KERALA: Afsal clocked 1:48.43s to claim the silver.
Indias Mohammed Afsal Pulikkalakath waves the national flag after finishing second in the Mens 800m Final event at the 19th Asian Games
Hangzhou :
Indian athlete Mohammed Afsal Pulikkalath bagged a silver medal in the men’s 800m final in the Asian Games on Tuesday. Afsal had a shot at the gold and he was inches away from finishing first but Saudi Arabia’s Essa Ali Kzwani went past the Indian runner towards the end.
Afsal clocked 1:48.43s to claim the silver. The Saudi Arabian athlete surpassed him by 0.39s as he finished with a timing of 1:48.05s. The bronze medal was claimed by Oman’s Husain Mohsin Husain who clocked 1:48.51s. Krishan Kumar was the other Indian who participated in the race but got disqualified.
Earlier in the day, Indian runner Parul Chaudhary etched her name in the history book by winning a gold medal in the Women’s 5000m. Returning to the field after bagging a silver medal in the women’s 3000-metre steeplechase on Monday, Parul finished with a timing of 15:14.75 for the gold medal. She became the first Indian to win gold in the women’s 5000m event at the Asian Games.
source: http://www.telanganatoday.com / Telangana Today / Home> India / by PTI / October 03rd, 2023
Mursalin’s act went viral on social media platforms and hundreds turned up at his residence to praise him.
Mursalin with members of his family (Photo | Special arrangement)
Kolkata :
When Class V student Mursalin left his Malda home on Thursday afternoon to fish in a ditch beside the railway tracks, all his concentration was focused on the water. But as he looked around for a few seconds, his attention shifted to a large crater under the railway track, which was caused by heavy rainfall in the north Bengal region in the past few days.
Seeing part of the track having no support beneath it, Mursalin sensed danger. On hearing the whistle of the speeding Silchar-bound Kanchanjungha Express as it was skipping the nearby Bhaluka Road railway station, the 11-year-old boy took off his red T-shirt and started waving it as fast as he could to draw the attention of the train driver.
Spotting the boy on the track waving his red T-shirt, the motorman applied the brakes and the train came to a halt. The driver examined the crater, sent an SOS and railway officials arrived. Repair work was carried out to fill up the crater and the train left.
Mursalin’s act went viral on social media platforms and hundreds turned up at his residence to praise him.
“It was drizzling and I crossed the railway track and came to the ditch for fishing. I was busy catching fish but after a few minutes, when I could not catch a single one, I just looked around. I saw the soil and stones under the railway track were washed away because of rain, I felt it could pose a threat to a train. At the same time, I heard the train’s whistle. I did not spare a moment. I took off my red T-shirt and started waving it standing on the railway track,” said the boy.
Mursalin’s mother Marzina Bibi said her son returned home and narrated what he did. “I feel proud of him. His act saved a train mishap. Railway officers also praised him,” she said.
Railway officers said the crater under the tracks had not been noticed. “After examining the crater, the railway officers from nearby Bhaluka Road station took steps to fill it up as early as possible. We appreciate the boy’s presence of mind and his bravery,” said a railway official.
source: http://www.newindianexpress.com / The New Indian Express / Home> Good News / by Express News Service / September 27th, 2023
As MMA is a non-Olympic sport, there is no financial support from the government either.
MMA fighter Mohammed Mahboob Khan
Hyderabad:
Early November came as a huge surprise and a source of anxiety for Shaik Khalid , the coach of Mahboob Khan and the founder of Telangana Association of Mixed Martial Arts (TAMMA) as he received Mahboob’s selection letter from MMA India.
India’s first and only international Mixed Martial Arts (MMA) champion, Mahboob Khan, has earned his selection for another world championship, but the lack of financial support has become a major roadblock for the athlete to participate in it.
The letter read, “This is to confirm that Mr. Mohammed Mahboob Khan from Telangana is selected under MMA India to represent India at upcoming IMMAF (International MMA Federation)-WMMAA (World MMA Association) Amateur Mixed Martial Arts Champion 2021 from Jan 24-29 at Abu Dhabi.”
However, just like every time, Shaik Khalid would again have to over-burden himself with training his athlete as well as run around to find sponsorship for him.
