MLA pays homage at Tipu Tomb, releases Urus Shariff invitation
Mysore/Mysuru:
MLA Tanveer Sait, along with several others observed Tipu Sultan Martyr’s Day at a Fatha Khawni programme organised by Hazarath Tipu Sultan Shaheed Welfare and Urus Committee Secretary Afroz Pasha at Tipu Tomb (Gumbaz), Ganjam in Srirangapatna recently.
Hazarath Moulana Syed Inayathur Rehaman Razvi Saheb, Khateeb-o-Imam of Masjid Aqsa, Tipu Tomb, performed Fatha Khawni while Afroz Pasha and MLA Tanveer Sait spread the Flower Mat (Chadar) on the tombs of Tipu Sultan Shrine and his parents. Moulana Mohd. Inayath Ur Rehaman Razvi read Duwa supplications for the welfare of all.
Afroz Pasha distributed sweets (Tabruk) and felicitated the MLA by offering shawls.
Invitation, posters released
On the occasion, MLA Sait released the invitation and publicity posters of the 234th Annual Sandal Urus Shariff of Hazarath Tipu Sultan Shaheed.
The annual Sandal Urus Shariff will be celebrated on May 16 in city during which a public meeting will be held and a procession will be taken out.
Industrialist M.F. Jamsheed, Senior Congress leader Syed Iqbal, Waseem, Radiulla Khan, Member of the College Development Council of Government Girls’ Pre-University College Khwaja Mohammed Musheer Chishti, Syed Younus, Majeed Ahmed, Afroz Khan and a host of devotees were present.
source: http://www.starofmysore.com / Star of Mysore / Home>News / May 08th, 2026
Nishat & Misba turn Panache into one of Mysuru’s most loved fashion exhibitions…
Nishat Mohsin and Misba Umrean, Co-founders of the fashion exhibition platform ‘Panache’, have been curating memorable fashion experiences in Mysuru for several years.
What began as a modest initiative has grown into one of the city’s most-loved fashion exhibitions, offering a thoughtfully curated experience while bringing designers and fashion enthusiasts under one roof.
Alongside its successful editions in Mysuru, ‘Panache’ has also travelled to Bengaluru and Coorg in collaboration with several high-end brands.
While successfully steering ‘Panache’, the duo also balances their entrepreneurial journey with family life and personal passions.
Nishat, born in Bengaluru & raised in Mysuru, is married to a businessman and is a mother of two who enjoys designing spaces and nurturing plants.
Misba, born in Mysuru and now based in Bengaluru, is a B.Com graduate, married to a Bengaluru-based professional and a mother of three who enjoys travel, adventure sports and cooking.
Speaking to Star of Mysore, the sisters open up about their journey, inspiration and vision behind ‘Panache’: “Fashion is not just about clothing, it’s about creativity, craftsmanship and giving designers a platform to shine.” —Ed
Star of Mysore (SOM): How did the fashion extravaganza Panache begin? And what inspired you both to venture into fashion exhibition curation?
Nishat Mohsin and Misba Umrean: ‘Panache’ was envisioned by Nishat in 2008 as an intimate platform connecting designers with fashion enthusiasts. When Misba joined in 2009, the exhibition gained new momentum and gradually evolved into a celebrated fashion destination.
Coming from business-oriented families, we always aspired to create something of our own. Our journey into exhibition curation is driven by a deep appreciation for fashion not just as clothing, but for the creativity and craftsmanship behind it. Through ‘Panache’, we’ve had the joy of bringing ideas to life while giving designers a platform to shine.
OM: Mysuru is known for its legacy of royalty and rich cultural identity. Do you think Mysureans have a unique fashion sense? And when it comes to style, what defines them more, silk sarees or contemporary fashion trends?
Nishat and Misba: Absolutely. Mysureans have a refined and graceful sense of style. Silk sarees hold a special place; they’re timeless, elegant and deeply rooted in tradition. At the same time, they embrace contemporary styles and modern silhouettes with equal grace. What makes their style truly distinctive is this seamless blend of heritage and modernity, marked by elegance and understated sophistication.
SOM: In your opinion, how has the representation of women in fashion events evolved over the years?
Nishat and Misba: The evolution has been remarkable. While women were once seen mainly as participants or models, today they lead as designers, entrepreneurs and key decision-makers, shaping the industry.
