Category Archives: Books (incl.Biographies – w.e.f.01 jan 2018 )

‘Pathan, Muslim, Bihari: these identities intrigued me’ | Interview with author Abdullah Khan

Motihari, BIHAR :

The author talks about how identity and politics play a huge role in his writing.

Abdullah Khan will be at The Hindu Lit Fest 2024 in Chennai on January 26-27. 

Abdullah Khan’s journey with literature began with a discovery — that he shared his place of birth, Motihari in Bihar, with one of the most prominent authors of the 20th century, George Orwell. Since then, the written word has remained Khan’s constant companion. From his debut novel Patna Blues (2018) to his latest, A Man From Motihari (2023), Khan employs a deft handling of sensitive subjects and hot-button issues to tell stories of everyday characters in Indian society. A speaker at The Hindu Lit Fest 2024 in Chennai on January 26-27, Khan discusses his thoughts on identity, desire and aspiration.

Edited excerpts:

How much of what you write is influenced by your own story?

During my school days in Bihar, my history teacher once asked, “Are you Muslim first or Indian first?” I confidently replied, borrowing the answer from my grand uncle: “I am both, born to Muslim parents, I’m Muslim; born in India, I’m Indian. Both identities came to me at birth.” As a boy, I didn’t fully grasp the complexities of identity.

During college, I pondered over how identity shapes thoughts, realising we’re not always aware of every facet of our identity. Sub-identities and super-identities emerge, revealed by others’ prejudices. In my village, I was Pathan; in school, a Muslim. Beyond Bihar, a Bihari. These identities intrigued me.

As I ventured into fiction writing, my reflections on identity seamlessly became woven into my stories. And, conflict between circumstances and desire is integral to human existence and is a vital element in crafting engaging narratives. I found inspiration in Bihari IAS/ civil services aspirants, news, historical incidents, real-life characters, beautiful places, and even SMS/ WhatsApp forwards for plot ideas.

What comes first — the plot or the point it makes? And in the case of ‘A Man from Motihari’, what was the genesis of the story?

Plots and characters naturally come to me without any preconceived plan. As I create the story, some significant points or messages often emerge organically.

Take, for instance, the inspiration behind A Man from Motihari. A few years ago, a Bangladeshi newspaper asked me to write about the house in Motihari where Orwell was born. While standing in front of that house, I had an idea: what if a boy from Motihari is born in the same room where Orwell was born many years ago? How would the boy react when he finds out, and how would it change his life? That’s how I came up with the character of the protagonist, Aslam Sher Khan, who is born in the same house as Orwell.

Tell us about your journey — from writing to publication.

Fresh out of completing my Master’s in chemistry, when I began writing Patna Blues, I had no knowledge of the technicalities of fiction writing and no background in literature. So, writing Patna Blues served as a kind of training for me, a sort of MFA, where I learned everything from scratch through trial and error. It took almost 10 years to write and nearly 9 years to get it published. I didn’t have a peer group then for beta reading or sharing comments. The journey to publication was challenging, enduring more than 200 rejections before it was published.

For my second novel, it took no more than a year to write, and finding a publisher was comparatively easier. Style-wise, I have improved significantly and gained more confidence in my writing.

There are strong political notes in your stories. What kind of responsibility do you feel towards your readers in terms of what you write about?

I believe no story exists in a vacuum. I allow the politics of the time to become a part of the narrative as I believe it is the only way to tell authentic stories.

While writing about politics, I do not shirk my responsibility as a writer and chronicler of the truth. I strive to be as impartial as possible. I generally don’t allow my personal beliefs or political ideology to creep into the story. Instead, I focus on the characters’ take on the politics of that time and keep myself a bit distant from those events.

What’s your take on literature festivals? What can they do for writers, and their readers?

Literature festivals offer writers a chance to share ideas. They gain inspiration and build a community, while readers enjoy insights into the creative process. As writers, we also get a chance to meet authors from all over the world, and learn from each other.

I think we should do more at these festivals for aspiring authors, like arranging pitching events or conducting writing masterclasses.

I have also observed a disturbing trend at many literature fests, where organisers invite celebrities such as film stars or cricketers to boost attendance. This often shifts the entire limelight to them, sidelining writers.

Gsquare Group presents The Hindu Lit Fest 2024 in Association with NITTE Education Trust & Christ University. Bookstore partner: Higginbothams

swati.daftuar@thehindu.co.in

source: http://www.thehindu.com / The Hindu / Home> Litfest> The Hindu Litfest 2024 / by Swati Daftuar / January 05th, 2024

A year after receiving Padma Shri, Balti author Akhone Asghar Ali Basharat struggles to get book published

Karkit Tchoo Village (Kargil District), LADAKH:

Balti litterateur  Akhone Asghar Ali Basharat
Balti litterateur Akhone Asghar Ali Basharat

The only Padma Shri Balti writer, Akhone Asghar Ali Basharat from the Kargil district of Ladakh, is struggling to get his anthology of native poetry published.