Last time, in the Bahrain IMMAF world Championship, when Mahboob became India’s first and only world champion, Shaik Khalid said that the whole team including himself contributed and raised about 2 lakh so that Mahboob can fight.
“Because MMA is a non-Olympic sport, there is no financial support from the government either,” Khalid remarked.
Furthermore, the letter from MMA India stated that the total cost of the participation, including registration, travel, visa and stay would be approximately 1.80 lakhs. The letter added, “This event is the highest level of opportunity for Armature MMA athlete and would bring lot of pride to our country and help athletes to move up to the next level of career. Due to the fact that Mr. Mohammed Mahboob Khan has to support all the travelling expenses on his own, we would encourage sponsorship from you and contribute towards the development of the Sport in India.”
Hyderabad’s own – Mahboob Khan
The little known Hyderabadi beast from Dabilpura who has created history by becoming the first and only international MMA champion in 2018 comes from humble beginnings.
Mahboob Khan used to be a bodybuilder who worked in a clothing shop and used to drive a taxi. He told Siasat.com that in 2016 his friend introduced him to Khalid and they subsequently went to watch a state championship. “I got interested in the sport and joined… I never thought I would participate in tournaments but as we trained I gained more confidence and later… Shaik Khalid made me play nationals,” the 23-year-old said.
There was a point when Mahboob said he was not getting enough time to train, and as Sheik Khalid saw potential in him, he asked Mahboob if he would quit his jobs and stay with him. “He also offered to give me a salary,” Mahboob added.
With five years of amateur fighting experience, Mahboob Khan, who now holds a record of 34 wins, has three straw-weight and four flyweight National gold medals, one international gold medal and has been the five-time fight-night (semi-pro) champion.
Note: If anyone is interested to sponsor Mahboob Khan they can contact the following numbers
Shaik Khalid: 8019561644, 9700751644
Or to directly fund them, interested sponsors can use the given bank account details
NAME: MD MAHABOOB KHAN BANK NAME: ANDHRA BANK BRANCH NAME: SAIDABAD A/C: 052110100188420 IFSC : ANDB0000521 Google pay: 7995395626)
source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Usama Hazari / November 22nd, 2021
Khushboo has been practising different forms of martial arts for about 11 years.
Leaving her home and family behind in Uttar Pradesh, 23-year-old Khushboo Nishad secretly travelled to Hyderabad two years ago under the guise of a job transfer to become a mixed martial artist. Within a short period of time, she earned a silver medal at a national-level amateur Mixed Martial Arts (MMA) tournament.
A native of Allahabad, Khushboo has been practising different forms of martial arts for about 11 years now. She started with Judo at the age of 12, moving on to master the South Korean art of Taekwondo for another three years. Khusboo’s father taught her Karate.
Mastering different styles of fighting consequently developed her interest in the fastest-growing combat sport- Mixed Martial Arts. Khushboo said she tried learning MMA in UP, however,”I couldn’t find the level of training I was looking for,” she told Siasat.com.
She started her own research, some ‘asking around,’ and concluded that the best training she could find was in Hyderabad under the guidance of Sheikh Khalid. Moreover, Khalid taught MMA in a traditional form.
Khusboo never told her family about her dream to become a mixed martial artist. “I worked for Radisson in Ludhiana for eight months in order to save money and persue my goals,” she added.
Knowing very well her family would not allow her to go to Hyderabad, Khusboo told them she was transferred to the city of pearls by her company.
Narrating an incident that led to this decision Khushboo said, “One day my father saw a video where I was punched on my face by my coach. Disturbed, he immediately called me back.”
Khusboo was studying at Amity University, Lucknow at that time.
To keep her father happy, Khusboo studied hard and secured a top rank in her college. However, she still nourished the dream of becoming a mixed martial artist.
“I am extremely grateful to the person who recommended Sheikh Khalid to me. I have learned so many new things here,” she concludes adding that she has fallen in love with the city.
source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Usama Hazari / July 28th, 2022
India’s first student-focused non-academic business incubator, Edventure park has incubated 157 student start-ups, out of which 30 have already been launched in the market and more than 10 have raised funding from institutional investors.
Founder and CEO Meraj Faheem told The Siasat Daily that the incubator has an army of campus leads who identify talented entrepreneurs with innovative ideas and provide them with the environment, support, and encouragement that they need.
“We have a four-month-long pre-incubation program where we work with idea-stage start-ups,” he added.
