his Rajput wives. “Luckily for us, we have the Akbar’s biography of Bada’uni. He was a conservative person and his account is not glowing with praise like that of Abu’l-Fazl’s. He could not do what Akbar expected of him. He wrote the biography in secret and it was published during Jahangir’s rule. It is fascinating because it tells truthful things about Akbar. He writes that Akbar is so influenced by his Rajput wives that he gave up meat and indulged in Hindu rituals.” Similarly, she says, Gulbadan Begum’s account is very honest in comparison to a male biographer because she is not looking for building an image for posterity. “She writes very candidly like she explains why Humayun was very angry one day. He believed in astrology and always made the journey when the stars were in right alignment. One day he told the women in harem that they would go on an expedition at such and such time. Unfortunately, his new wife fell off the horse. It took her some time to get back. He got furious. He said he would need some opium to calm down. A male biographer would not have put all this but Gulbadan mentions all these intimate details so that we would know the man not just as a king and a conqueror but also as a father, a husband and a son.”

Ira has emerged at a time when Akbar’s legacy is being questioned and anecdotal history is gaining currency in mainstream discourse. She says hers is not a political book. “I am not trying to push any agenda. However, in this atmosphere, it is not unimportant to hear these stories also to clear many of the prejudices that we may have had. When things remain in anecdotal form, it is easy to manipulate them.”

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture / by Anuj Kumar / August 31st, 2018