Tag Archives: Positive News of Muslims of West Bengal

‘With technique, not muscle’: How kettlebell lifting helped a 28-year-old flip the script

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Kolkata, WEST BENGAL :

From a modest Kolkata gym to the world podium, kettlebell champion Danish Naushad lifts dreams without the weight of support — just sheer will.

Danish Naushad is raising the tricolour at an international level, one lift at a time / All pictures by Soumyajit Dey

In 2017, Danish Naushad was training for the National Defence Academy (NDA) and following standard hypertrophy routines at a modest Kolkata gym. It was there that a chance encounter with a little-known piece of equipment — a kettlebell — set him on a path he had never imagined.

“A trainer named Saikat introduced me to it. It was kept in a dusty corner. We started with swings, and I found it refreshing, different,” said 28-year-old Danish.

Kettlebell: The unseen sport

Kettlebell lifting — or Girevoy Sport as it’s known in Russia — is an endurance-based strength sport. Unlike Olympic weightlifting that focuses on one-rep max lifts, kettlebell events run for 10 minutes or more, demanding relentless reps without setting the weight down.

Danish Naushad practicing at his home gym

“You need technique, lungs, and legs — not just muscle. That’s what people don’t understand,” Danish explained.

From NDA dream to a new calling

Danish was on track to join the NDA but couldn’t pursue it due to personal reasons. He fell into depression and briefly left home. But his family pulled him back — and his gym community, too. “My gym owner said, why not go ahead with fitness? That changed my life.”

He became a certified trainer under NASM (National Academy of Sports Medicine) and began coaching clients worldwide. Danish is also a certified strength training specialist under ISSA (International Sport Sciences Association). He reinvested his earnings into his athletic journey — even selling his dream Kawasaki Z900 to build a home gym.

Early Failures and the Ego Check

Danish’s raw strength took him through his first competitions, but failure at a 2018 state meet — where he only received a participation certificate — deeply affected him. “That shook me. I was overconfident, relying only on my shoulders.”

Danish built his home gym by selling off his dream bike, a Kawasaki Z900

That humbling led him to coach Arnab Sarkar, a pioneer of the kettlebell sport in India. “From 2019, real training began. I learnt that patience and technique matter more than brute strength.”

National records and online competitions

Danish’s breakthrough came in 2020 with a national record of 155 jerks using double 16 kg bells. When Covid hit, he embraced the new normal — online competitions.

“We hosted the world’s first online kettlebell championship from India. Judged live over video calls. Over 100 athletes joined. It kept the sport alive.”

Setbacks and redemption

In 2022, a missed visa meant he couldn’t compete at the IGSF (International Gira Sport Foundation) World Championship in Greece. But luck turned when the IUKL(International Union of Kettlebell Lifting) hosted a world event in Delhi later that year. Danish won bronze — his first world medal.

From missing a tournament due to visa issues to securing gold at the next, Danish’s story is an inspiring one

He followed that up with an emotional win at the 2024 IKMF (International Kettlebell Marathon Federation) World Championship in Denmark, clinching gold in the double pentathlon — an event he hadn’t prioritised. “I was shocked. I was going to the washroom and heard my name being called.”

Spain 2025: Against the odds

Preparing for Spain’s 2025 IKMF Championship, Danish dropped nearly 8kg in weight and doubled down on training. He lifted 52 reps in the 40 kg event — a personal best, finishing fourth against heavier European lifters.

Danish posing with his most recent gold won at Spain’s IKMF Championship 2025

But once again, it was the pentathlon — the side event — where he struck gold. “The event I didn’t bet on gave me the biggest reward. It’s always like that.”

Kettlebell in India: No support, all heart

Despite multiple international medals, Danish receives no government support. “There’s no funding, no recognition. We pay for our own visas, travel, gear.”

He dreams of a future where kettlebell lifters are backed by the government like in Russia — where athletes are promoted in the army or railways for their achievements. “Here, we don’t even get a pat on the back. But we keep going.”

Training the next generation

Danish now coaches aspiring athletes, including those who can’t afford international travel. “I’ve taken athletes to nationals on my own dime. One under-60 kg lifter I train could be among India’s best.”

He sustains himself as a full-time online coach, training clients across the US, Mexico, and Canada via Zoom. “I do assessments, build personalised programs — some people just have a rope or dumbbell at home. I make it work.”

Faith, focus and Bernabeu dreams

Danish credits his spiritual journey — one that deepened post-Ramzan in 2024 — for helping him stay grounded. “I pray before every event. Not to win, but to not come back sad. That matters more.”