Akhoon has already published five books and when he was conferred with the Padma Sri by the government of India in 2022, it looked as if his career would take to newer heights. However, a year later, he lacks the resources to get his latest book published.

Speaking to Awaz-the voice from his home in the village Karkit Tchoo, 13 km from Kargil town, Basharat said that he was trying to get the collection of his poetry in Balti language published; he was looking for a means of subsidy. “It is a huge collection of my poems in Balti language; it highlights multiple facets of the language and culture divided by the Line of Control between India and Pakistan.”

The Balti language is spoken in the Gilgit-Baltistan region in the PoK and Kargil.

When the Awaz spoke to him last year, he was working on Aeena-e-Kargil (Reflections on Kargil), unfolding its history, geography, culture, writers and poets, the life of people, their dress, house, common food, following the religion of Islam, religious, social and political organizations.

His book, published this year, dwells upon the plight of the region during the Dogra rule, and also other ‘untouched issues in the post-Independence era’, he said. The 320-page book is a comprehensive account of the life and political issues the Balti-speaking people faced. His efforts in compiling details over more than 15 years have won him appreciation.

People are so impressed by Basharat’s achievements that a local poet Ashraf Ali Sagar, who is also the general secretary of the Association of Baltis in Himalayan Ladakh Territories of India, Kargil, composed a poem praising him. The poem is printed on the back side of the book. One couplet of the poem goes as follows:

“Kis Tarah Pur Soz Hai Tareekh-e-Kargil Kya Khabar

Yeh Basharat Teri Mehannat Ka Samar Honay Ko Hai”

(How vibrant is Kargil’s history, who knew; Basharat this is going to be fruitful for your hard work).

Akhone Asghar Ali Basharat (72), has not been to a school and he has no formal education. He learned Balti, Urdu, Persian, and Arabic languages from his father Sheikh Ghulam Hussain, who had set up a Madrasa in their home in 1972 and taught the children of the village for free.

Inspired by his father, he was attracted to learning, reading, and writing different languages.

His first anthology of Naat (in praise of Prophet Muhammad) and Manqabat (in praise of Allah) was published in the early eighties. His second publication, an anthology of poetry was published in 2002, followed by Waseelai Najaat, based on translations from Persian, which was published in prose form four years later, and, Bazme-Basharat including Naats, Manqabats, and poems on other issues got published in 2011.

Balti language is a Tibetan language spoken in parts of Kargil while it is the second largest language in the Gilgit-Baltistan area across the Line of Control (LoC). It is also spoken in parts of the Nubra Valley of Leh, Ladakh. Some of the Balti-speaking families from Kargil have also settled in the Tral area of Pulwama district in South Kashmir. There are 3.79 lakh Balti speakers in Pakistan, while the total Balti-speaking people in the world are estimated at 4.91 lakh.

The number of Balti speakers in India has shown a decline over the decades; today there are 13,774, Balti speakers in India, as per the 2011 census. It was around 20,053 in the 2001 census and 48,498 in 1981.

Akhon Asghar Ali Basharat gained popularity when he conducted regular Balti poetry shows on the AIR station of Kargil that took off in 1999. He became a regular participant in the local Urdu Mushairas and other cultural activities.

Basharat told a news portal that his father has been his inspiration. His father was the first published author from Kargil in the decade of 1980s.

“My father is my sole inspiration. He was a well-known social and religious activist. He had a huge collection of religious books. I sometimes feel writing is my inheritance and in my DNA.”

He says AIR Kargil station was of great help to people like him who live in remote areas. “My radio shows made me popular and encouraged me to write more. I am today because of AIR Kargil station.”

He says he fears that the Balti language may become extinct in Kargil. The fear of extinction is more because people across Ladakh tend to speak other languages and not their native ones to sound fashionable.

Bashart says to preserve language and culture, reading and writing books, and holding seminars and cultural programs must be encouraged.

He feels book writing should not be seen as a lucrative profession. “I feel book writing is not a lucrative profession. The author has to spend money to publish his book. Since the reader base is small the youth do not feel encouraged to write in regional languages. He has suggested that government must support writers of smaller languages.

source: http://www.awazthevoice.in / Awaz, The Voice / Home> Story / by Ehsan Fazili, Srinagar / January 07th, 2024

Review of ‘Another India — The Making of the World’s Largest Muslim Minority, 1947-77’ : The original betrayers

INDIA:

Pratinav Anil argues that policies of the Congress and the Muslim elite ended up hurting Indian Muslims the most.

Muslim devotees praying on the street of Kolkata during the holy month of Ramadan. | Photo Credit: Getty Images/ istock

Unobjective commentators have, in the last decade, perfected the art of highlighting the tribulations of being a Muslim in “Hindu India” without contrasting them with the difficulties the same Muslim faced in “secular India” that supposedly existed before 2014.