Fashion platforms have become powerful spaces for women to express their creativity and vision through their brands, and it’s inspiring to witness and contribute to this evolution.
SOM: How has the role of social media and digital platforms changed how fashion exhibitions are promoted and experienced?
Nishat and Misba: Social media have introduced a new dimension to fashion exhibitions. Promotions that once relied on word of mouth now reach audiences instantly. Digital platforms create anticipation even before the event begins, allowing us to connect with our audience early and extend the energy of the exhibition beyond its closing day.
SOM: What has been your most memorable exhibition moment? Have you encountered a last-minute crisis? How do you navigate them?
Nishat and Misba: Some of the most memorable moments are often the simplest. Watching a designer sell out, or a visitor finding exactly what they were looking for, is priceless.
Naturally, live events come with their share of challenges, from logistical hurdles to unexpected technical setbacks. Over the years, there have been many last-minute surprises and we address them with composure, teamwork & mutual trust.
Nishat Mohsin (sitting) with her younger sister Misba Umrean
SOM: How do you ensure smooth collaboration among teams and what defines the success of an exhibition for you?
Nishat and Misba: Effective collaboration begins with clear communication and mutual respect. We involve designers, production, and marketing teams from the very beginning. So, everyone feels aligned and valued.
For us, the success of an exhibition goes beyond numbers. It lies in the connections created when designers feel supported, visitors leave inspired and the continued trust people place in ‘Panache’ year after year.
SOM: How do you stay calm and manage stress when the event date is approaching?
Nishat and Misba: As the event date approaches, there is always a certain rush, but over the years with ‘Panache’, we have learnt that staying calm is a conscious choice. Careful planning helps minimise last-minute stress. A quiet prayer, deep breaths and trusting our team help us stay grounded and we believe that positive energy always reflects in the event.
SOM: What advice would you give someone who wants to break into fashion or event management?
Nishat and Misba: Fashion and event management may appear glamorous, but they require discipline, patience and emotional intelligence. Start small, build genuine relationships and stay consistent, as reputation is paramount. Above all, understand people, fashion is not just about clothing, but about emotions and confidence.
SOM: What message would you like to share with women this Women’s Day?
Nishat and Misba: To every woman, we would say that strength is not defined by others; it lies in your ambition and compassion. Celebrate your achievements without guilt, dream beyond your fears and never diminish yourself to make others comfortable. Your journey simply needs to be your own.
source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles> Top Stories / by Shadan Muneer / March 16th, 2026
In the passing away of Mr. Sadiq Ali, the proprietor of Ali Brothers, last week, our city has perhaps lost one of its most long-standing icons, because his shop is one of the few shops that have stood almost unchanged, over the longest period of time, in the front façade of our iconic Devaraja Market building.
Out of the nearly seventy business establishments that stand in that row, only about a dozen still stand unchanged and because of my own long-standing familiarity with that place, I can name almost all of them and in the right order too. And, if I have got my observations right, while all the good old, surviving shop owners that I knew of there, slowly stopped showing up at their shops over the years, with the passage of time and passing away of their own good health, Mr. Sadiq Ali was the only shop owner there, who was present in his shop every day, the longest.
He once told me how his father had first started the shop in Mercara and later established the present shop here as a branch and how the original one was wound up later, due to the difficulty the family faced in managing it.
Although I stopped visiting his shop many years ago because of the severe parking problem in the Devaraja Market area, I used to meet Mr. Sadiq Ali quite regularly at the meetings of the Alumni Association of the St. Philomena’s College where we both studied, although two full decades apart. He would never miss any of these meetings and over the past many years, he would be proudly introduced as the oldest alumnus showing up at them!
Riding his trusted blue and white Lambretta, he would be among the first persons to make an appearance at the auditorium and be among the last ones to leave, after shaking hands with all the others there. A most humble and soft-spoken man, he was so soft-spoken that you had to strive hard to hear him. But he stood out most for his two very unique attributes that remained unchanged, all through his life; his attire and his smile. He was always dressed in pristine white and he could never be seen without his disarming smile!
As far as I am concerned, I can safely say that I have known him all my life and I say this because my mother must have carried me in her arms into his shop while I was an infant, until I began to walk in there myself, holding her or my dad’s hand. That is how old my association is, with the man I’m writing about today. He was so close to our family that just a few months ago, he had come home to meet my mother and spend some time with her.