The students come up with ideas, the incubator assesses the ideas and after an application process, there’s a three-round interview process. This is followed by the selection of upto 25 start-up ideas that then go through a four-month-long pre-incubation program.
“On the basis of their progress, Edventure park selects 10 out of the 25 start-up ideas who are then taken to the incubation program, and then the acceleration program,” Meraj Faheem remarked.
source: http://www.siasat.com / The Siasat Daily / Home> News> Hyderabad / by Usama Hazari / June22nd, 2022
Waheeda Rehman, 85, is a towering legend of Indian cinema known for iconic roles in films like ‘Guide’, ‘Pyaasa’ and ‘Kaagaz Ke Phool’
Waheeda Rehman
Union Information and Broadcasting Minister Anurag Thakur on September 26 announced that veteran Bollywood actor Waheeda Rehman would be conferred with the Dadasaheb Phalke Lifetime Achievement Award for 2021, honouring her stellar contribution to Indian cinema.
Prime Minister Narendra Modi congratulated the 85-year-old actor through an X (formerly Twitter) post. “Delighted that Waheeda Rehman Ji has been honoured with the Dadasaheb Phalke Lifetime Achievement Award. Her journey in Indian cinema has left an indelible mark. A beacon of talent, dedication and grace, she embodies the best of our cinematic heritage. Congratulations to her,” he said.
Ms. Rehman has been critically acclaimed for her roles in Hindi films, prominent among them being Pyaasa, Kaagaz ke Phool, Chaudhavi Ka Chand, Saheb Biwi Aur Ghulam, Guide and Khamoshi.
The announcement coincides with the birth centenary of Dev Anand, who had worked with Ms. Rehman in the classics like Guide (1965), an adaptation of R. K. Narayan’s book; and crime thriller C.I.D. (1956), which was her first Hindi film. Earlier, she had acted in Telugu films Rojulu Maraayi and Jayasimha, which were released in 1955.
“In her career spanning over five decades, she has essayed her roles with extreme finesse, leading to a National Film Award for her role as a clanswoman in the film Reshma and Shera. A Padma Shri and Padma Bhushan awardee, Waheeda ji has exemplified dedication, commitment and the strength of a Bharatiya Nari who can achieve the highest level of professional excellence with her hard work,” said Mr. Thakur.
The Minister said: “At a time when the historic Nari Shakti Vandan Adhiniyam (women’s reservation Bill, 2023) has been passed by Parliament, her being awarded this lifetime achievement award is a fitting tribute to one of the leading ladies of Indian Cinema and one who has dedicated her life after films to philanthropy and the greater good of society.”
The award will be presented during the 69th National Film awards ceremony. The Dadasaheb Phalke Award selection committee comprised prominent Indian cinema personalities, Asha Parekh, Chiranjeevi, Paresh Rawal, Prosenjit Chatterjee and Shekhar Kapur.
Ms. Rehman has worked in more than 90 films. She won the Filmfare Best Actress Award for her roles in Guide and Neel Kamal (1968). She also bagged the National Award for Best Actress (1971) and was honoured with the Padma Shri by government in 1972 and the Padma Bhushan in 2011.
source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by The Hindu Bureau / September 26th, 2023
Thanjavur-based Shahida Malik, the elder sister of Waheeda Rehman, talks about growing up with her ‘Chand’.
Waheeda Rehman with Shahida Malik | Photo Credit: Special Arrangement
Many rejoiced at the news of veteran actor Waheeda Rehman being conferred with the Dadasaheb Phalke Lifetime Achievement Award for 2021.
But quite above the fan frenzy, is 92-year-old Shahida Malik, Waheeda Rehman’s elder sister based out of Thanjavur, who has been moved to tears of joy at the recognition of her beloved sibling, nicknamed ‘Chand’ (moon and a term of endearment in Urdu), whose innate talent has been finally given its due.
It often comes as a surprise to many that Waheeda Rehman is actually from Tamil Nadu. She was born in Chengalpattu.
With a beautiful dance sequence that marked her debut at the age of 17 in the 1955 Telugu film Roju Marayi (remade as Kaalam Mari Pochu in Tamil), Waheeda Rehman’s body of work spans several decades of unusual roles. Her career in Hindi started in 1956 with the Guru Dutt production CID.