Pratinav Anil is perhaps the only modern historian who has gone against this trend to put right the wilful muting of Indian Muslim history. His new book Another India: The Making of the World’s Largest Muslim Minority, 1947–77 is an in-depth analysis of anti-Muslim violence since Independence that exposes the Islamophobic facet of the country the Congress established in August 1947.

In simple terms, the question that Another India seeks to answer is: Was the Congress’s idea of India genuinely secular and based on communal equality? From the facts it lines up, the answer is ‘no’.

Riots and taunts

Not many know that the “most violent Hindu-Muslim conflagration of postcolonial India” was unleashed in 1964 in which a staggering 800,000 Muslims from Bengal were pushed into East Pakistan.

President S. Radhakrishnan visiting Central Calcutta, a predominantly Muslim locality, affected by the January riots. He is seen with the Muslims of the locality (Kalabagan area) on June 30, 1964. | Photo Credit: The Hindu archives

Indeed, it was under the Congress that the derisive “go to Pakistan” taunt was actualised when nearly 2% of the Indian Muslims were sent to Pakistan after being branded infiltrators who had sneaked in to convert Hindus to Islam. Before being expelled, they were dumped in makeshift camps on the border “like herds of cattle”, and forced to “sign papers declaring falsely that they were Pakistanis” when many of them were genuine Indians.

A large number of those who couldn’t be “sent to Pakistan” became the victims of the “riots galore” that dotted Nehru’s rule. The “institutionalised riot system” was so one-sided that Muslims made up 82% of the fatalities and 59% of the injured.

Prepossessed hostility towards Muslims was also the cause of the 1948 police action in Hyderabad which, for Anil, was “a mass pogrom” because it had resulted in the massacre of 40,000 Muslims, the rape of women, loot, arson, desecration of mosques, forcible conversions, and seizure of houses and lands. Nehru hastily suppressed the Sunderlal Report that brought out these facts.

Anil concludes that Nehruvian India was often “an Islamophobic agency” that wore secularism as “a fig leaf” to hide its pro-Hindu bias.

At the historic conference in New Delhi on June 7, 1947, when Lord Mountbatten disclosed Britain’s “partition” plan for India. (left to right) Jawaharlal Nehru, Lord Ismay, Adviser to the Viceroy, Lord Mountbatten, and M.A. Jinnah, President of the All-India Muslim League. | Photo Credit: The Hindu photo archives

The Ashraf betrayal

But how did the Congress get away with its brazen marginalisation of Muslims? With the help of “nationalist Muslims” and “notables”, says Anil.

The former were mostly Muslim Congressmen who harmed their community by conflating India’s progress with that of the Congress; shielding Congress from criticism by blaming Muslim communalists for Partition, and placing the constitutional protection of the shariah above the community’s political rights.

The “notables” comprised upper-class Muslims (the ashraf) such as mutawallis (custodians of waqf properties), waseeqadars (princely pensioners) and waaqifs (dedicators of properties for waqf) all of whom used their aristocratic agency to feather their nests in the guise of working for the community’s economic development.

A major preoccupation of these patricians was “the preservation of distinctive elements of Muslim culture in a non-Muslim environment.” Backing them to the hilt were the ulama, especially those belonging to the Jamiat Ulama-i-Hind which Anil calls a branch of the Congress in all but name.

The “ashrafised” Islam that the ashraf-clergy nexus promoted secured the class interests of the ashrafs and almost totally ignored the plight of common Muslims.

In a scathing attack on the Muslim elite’s obsession with the shariah-based Personal Law, Anil says that it furnished the patriarchs with “a private fiefdom to do as they pleased” without mitigating the community’s “despondent public existence in an Islamophobic society.”

No space for scrutiny

As a consequence, Muslim politics had no room for “trade unions, mass protests, anti-discrimination legislation, and subaltern solidarity” while it had plenty for “high cultural totemic symbols such as the AMU, auqaf, Urdu, and the sharia.” This suited the ruling “Hindu Congress” because a politically empowered non-Hindu group was not in its interest.

Even today the ashraf-clergy alliance prioritises religion and religious symbolism over social cohesion and political participation. If, for instance, ashraf-backed madrasas are fixated on anachronistic medievalism, many clergy-endorsed secular English medium schools controlled by wealthy Muslims promote religious identitarianism by making the skull cap (for boys) and the hijab (for girls) a mandatory part of the uniform.

At a hijab shop. | Photo Credit: Reuters

This self-ghettoisation, which is nothing short of an attempt to discourage the enrolment of non-Muslims in Muslim schools, sustains itself on the fear of the other and has the potential to render Muslim students incapable of living in multi-religious and multi-cultural societies after graduation.