Ali Brothers was the place where we, like most other Mysoreans then, used to do almost all their shopping for soaps, toiletries, cosmetics, chocolates, greeting cards and some condiments too. Being an agent for vehicle insurance, until the advent of online insurance, Mr. Sadiq Ali was the man who used to manage all our vehicle insurance renewals.
He was so meticulous that he would maintain a record of the renewal dates of all his customers’ vehicles and he would call them up well in time, to seek their consent for renewal, which he would do and then personally deliver the policies to them.
Until a very similar store, Mohan Bhandar came on the scene across the road, in the year 1963, all the goodies, dear to my heart then, could only be found at Ali Brothers and nowhere else and these included Cadbury’s chocolates, Parry’s toffees, Kissan jams and tomato sauce, Polson’s butter, corn flakes and most of all, the Planter’s and Cocktail brand of salted cashew-nuts that came in a sealed tin, that had to be opened with its own key, soldered on its top!
In a most interesting arrangement, this slotted key used to peel off a narrow band of metal from around the tin that would leave its top as a very useable lid after the can was opened.
We still have a couple of those cans lying around in our estate house, as relics and memories of the good old days, gone by. While my parents used to keep coins in one of them, in the other, I used to store my spare stock of the carefully selected, round pebbles for the omnipresent catapult, that I would always have around my neck. And mind you, at that time, this contraption was not just omnipresent but my most omnipotent weapon too!
At the end of the day, when it was time for me to be put to bed, my dad had to take it off my neck and place it under my pillow along with its red ammo bag, before tucking me in and beginning his reading of that day’s bedtime story, from my huge collection of Read Aloud series of story books, which I have carefully preserved to this day!
It is a different matter that my state of wakefulness would never ever last through the full story, which invariably had to be continued the next day!
Falling asleep was so easy then, while I was a child and I often ponder over this blissful time, during the times when I lie tossing in my bed, on the few occasions when sleep eludes me now.
That is when I am reminded of Shakespeare who in Henry IV, says; O sleep, O gentle sleep, Nature’s soft nurse, how have I frightened thee, that thou no more will weigh my eyelids down and steep my senses in forgetfulness?
e-mail: kjnmysore@rediffmail.com
source: http://www.starofmysore.com / Star of Mysore / Home> Columns, Over a cup of evening Tea / by Dr K Javeed Nayeem MD / November 16th, 2025
From A Dreamer’s World | Photo Credit: Special Arrangement
A brilliant blue fish glides in a patch of orange pumpkins, another lies still among lilac orchids hoping his camouflage allows him to blend in. These are a few finned beauties artist Shoeb Dastagir has depicted in his solo show A Dreamer’s World.
“I find fish quite calming and I can spend hours looking at them; that is why I began capturing them in my paintings,” says Shoeb, adding he spends a lot of time at the aquarium in Mysore Zoo. “I enjoy watching videos of aquatic life on my phone, too.”
He reels off their names — bumblebee goby, oscars and arowanas, tiger fish, a Brunei beauty and a shark — and how they are all a part of this show. “I am a Piscean, so no matter how hard life gets, fish are a calming refuge for me,” says the artist. “Fish are always calm, going about their lives despite the confines of their surroundings.”
Shoeb Dastagir | Photo Credit: Special Arrangement
He talks about his love for “sunny colours such as tangerine orange, avocado green, icy blue and buttery yellows”. All these hues and more are to be found in his works that exude a touch of whimsy and play out in a fantastical land where an astronaut steps around teacups, fish nestle between blue pea and pearls, and an old-model television sits atop a bouquet of yellow roses.
Though Shoeb draws his inspiration from the natural world, a lot of his art is birthed in his vivid imagination that fuel his compositions of poetry, prose and songs as well. According to his mother Ayesha Dastagir, all these creative interests lead Shoeb to produce bigger and detailed paintings. “One can see a lot of mystical characters apart from the animals and fish, of course. I believe it is his subconscious, sensitivity and imaginary fantasy world that combine to produce something new and different.”
Most of the works in A Dreamer’s World have been executed using pastels and watercolours on paper over the the greater part of a year. Though Shoeb used to paint with oils and canvas, this change in medium came about when he moved from Bengaluru to Mysore, and working on paper seemed a more viable option as space was a constraint at the new place.