“Waheeda’s Roju Marayi dance was so famous that people used to throw money at the screen whenever the song came on,” says Shahida. “We were amazed to see the reaction to our sister and so proud of her success.”
Trained in Bharatanatyam
Born in 1938 to district commissioner Mohamed Abdul Rehman and Mumtaz Begum, Waheeda was the youngest of four daughters. She and her sister Sayeeda trained in Bharathanatyam.
Shahida, who is seven years elder to the actor, remembers the family fearing for Waheeda’s poor health in her early childhood. They were also worried about the reaction to girls from the Muslim community taking up dance or films as a career.
She was first noticed as a performer at a Bharatanatyam recital for a cultural show organised during a visit by India’s last Governor-General C. Rajagopalachari by her father when he was posted at Vishakapatnam (in what was then the Madras Presidency).
“Father was asked to use only local artistes in the programme. Waheeda and Sayeeda were roped in for the dance,” recalls Shahida. As mentioned in the 2015 book Conversations with Waheeda Rehman by Nasreen Munni Kabir, the family went through straitened times after the death of Mohamed Abdur Rehman in 1951.
Veteran actor Waheeda Rehman at an event in New Delhi | Photo Credit: –
“Our father was transferred constantly, and this affected our studies. My elder sister Zahida and I managed to study up to Class 8, but Sayeeda and Waheeda didn’t get even that far. They worked very hard to stand on their own feet,” says Shahida.
Foray into films
Waheeda Rehman’s success in the Roju Marayi song led to a meeting with actor-producer-director Guru Dutt, who eventually signed her up for a three-year contract with his production house in 1955, persuading Waheeda and her mother to shift to Bombay from Madras.
Their creative partnership flourished in films like Pyaasa, Twelve O’ Clock, Kaagaz Ke Phool, Chaudvin Ka Chand and Sahib Bibi Aur Ghulam. With a ringside view on the world of films, Shahida has many memories of her sister’s heyday as a young actor, and also chaperoning her to shoots in outdoor locations.
Waheeda Rehman in the Telugu film ‘Rojulu Maaraayi’ | Photo Credit: The Hindu Archives
Shahida and Waheeda are the only two surviving sisters. Family members, irrespective of their age, refer to their star relative affectionately as ‘Chand Khala’. “I nicknamed her after the moon, because she was destined to rise high in life and shine. I am so happy, I cannot stop crying,” says Shahida.
source: http://www.thehindu.com / The Hindu / Home> Entertainment> Movies / by Nahla Nainar / September 27th, 2023
India’s Nikhat Zareen bowed out in the women’s 50kg semi-final after losing 3:2 to Thailand’s Chuthamat Raksat. Parveen Hooda is assured a medal in the women’s 57kg.
(Boxing Federation of India (BFI))
Two-time world champion Nikhat Zareen finished her campaign in the women’s 50kg event with a bronze medal at the Asian Games 2023 boxing tournament in Hangzhou, the People’s Republic of China.
Nikhat Zareen lost her semi-final bout against Thailand’s Chuthamat Raksat by a 3:2 split decision. Zareen and Raksat faced each other in the quarter-finals of the world championships earlier this year and the Indian boxer had come out on top then.
In Hangzhou, both Nikhat Zareen and Chuthamat Raksat started the bout cautiously, the two only able to land soft punches with measured jabs. In the final round, the Thai boxer managed some decisive hooks to take control and won the bout by the barest of margins.
“My experience was great. I had very good bouts in these Asian Games,” Nikhat said. “Today, unfortunately, I couldn’t win the semi-final match against Thailand. But it’s fine, I will take this as a learning lesson.
“I’ll definitely come back stronger. I’ll learn from my mistakes from this competition, and I definitely look forward to that.”
Earlier in the day, Parveen Hooda made it to the women’s 57kg semi-finals by defeating Sitora Turdibekova of Uzbekistan by unanimous decision. The 23-year-old Indian boxer, by virtue of making the top four, secured a maiden Asian Games medal as well as a quota for the Paris 2024 Olympics next year.
However, as National Olympic Committees have the exclusive authority for the representation of their respective countries at the Olympic Games, athletes’ participation at the Paris Games depends on their NOC selecting them to represent their delegation at Paris 2024.