Given this sad state of affairs, Another India couldn’t have come at a better time. Its neoteric narrative is not just a searing exposé of Congress’ betrayal of trustful Muslims who stayed back in India after rejecting Pakistan; it is also an invitation to Indian Muslims to acquire a sense of critical thinking and break free from the serpentine stranglehold of the ashraf-clergy alliance that is hell-bent on denying them the heaven-ordained right to intellectual liberation.

Another India: The Making of the World’s Largest Muslim Minority, 1947-77; Pratinav Anil, Penguin/ Viking, ₹999.

The reviewer is Secretary-General of the Islamic Forum for the Promotion of Moderate Thought.

source: http://www.thehindu.com / The Hindu / Home> Books> Reviews / by A Faizur Rahman / February 04th, 2024

Poet Farooq Nazki, voice of India in gun-ridden Kashmir valley, dies in Jammu hospital

JAMMU & KASHMIR:

Nazki took over as the director of Doordarshan and All India Radio, Srinagar — the twin propaganda arms of the State — after Lassa Koul, his boss at Doordarshan, was shot dead by militants on February 13, 1990

Farooq Nazki / Sourced by the Telegraph

Farooq Nazki, the versatile poet and broadcaster who steered India’s ship in Kashmir during the turbulent 1990s when the Valley was up in arms against the State, passed away on Tuesday at a hospital in Jammu’s Katra.

Nazki was 83 and is survived by his wife, son and two daughters. According to his relatives, he had been battling various health issues, including lung and kidney complications, for the past several years.

“The passing away of a qalander (ascetic or a carefree man) is not to be mourned; his fulfilling life is to be celebrated. For he has left this station after enriching it in many ways. A societal loss which is a personal bereavement. RIP Mir Mohammed Farooq Nazki (1940-2024),” his son-in-law Haseeb Drabu, a former journalist and politician, posted on X.

Politicians, including those from the BJP, National Conference and the People’s Democratic Party, mourned his death.

Nazki took over as the director of Doordarshan and All India Radio, Srinagar — the twin propaganda arms of the State — after Lassa Koul, his boss at Doordarshan, was shot dead by militants on February 13, 1990.

Militancy, which had erupted months earlier, was at its peak and the twin media institutions were its foremost targets, forcing authorities to turn the joint complex into a garrison. Under Nazki’s stewardship, they continued their fierce anti-militancy stand.

“He was like a one-man army, perhaps the lone Kashmiri Muslim who wore his Indian nationality on his sleeves those days, although I do not know how much of that was conviction and how much, compulsion,” a journalist, who covered Kashmir during the troubled 1990s, told The Telegraph.

“He was perhaps the most guarded Kashmiri those days, and he moved in a convoy of security vehicles. They were no ordinary times. National Conference leaders, including Farooq Abdullah, deserted Kashmir, and police too were in a mood of rebellion. Certainly, that did not go well with the people.”

Kashmir was rocked by a police revolt in 1993, forcing the army to storm into their headquarters to crush it. There was, however, no bloodshed.

Early in January 1990, Farooq Abdullah resigned as chief minister in protest against the installation of Jagmohan as governor. The Assembly was dismissed and governor’s rule was imposed, which triggered mass protests.

A former colleague of Nazki said there were no resignations at Doordarshan and AIR when militancy started, unlike in 1953 when Sheikh Abdullah was removed from power.

“He (Nazki) would say that he was doing his job and if there was anybody else, he would have done the same. He was brave enough to do it openly. In his poems, you will find him reflecting on the pain and sufferings of Kashmiris. But it is also true he was against militancy because he thought it would bring us ruin,” he said.

“He continued the parampara (tradition) of hoisting the Tricolour at Doordarshan, and that was no small feat in those days. He retired as deputy director-general, Doordarshan, in 2000, and to my surprise, he was never harmed. I have seen him moving around Lal Chowk without security. That is perhaps because he was a multi-faceted personality.”

Former Doordarshan director Shabir Mujahid, who worked under Nazki, said he was an ace broadcaster and a poet.

“He was a trendsetter at the national level. It is he who gave the concept of soap operas to Doordarshan, starting with Shabrang in the early 1980s. He produced many plays and serials. He was equally a wonderful poet,” Mujahid told this newspaper.

In 1995, Nazki won the Sahitya Academy award in Kashmiri language literature for his book of poetry, Naar Hyutun Kanzal Wanas (Fire in the Eyelashes).

After his retirement, he served as media adviser to two former chief ministers, Farooq Abdullah and Omar Abdullah.

source: http://www.telegraphindia.com / The Telegraph Online / Home> India / by Muzaffar Raina, Srinagar / February 07th, 2024

‘Quran in Embroidery’ a hand crafted phenomenon in 604-pages of velvet cloth – The Miracle of two Bengaluru sisters – Bibi Tabassum and Suraiya Quraishi

Bengaluru, KARNATAKA:

Bibi Tabassum and Suraiya Quraishi who embroidered the Quran.