From A Dreamer’s World | Photo Credit: Special Arrangement
The artist, who signs his works as Schoeb, his official name which is often misspelt, is currently working on a series of portraits.
The upcoming / current exhibition comprises 24 pieces on display apart from a few others which are a part of the series and are available for sale at the gallery.
A Dreamer’s world by Shoeb Dastagir will be on display at MKF Museum of Art, Bengaluru from November 8-19. Entry free, Mondays closed.
source: http://www.thehindu.com / The Hindu / Home> Entertainment> Art / by Ruth Dhanraj / November 06th, 2025
Boys team of Al-Kareem School won the Taluk-level U-17 Throwball Tournament for Boys organised at St. Philomena’s High School recently.
The team defeated Ramakrishna Ashram in the final match.
Members of the team included Mohammed Attaulla (Captain), Farhan Khan (Vice-Captain), Mohammed Junaid, Mohammed Nadeem, Afreed Ahmed Khan, SinnanShariff, Roshan Ali, Mohammed Toufiq, Zaid Ahmed and Zayan Ahmed.
source: http://www.starofmysore.com / Star of Mysore / Home> Sports / November 10th, 2025
When she joined the Indian Combat Academy (ICSA) on Bannerghatta Road to learn Jujitsu and self-defence, little did Nabila Birjis (29), know that this would be a turning point in her life.
Bengaluru :
When she joined the Indian Combat Academy (ICSA) on Bannerghatta Road to learn Jujitsu and self-defence, little did Nabila Birjis (29), know that this would be a turning point in her life. On April 2, she turned out to be the only girl selected from Karnataka to compete in the South Asia Open Jujitsu Championship 2019, in Chennai.
Born and brought up in Mysuru, she moved to Bengaluru seven years ago to work for an architecture firm. At the age of 25, after undergoing rigorous training under coach Jitesh Banjan, she started competing seriously. So far, she has won six golds at the national-level JAI Jiu Jitsu events under 68kg and 70 kg categories; two silver medals at South Asian Championships; and gold at Body power Expo Open Weight.
She is also the only Indian woman to have secured two silver medals at South Asia Open Jujitsu Championship 2019. “I always wanted to achieve something in sports. My mother Noor Fathima Khan, HOD and professor at Maharanis Science College, Mysuru wanted me to complete my graduation before pursuing sports. I started my sporting career only at 25.”
It was not easy for Birjis in the field. She has quit her job, moved cities, so she could be able to devote more time for training. “I remember when I travelled for three hours just to be able to train for an hour. After struggling for years, I now seem to have struck some sort of balance between being an architect and an athlete,” she added.
Jujitsu is a team sport, and the biggest challenge she finds is to keep up with the energy levels of younger athletes. To stay fighting fit, she follows a strict sports diet. For Birjis, losing teaches more than winning. “My loss at the South Asia Championship has taught me how to move forward. My teammates have always encouraged me to do better. I will learn from my previous experiences,” she added.
source: http://www.newindianexpress.com / The New Indian Express / Home> Bengaluru / by K Rathna / August 20th, 2019
Radiulla Khan, Organising Secretary of Mysuru District Kannada Sahitya Parishat, being presented with ‘Karnataka Kala Ratna’ State Award during the workshop on ‘Labour Rights’ organised by Karmikara Hakkugala Seva Samiti at Rotary Hall on JLB Road in city recently.
The award was presented to Radiulla Khan in recognition for his works in multilingual films especially in Kannada language as a junior artiste.
M.S. Naveen, Chief Legal Aid Guardian, District Legal Services Authority (DLSA), V. Vinay Kumar from Employees State Insurance Corporation, industrialists and social workers M. Lalita Rao, Shubh Krupesh, V. Ramamurthy and Prashanth P. Aask, Actor-director Mahesh K.H. Belur, journalist Kasthurichandru and others were present.
source: http://www.starofmysore.com / Star of Mysore / Home> Photo News (headline edited) / July 26th, 2025
Tippoo Sultaun delivering to Gullum Alli Beg the Vakeel his sons who are taking leave of their brother previous to their departure from Seringapatam (1793) Painting by Henry Singleton
“The Christian drummers were seized, taken to the palace where Tippu’s sons were confined, and made to beat the “general” ; lights flashed in the palace, refreshments were brought out; a mob of sepoys called on the princes to place themselves at their head; Tippu’s own flag, green stripes on a red field, was nailed to the flagstaff. Prince Muizuddin (son of Tipu Sultan) ordered his horse to be saddled, and told off a party of sepoys to go and seize the principal hill fort; when that was captured and the dead body of Colonel Marriott, paymaster of stipends, brought before him, he promised he would mount his horse and ride through the native town proclaiming the restoration of the Mahommedan power.”