Boxing at the Asian Games 2023 is also a Paris 2024 Olympics qualifier event. In men’s events, the gold and silver medallists in each of the seven weight divisions will be issued a quota to Paris 2024. In the women’s categories, four quotas will be on offer for all categories other than the 66kg and 75kg, for which there will be two berths on offer like men’s.
Parveen Hooda will face Chinese Taipei’s Lin Yu Ting in the semi-finals on Wednesday.
Meanwhile, Jasmine Lamboria missed out on a medal after she lost by RSC (referee stops count) in the women’s 60kg quarters against Ungyong Won of the Democratic People’s Republic of Korea. The Indian boxer endured three standing counts in a space of one minute before the referee stopped the bout.
source: http://www.olympics.com / Olympics.com / Home / by Anurag Peesara / October 01st, 2023
In a small suburb in the Islam-dominated Jamia in Delhi, Mohammed Ameen manages to live a life which breaks norms and is still happy. . .
Football, as a game, has broken a lot of barrier in terms of religion and war. It is a well-documented fact that the Nigerian Civil War was stopped to watch Pele and his team play in the 1960s. If the game could stop a war, one can imagine its power over the other earthly, trivial matters.
Khel Now Football caught up with Mohammed Ameen, who originates from Patna but is currently staying in Delhi. Ameen is a Maulana, a person associated with formal qualification following study at a madrassa or darul uloom. Ameen comes across as a noble Muslim, who would go about his work and would lead a sedentary life in a city job.
Astonishingly, Ameen breaks the cliché. The middle-aged man is a sports coordinator for CEQUIN, an NGO which works on a variety of issues affecting women and girls such as violence, leadership, economic empowerment and other social benefits. You must be wondering that why are we writing these stories; but there’s a common link: FOOTBALL.
Football Is My Religion I Jamia I Mohammed-The Maulana Coach
Ameen trains girls in and around his area and said, “I train both the junior and senior girls equally hard. I want to see the senior girls mature in a way that they can train the next line of girls in the years to come,” says Ameen, who earns meagerly.
“Football is a team game, and the girls forget their stress while playing,” adds the gaffer. “There energy on the pitch brings a change in the community and shows a new door to the girls in the area. I’m working in the Jamia area and there are various challenges in the work I’m trying to do.”
One of them, he says, is the fact that he’s a Maulana. “People in general and parents in particular usually say that I’m a Maulana and I teach girls to play football, which adds a poor connotation to the notion. I usually stay silent, and they get my answer.”
Talking on our special segment called ‘Football is my Religion’, Ameen concludes with a brilliant message. “Football is played all around the world by white, black, men and women equally. There is no religious division in the game, and it should be that way forever. It connects people like nothing else.”
source: http:www.khelnow.com / Khel Now / Home / by Punit Tripathi / April 17th, 2017
In the late 1770s, a British colonial official named Sir Elijah Impey and his wife, Lady Mary, commissioned the Indian artist Shaikh Zain ud-Din to catalog a private menagerie, including various bird species, the couple had assembled at their home in Calcutta. Using paper and watercolors from England, Zain ud-Din, a Muslim from the city of Patna, modeled his work after English botanical illustration, but he also brought to the job his training in the ornate Mughal artistic tradition—and his own distinctive style. Today critics praise the quality of the colors and the composition, in which a bright, simple background offsets the keenly wrought details of plants and animals. “Everything is incredibly precise and beautifully observant,” says Xavier Bray, director of London’s Wallace Collection, which this month mounts the first UK exhibition of works by Indian artists commissioned by officers of the British East India Company.
The expat aristocrats who patronized Zain ud-Din and his fellow artists had been sent abroad to help manage their country’s growing empire, but once there many, like the Impeys, fell in love with the subcontinent, as well as its flora and fauna. “These paintings,” Bray says, “were made into albums to be leafed through back home, on a rainy day, drinking Earl Grey tea.”
History failed to record much about Zain ud-Din’s life beyond his watercolors for the Impeys. But the new show, which includes 99 paintings of nature studies, portraits and landscapes by 18 artists, makes an argument that he and his contemporaries should be recognized on their own merits, as some of India’s greatest painters. “Anything with a colonial air about it is now considered politically incorrect,” Bray says. “But what we’re trying to do is bring back these extraordinary artists who have been almost completely forgotten.”
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