Bengaluru :

This is a miracle. An awe-inspiring phenomenon took place in this city a few days back, as two sisters- Bibi Tabassum and Suraiya Quraishi- embroidered the sacred Quran onto 604 pages of plush velvet cloth.

Showing excellent craftsmanship, they used needles and threads to meticulously prepare an embroidered holy Quran. This embroidered Quran, prepared under the watchful guidance of an Alim-e-deen (religious scholar), is not only easily legible but also heavenly captivating.

Bibi Tabassum, the younger of the two sisters, holds a great fondness for doing embroidery ever since she was a child. In the beginning, she used to embroider only small verses of the Quran, but one day, an idea graced Bibi Tabassum’s mind – to intricately embroider the entire holy Quran. This took her on a laborious journey, one fueled by love and devotion.

Expressing extreme gratitude to Allah for giving them the opportunity to prepare this embroidered Quran, Bibi Tabassum says that she aspires to gift this embroidered holy Quran to a library in the holy city of Madina.

Venturing on this embroidery voyage of the Quranic verses along with her elder sister Suraiya Quraishi, Bibi Tabassum started with the first inaugural Surah of the Quran i.e. Surah Al-Fatiha, and continued diligently. The last surah- Surah An-Nas marked the culmination of their hard labour.

This embroidered holy Quran is divided into five volumes, and each volume consisting of six chapters. It went through a meticulous binding process by the skilled hands of its creators.

Initially, in the detailed process of embroidery, Bibi Tabassum used to inscribe the verses of the Quran with a pencil on the velvet cloth, followed by both the sisters intricately weaving threads along those sacred lines.

Carrying on the demands of daily life, both sisters, driven by unwavering dedication, used to finish their household chores and then engage in the embroidery work of the holy Quran.

To ensure the utmost accuracy of the embroidered work, a learned religious scholar closely scrutinized each verse upon the completion of a page. Bibi Tabassum says, ‘After completing every page of the embroidered holy Quran, we would show that to our scholar and do any correction if required.”

In the aftermath of this big achievement, family members are thoroughly elated for the two sisters. They say that the two sisters have utilized their time for a very noble endeavour. Extending heartfelt gratitude, they thank Allah for the manifestation of this lovely artwork, which stands as a testament to the beautiful blending of devotion and artistry.

source: http://www.indiatomorrow.net / India Tomorrow / Home> News> Society / by India Tomorrow (headline edited) / February 05th, 2024

Class 11 Student From Hyderabad Publishes Her First Book Chronicling the Syrian Conflict

Hyderabad, TELANGANA:

A class 11 student from India hopes to bring a new level of awareness to the Syrian Civil War with her debut novel, ‘When the Sky Wrote Back’. The book has been published by Delhi-based Bluerose Publishers and is 341 pages long.

The author, Mariyam Imbisat, is a 16-year-old student at Azaan International School in the Indian city of Hyderabad. The teenage writer created the character of Noor Ahmar, a young female journalism student from Egypt who travels to Syria undercover to report for a news organisation. The novel depicts the horrors of war, including bombardment, starvation, and fear, as well as the character’s range of emotions.

The Syrian Civil War is an ongoing conflict that started in the Middle Eastern state in March 2011. The United Nations Human Rights Office estimated in 2022 that 306,887 civilians – 1.5% of the total pre-war population – were killed between March 2011 and March 2021 due to the conflict. Since then, the number of dead has just gone up. 

In addition to the bloodshed, more than half of Syria’s pre-war population of 22 million have had to flee their homes.

Imbisat says she chose the character of a journalist because she believes in the power of journalism. “The journalists have the power to express the voice of voiceless people, especially in times of conflicts,” Imbisat told Two Circles. 

According to Imbisat, the late Al Jazeera correspondent Shireen Abu Aklah inspired the choice of a young Muslim woman journalist as the main character. Aklah was slain in 2022, allegedly by the Israeli Defence Forces (IDF). 

Imbisat states that through Ahmar’s journey, she hopes to spread “the message of humanity” to people all across the world. The novel raises awareness of human rights violations and killings through the character’s accounts, as well as advocates for change.

“The story was made for Syria but it has a lesson for the whole world,” she said.

Imbisat began writing the novel four years ago, when she was just twelve years old, as a diary in which she documented Ahmar’s daily life.

“It was difficult to write about something so sensitive like the Syrian war. I used to spend hours reading about conflicts in the world. I was imagining all the scenes in my head,” she added.

Imbisat says she had unwavering support from her parents while she was writing the novel and her mother who is a school teacher helped her regularly with the novel and even helped finding a publisher. The book took more than a month to be edited and published. 