A Slice of History
This is the account by Colonel Alfred Keene of the night of 10 July 1806 at Vellore. The rising, popularly known as the Vellore mutiny, was a dress rehearsal of a sort of what would happen in May 1857 at Meerut.
Keene pointed out, “In the mutinies of Vellore and the greater one of 1857, two points of similarity stand out prominently. In each is the unreasoning fear of an attack on the institutions of religion and of caste; for the greased cartridges in the latter mutiny had as much to do with the outbreak as had the new head-dress in 1806, and the presence of the remnants of the Moghul Dynasty at Delhi acted in 1857 precisely as had the presence of Tippu’s family at Vellore in 1806.”
After the fall of Tipu Sultan in 1799, the English East India Company shifted his children to Vellore. In early 1806, the Commander-in-Chief ordered a new headgear and, the removal of beards, tilaks, earrings, or any mark of caste identity.
The Indian sepoys of the 2nd Battalion 4th regiment showed dissatisfaction in May 1806 and disobeyed the orders. These sepoys were tried in army court and 21 of them were found ‘guilty’. Of them, one Hindu leader and other Muslims were discharged from the duty and sentenced to receive 900 lashes each. The other 19 were not discharged but ordered 500 lashes each. The order was passed on 29 June and published to the army on 2 July 1806.
The wife of a serving English officer at Vellore, F. W. Blunt, wrote in a letter to her family in England, “Nine of the ringleaders, as they were called, were brought down to Madras and here passed publicly through the streets in irons, destined to receive the most dreadful military punishment…… The nine men in irons awaiting a most severe punishment was made use of by the sons of Tippoo, who have been kept prisoners in the Palace at Vellore since the taking of Seringapatam and served to ripen a design that had been long formed. A conspiracy was formed by the Sepoys to murder all the Europeans and take possession of that Fort.”
Tipu Sultan
On the night of 10 July 1806, Shaikh Kasim, a sepoy, led the English East India Company sepoys in starting a general massacre of the English troops.
Lt. Col. W. J. Wilson in ‘History of the Madras Army’ wrote, “The sepoys went away shortly afterward, and were heard to call out “Come out, Nawab, come out, Nawab, there is no fear.” This was supposed to be addressed to Futteh Hyder, the eldest of the four Mysore Princes.”
Of the 372 Englishmen present at Vellore, 128 were killed that night by the Indian sepoys. The English flag was replaced with the flag of Tipu Sultan, which was handed over by Moizuddin, the eldest son of Tipu. He was proclaimed the leader of the revolutionaries.
Though the immediate cause was the headgear and other orders, the revolt had been planned for a long time. Charles Macfarlane wrote, “The splendour which the sons of Tippoo were enabled, by the liberality of the Company, to keep up, attracted a continual influx of visitors, including all that came to Vellore from the countries which had once belonged to their father. Among these men were very many who had lost by the change which had taken place in Mysore, who hated the tranquillity which we had introduced into their country, and who longed for the old days of rapine and violence. It is believed that these desperadoes contributed to a regular conspiracy and facilitated the execution of the daring design.
It is said that the confederates intended that all who were brought to join in the insurrection should act upon a preconcerted plan, which had been digested and privately circulated by some of the turbulent Marawa chiefs; and that in connection with these desperadoes were some few Frenchmen, disguised as fakeers or dervishes, who went about the country inveighing everywhere against the English as robbers and tyrants. It is also stated that placards were fixed up within the mosques and Hindu temples, where Europeans never entered, to excite a general spirit of revolt among the whole native population of Madras.”
The English Government set up an enquiry commission headed by Major General Pater which submitted its report on 9 August 1806. The report said, “There are two principal causes which appear to us to have led to the mutiny. The late innovations in the dress and appearance of the sepoys, and the residence of the family of the late Tippoo Sultan at Vellore.”