The novel concludes with the killing of the young journalist, as Imbisat writes, ‘the young journalist was silent but was not blind’, and all of Ahmar’s recordings and images were released to the world days after her death.

The novel is available online and priced at INR 340. 

Tauseef Ahmad is an independent reporter based in Kashmir, India.

source: http://www.twocircles.net / TwoCircles.net / Home> Indian Muslim / by Tauseef Ahmed / January 23rd, 2024

Irfan Ahmad Khan, Islamic scholar who promoted interfaith ties, dead at 86

Sahranpur, UTTAR PRADESH / Markham (Illinois, Chicago) , U.S.A:

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Irfan Ahmad Khan taught many people about the Quran, including his great-grandchild Sulayman Ahmed Ansari. | Provided photo

Irfan Ahmad Khan wrote books, taught college classes, gave lectures and counseled inmates after their release from jail to help people learn about the Quran.

One of the best-known Quranic scholars in Chicago’s South Asian Muslim community, he also worked to promote understanding among different religions through interfaith groups.

“My father’s aim was not for material gain or fame,” said his daughter Humera Hai. “Spiritual peace and harmony was his main aim.”

He would go hours out of his way to drive medicine to a sick person or to resolve disputes, Hai said.

Mr. Khan, 86, who had been having heart problems, died April 3 in Chicago, said his grandson Saeb Ahsan.

Irfan Ahmad Khan in 1996. | Sun-Times files
Irfan Ahmad Khan in 1996. | Sun-Times files

Mr. Khan, who lived in Markham, spoke and wrote in English, Urdu, Hindi and Arabic. He also could read and write in Farsi and Latin.

His books included “An Introduction to Understanding the Quran,” “An Exercise in Understanding the Quran” and “Reflections on the Quran.” He also edited a journal on Islamic thought.

He was born in 1931 in British India, in Saharanpur in the state of Uttar Pradesh. His father was a well-to-do merchant and landlord. He expected his son to take a role in the family businesses, but “He wanted to study,” said his daughter.

In 1952, he earned a degree in physical sciences from India’s Aligarh Muslim University and continued his Islamic studies in the city of Rampur. He taught at the Indian university from 1958 to 1973.

Irfan Ahmad Khan and his wife Shamim. | Provided photo
Irfan Ahmad Khan and his wife Shamim. | Provided photo

Mr. Khan married Shamim Akthar Khan in 1957.

“He was always so gentle, so kind,” his wife said.

In 1974, he arrived in Chicago to study at the University of Illinois at Chicago. His wife, who was raising their seven children in India, had to await immigration clearance and wasn’t able to join him full-time until 1981, Hai said. “Both of them struggled” with being apart, their daughter said.

Mr. Khan, who admired the philosophers Immanuel Kant and Rene Descartes, earned a master’s degree in philosophy from UIC in 1977 and a doctorate in philosophy in 1986, according to the university.

Irfan Ahmad Khan, with then-Mayor Eugene Sawyer in the background. | Provided photo
Irfan Ahmad Khan, with then-Mayor Eugene Sawyer in the background. | Provided photo

He taught Islamic philosophy at UIC and lectured at schools including the University of Chicago, the School of the Art Institute of Chicago and the University of Iowa, his family said.

He was founder and president of the World Council of Muslims for Interfaith Relations, an emeritus board member of the Parliament of the World’s Religions, founding president of the Interreligious Engagement Project for the 21st Century and director of the Association for Quranic Understanding.

“His message was that there was a commonality in many faiths — a commitment to justice and fairness,” said Abdullah Mitchell, a lawyer and friend who said Mr. Khan was known for his outreach to the African-American Muslim community.

His lectures were delivered with energy and humor, and he always was approachable, said another friend, Afaq Mujtaba.

Mujtaba said young people in the South Asian Muslim community referred to him as “Uncle,” a term of affection and respect.

When Mujtaba’s mother died, “The way he consoled me, I will remember for the rest of my life,” he said.

Mr. Khan made multiple pilgrimages to Mecca and traveled to educational and interfaith conferences in Asia, Africa, Australia and Europe.

Islamic scholar Irfan Ahmad Khan worked to build relationships with other religions and interfaith groups. | Provided photo
Islamic scholar Irfan Ahmad Khan worked to build relationships with other religions and interfaith groups. | Provided photo

His grandson said Mr. Khan would tell him, “Develop your relationship with God” and “Keep your studies’ focus; don’t necessarily get married too early.”

He enjoyed Red Lobster, Reza’s Restaurant on Ontario Street and anything that tasted of mango, his grandson said. Every morning, he ate toast and drank strong English breakfast tea with milk and lots of sugar. He liked it in a china cup and saucer, the hotter the better.

Once, when a student brought him tea, he removed his topi — a traditional hat — and placed it atop the drink like a tea cozy to keep it warm. But Mr. Khan forgot where the tea was. So the student brought him a second cup. “He picked up his hat,” said his son Farhan, “and he found the other tea.”

Irfan Ahmad Khan. | Provided photo
Irfan Ahmad Khan. | Provided photo

He always made sure his sherwani — a formal, knee-length coat — was pressed and crisp.

Though he usually focused on philosophical questions and lectures, his family found it endearing when Mr. Khan would catch a glimpse of an Indian or Pakistani soap opera on TV and then comment, with serious deliberation, on the motivations of the characters.

“This person is not being honest,” he’d say. “They are trying to take advantage.”

He is also survived by daughters Nusba Parveen, Husna Ahmad, Bushra Islam and Saba Khan, son Salman, brothers Ehtasham, Afzal, Iqbal and Rehan, sisters Ayesha Jamal and Rehana Bilquis and 21 grandchildren and two great-grandchildren. Services have been held.

source: http://www.chicago.suntimes.com / Chicago Sun*Times / Home> Obituaries> News> Religion / by Maureen O’Donnell / April 14th, 2018

Author Nuzhat Khan’s latest novel on love and loss is set against the backdrop of Uttarakhand’s forest fire

UTTARAKHAND / NEW DELHI:

Author Nuzhat Khan weaves a story of love and loss against the backdrop of Uttarakhand’s forest fire catastrophe in her latest novel.

Author Nuzhat Khan | Photo Credit: Special Arrangement

Author Nuzhat Khan is among the growing tribe of writers confronting the world’s most pressing issue — climate emergency and the unfolding weather catastrophe — through a genre of fiction set in natural ecosystems. In her latest novel Whistling Woods (Petals Publishers), she highlights the impact of forest fire on people’s livelihood in Uttarakhand along with the story of two strangers — Akshay and Kaveri — who embark on a journey of self-discovery to the hills.

Nuzhat says the book is her way of doing her bit for Nature and the environment. “Growing up in Almora hill station amidst the snow-capped Himalayan ranges of Uttarakhand, I was blown away by the stunning landscape. This is the case with anyone who belongs to the hills. It pained me to watch forest fires ravage the serene hills.” She decided to act by writing a light-hearted story around the issue to reach out to more people. “I thought presenting plain facts and figures would be drab on topics like, what’s fuelling forest fires that continue to scorch hectares of green cover? I have tried to propose a solution, although it may not be the perfect one,” she says.

Her style of storytelling, both evocative and driven by research, helps readers get a grip of the issue while enjoying the budding romance between the lead characters. “I have attempted to capture a mix of human emotions, complexity of relationships, and the innocence of love. The setting helped me run parallels between urban and rural lives. For people in villages, even access to clean drinking water can be challenging ” explains Nuzhat adding that the book has been in the making for five years which also involved several trips to institutes like Avani Bio-Energy plant in Pithoragarh, the Naula Foundation, an NGO that creates awareness on the problems of dying aquifiers (naulas) in the hills of Uttarakhand.

“My interactions with the locals and forest department officials was an eye-opener. They are constantly working to mitigate the problem. Organisations like the Himalayan Institute For Environment, Ecology & Development have developed fire reporting apps that can alert people on forest fires across various locations.”

She points out that the ashram described in the book that works towards empowering girl children was inspired by the Lakshmi Ashram run by a couple in Uttarakhand. “Some of the characters are not entirely fictional,” she hints.

The book also touches upon excessive tourism in the hills. “Several unplanned constructions in the form of resorts have come up usurping the forest cover and triggering landslides. The region is also prone to earthquakes.” She wants people to sit up and take note of Uttarakhand. “Everyone wants to live in the hills. I want to tell them it is beautiful, but everyday life can be challenging.”

source: http://www.thehindu.com / The Hindu / Home> Books / by K Jeshi / December 26th, 2023

The Hindu Lit Fest 2024 | Author Charu Nivedita and translator Nandini Krishnan on their new book ‘Conversations with Aurangzeb’

INDIA:

‘Conversations with Aurangzeb’ reimagines the story of the most controversial Mughal emperor

A 17th century painting of Aurangzeb in his ‘darbar’. | Photo Credit: Wiki Commons

Tamil writer Charu Nivedita’s Conversations with Aurangzeb, translated by Nandini Krishnan,is an unpredictable book. In it, a writer begins a novel with an idea but soon meets the spirit of Mughal emperor Aurangzeb, who decides to seize the opportunity to tell his side of the story. This is an irreverent, indignant Aurangzeb, most unlike the historical character we are familiar with.The writer and Aurangzeb speak of the past and present, of Mughals and Marxism, of satire and Sunny Leone, and a host of other contemporary subjects. Krishnan says the novel is “defiant of all genres”.

discuss the wildly imaginative book, their collaborative process, and the latest translation fad. Edited excerpts:

Author Charu Nivedita | Photo Credit: Backiaraj M.