Sir J. F. Cradock, the Commander-in-Chief, disagreed with these findings and argued in his submission that change in dress was a pretext and the real objective was to restore the rule of Tipu Sultan’s family.
The Court of Directors after the investigation declared that the “immediate cause of the discontent among the sepoys was the introduction of certain innovations in their dress, which were offensive, and, as they held, degrading to them; and that the captive sons of the late Tippoo Sultan, with their adherents and abettors, took occasion, from the dissatisfaction of the sepoys, to instigate them to insurrection and revolt, with the view of effecting their liberation, and the restoration of the Mahomedan power.”
The mutiny was suppressed by noon on 10 July. Colonel Gillispie stationed at Arcot came to rescue the Englishmen at Vellore before 7 am. His forces, which also included Indian sepoys, killed more than 500 Indians in the fort within a few hours.
At least 15 English officers including, Colonel Fancourt, H.M.’s 34th regiment, commanding the garrison, Lieutenant-Colonel McKerras, Captain Willison and Lieutenants Winchip and Jolly of the 23rd, Captain Miller, Lieutenants O’Reilly, Smart, and Tichbourne of the 1st, and Lieutenants Eley and Popham of the 69th, Mr. Mann Deputy Commissary of Stores, Mr. Gill Conductor of Ordnance, Mr. Smith the Military Paymaster and Major Armstrong of the 16th N.I. were killed.
Among the captured sepoys, six were blown away with cannon guns, five were shot by firing squads, eight were hanged, and several others were transported for life. Out of the retainers of Mysore Princes, one was sentenced to death, two to transportation for life, one to imprisonment for life, and one to imprisonment for ten years. The sons of Tipu Sultan were sent to Kolkata with stricter vigilance.
Lord William Bentinck, Governor, and Sir J. F. Cradock, C-in-C, were removed from their respective offices by the Court of Directors.
source: http://www.awazthevoice.in / Awaz, The Voice / Home> Stories / by Saquib Salim / July 10th, 2025
The students of Citizen Convent, Udayagiri, Mysuru, have made remarkable achievements in State-level Sports and Games Competitions 2024-25 and in the Karnataka State Arm Wrestling Championship 2024-25.
The winners who brought laurels to the school are as follows: Mohammed Maweeya Qureshi — Gold Medal in State-level Wrestling held at Kanakapura and qualifying for the National Championship in New Delhi.
Arzan Khan — Bronze Medal in State-level Weightlifting Competition, held at VJEMHS, Bantwal in Dakshina Kannada.
Mohammed Umar — Bronze Medal in 55-60 kg category at the Karnataka State Arm Wrestling Championship 2024-25, held in Mysuru.
Mohammed Huzaifa, Bronze Medal in 75-kg category at State-level Sports & Games contests for School Children 2024-25, conducted by Department of School Education, Karnataka.
source: http://www.starofmysore.com / Star of Mysore / Home> Sports / March 06th, 2025
Mujeeb Ahmed was born in Mysuru and lived here for 60 years. He started learning Banjo (Bulbul Tara) and Harmonium from his father late Noor Ahmed when he was 7 years old.
Mujeeb Ahmed, along with his close friend, one of the Kannada and Urdu singers Jahihulla Khan, son of late Shoukath Ali Khan of Bilugunda village, Kodagu district, learnt Hindustani Music from Ustad Basheer Masthan of Mysuru, and together performed several programmes across India. He was a close friend of A.R. Rahaman, renowned composer.
Mujeeb Ahmed passed the exam with Zahirulla Khan and Zareena Banu in All India Radio, Mysuru. He has given several programmes with many renowned artistes which were telecast in Doordarshan, Bengaluru and several Mehfil Sama Khani (qawwali) programmes to the general public.
Mujeeb Ahmed leaves behind his wife Nikhath Sulthana, a daughter and two sons.
Mukram Pasha, a resident of Bengaluru, is one of the close disciple of Mujeeb Ahmed and he rendered his services to his Guru Mujeeb Ahmed till his cremation.
Condoled: Jahidulla Khan, Secretary, Fankaar Welfare Trust of India, Salma Siddiqua, have condoled the death of Mujeeb Ahmed.
source: http://www.starofmysore.com / Star of Mysore / Home> News / April 11th, 2020