You’ve given an unpopular historical figure a voice to defend his actions. In a country where satire is often lost on a lot of people, did you ever feel this book was a risky proposition?

Charu Nivedita: All my writing is risky because I always choose taboo topics. I have always been a misunderstood guy. In a historical perspective, Aurangzeb is also a misunderstood guy. So, I find some similarity between Aurangzeb and myself as a writer.

There are Tamil references throughout the novel. Why and how did you decide to weave these in?

CN: Even though I live in Tamil Nadu, I don’t agree with the culture here. My fellow writers don’t consider me a writer; I always feel like an outsider. Though I write in Tamil, I imagine a European, South American or an Arab readership. I mock the land in which I live. I feel sometimes that I live in a circus when I see the film industry, the paal abhishekam (a ritual of worship with milk)for the cut-outs of actors, or the happenings in the political arena. Self-mocking is important. One who is ready to parody himself or herself can do that with others.

Translator Nandini Krishnan | Photo Credit: Vinay Aravind

You have said in your translator’s note that some books are untranslatable. Why is that?

NK: I mean there are certain books that are extremely localised. For example, anyone in India who has watched Hindi films would find the line ‘Kitne aadmi the? (How many men were there?)’ funny in any context. But if you’re going to use that line with an American audience or with someone who doesn’t watch Hindi films, it would make no sense at all.

The history of Tamil cinema is as old as modern Tamil writing. There are constant references and cross-references to it in literature. Even in (Nivedita’s) Zero Degree, there is a reference to a scene from the film Chinna Gounder. Unless you get its context, it is not jarring or funny or discomfiting in any way. That’s why I felt Zero Degree was untranslatable.

There is a larger reach now of Tamil books for an English reading audience. What do you think of this translation boom?

NK: Right now, translations are sexy because Geetanjali Shree won the International Booker Prize in 2022. In the 90s, because of Vikram Seth’s enormous advance and later because of Arundhati Roy’s Booker win, Indian writing in English became sexy. This is just a fad. This has also given space to some very subpar translations because everyone is trying to get 20 books translated. We need to maintain the quality of someone like a Charu Nivedita or Ashokamitran or Perumal Murugan or Thamizhachi Thangapandian. Translations do have reach, but does the same quality of work reach an audience? I don’t know.

Also, there is a lot of focus on the writer’s story rather than the story that the writer is telling. And by that, I mean the writer’s gender, caste, their politics, and so on. Unless we go beyond these to the quality of their stories, we are in trouble.

CN: There is a translation boom. But unless there is a miracle, as in the case of Perumal Murugan or Vivek Shanbhag, one is unknown outside their own region. I am unknown outside Tamil Nadu or Kerala. There is no controversy or award because of which people might know me. This is the sad state of affairs.

radhika.s@thehindu.co.in

source: http://www.thehindu.com / The Hindu / Home> Litfest> Interview / by Radhika Santhanam / January 18th, 2024

Padma Awards 2023: Who is scientist Khadar Valli, ‘India’s Millet Man’, left high-paying US job for healthier society?

Proddutur Town, (Kadapa District), ANDHRA PRADESH / Mysuru, KARNATAKA:

Dr Valli is the scientist who made the world realise the importance of food grains

article-main

He had a comfortable US job that he left to return to India and make it healthy. More than two decades since he launched his mission, India’s ‘Millet Man’ Dr Khadar Valli Dudekula was recognised by the government of India with the civilian honour Padma Shri during the 74th Republic Day celebrations on Thursday, January 26. 

Dr Valli is the scientist who made the world realise the importance of food grains. He has numerous researches to his name and has worked extensively for revival of grains over 20 years. As per The Better India, Dr Valli woke up to the problem of diet-related consequences in society around 1986-87 when he came across the case of a girl who had started menstruating at 6 years of age. Shocked by this, he decided to return to his country in 1997 and settled in Mysuru to work towards a healthy society rather than in a foreign nation. 

Dr Valli is an independent scientist and food expert. In his pioneering work, he has revived five types of disappearing millets. He is a leading advocate of Millet cultivation and use. He was born in a humble background in Kadapa District of Andhra Pradesh. He pursued his BSc (Education) and MSc (Education) from Regional College of Education, Mysuru before earning a PhD in Steroids from the Indian Institute of Science, Bengaluru. Besides being an agricultural scientist, he is also a homoeopath. 

After completing education in India, he became a postdoctoral fellow in environmental science at Beaverton, Oregon for three years. He then worked as a scientist with Central Food Technological Research Institute (CFTRI) for four years before working with DuPont for a year in India and four plus years in the US. He discovered medicinal properties of grains during his research and named 5 specific types of grains he prescribed as “Siridhanyalu”. 

source: http://www.dnaindia.com / DNA / Home> India / by DNA Web Team / January 28th, 2023