Danish has his gold winning jersey from Denmark framed. His idol is Cristiano Ronaldo and being able to see Real Madrid’s stadium was a dream come true for him

In Spain, he fulfilled a childhood dream — visiting Real Madrid’s Santiago Bernabeu stadium. “The quote I remember is, ‘The jersey can be stained with blood, sweat, and mud — but never with shame.’ That’s how I see my Indian jersey too.”

The road ahead: Hungary and beyond

Next stop: Hungary, for the IKMF World Championship in November 2025. For now, he’s training without a coach — building his own programs and aiming to hit CMS (Candidate for Master of Sport) and then MSWC, the highest global kettlebell rank.

“We dream of beating a Russian in Russia one day,” he says with a smile. “That’s the moment we’ll know we’ve done something.”

A final word

Danish has made his aspirations clear and he hopes backing will come at some point in his career

Eight years into his journey, Danish Naushad still doesn’t consider himself accomplished. “When I win a world medal under the Indian flag — with government recognition — only then will I say I’ve made it.”

Until then, the man from Kolkata will keep lifting. Not just weights — but the hopes of a sport still struggling for a place under India’s sporting sun.

source: http://www.telegraphindia.com / The Telegraph Online / Home> My Kolkata> People / by Debrup Chaudhuri / June 25th, 2025

NEET (UG) 2025: 472 Students of Al-Ameen Mission Qualify for Free Medical Seats in Government Medical Colleges Across West Bengal

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Khalatpur Village (Howrah), WEST BENGAL :

M. Nurul Islam with some of the future doctors at Al Ameen Mission Khalatpur campus

M. Nurul Islam is a proud man as 472 students of Al Ameen Mission have qualified for free medical seats in government medical colleges across West Bengal through NEET (UG) 2025.

Muslims remain one of the most disadvantaged communities in India. In West Bengal—among the more underdeveloped states—their educational and socio-economic struggles are even more pronounced. Districts like Murshidabad and Malda, with significant Muslim populations, rank among the most backward in the country.

When the NEET results were announced, 154 students from Murshidabad and 77 from Malda scored above 500 marks, making them eligible for free medical education in the state’s government colleges.

What stands out is the socio-economic background of these students. Of the 472 successful candidates, 278 (59%) come from modest backgrounds: 194 (41%) belong to middle and upper-middle-income families, 152 (32%) to lower-middle-income groups, and 126 (27%) are from poor and Below Poverty Line (BPL) families.

The success of these students reflects not only academic excellence but also the transformative impact of Al Ameen Mission in empowering underprivileged communities through education.

“This year’s exam was comparatively tougher than in previous years, but by the grace of Allah, our students performed even better,” said M. Nurul Islam, founder general secretary of Al Ameen Mission, while speaking to Muslim Mirror.

Nurul Islam, the visionary general secretary of Al-Ameen Mission—often referred to as the Sir Syed of West Bengal—is widely recognized among the 100 most influential Indian Muslims. He pioneered an educational movement aimed at uplifting underprivileged Muslim students in West Bengal, significantly increasing their representation in medical colleges, even exceeding their population proportion in the state.

Born in 1959 in the small village of Khalatpur in Howrah district, Nurul Islam came from a humble background. His passion for education and community service became the foundation of a lifelong mission. In 1986, while he was a student, he started a hostel with just seven students inside the madrasa building. This initiative was sustained by a grassroots campaign—collecting a fistful of rice from every household in the village. In January 1987, this effort took shape as Al-Ameen Mission.

Today, the Mission has 77 branches across 23 districts of West Bengal, housing nearly 23,000 residential students. Over 49,000 students have passed from Al Ameen Mission, which follows the WBBSE, WBHSE, and CBSE curricula. In 2015, the West Bengal government honored M Nurul Islam with the Banga Bhushan Award for its contributions to education.

The Mission also engages in charitable work, offering financial aid and scholarships to unemployed Muslims. Under Nurul Islam’s leadership, it has become a beacon of holistic education, blending academic excellence with Islamic ethical values. The institution has produced hundreds of successful NEET and JEE candidates, changing the lives of many.

Nurul Islam’s resolute commitment to education and empowerment continues to inspire generations, reshaping the future of Muslim youth in Bengal and beyond.

source: http://www.muslimmirror.com / Muslim Mirro / Home> Education> Indian Muslim> Positive Story / by Jasmine Nehar / June 25th, 2025

Kolkata young Muslim girl proves pen is mightier than sword, wins global honour

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Kolkata, WEST BENGAL / New York (U.S.A) :

A 23-year-old Sarah Aziz from Kolkata won the prestigious UK’s The Press Award for investigative reporting. Armed with BA English, she is pursuing her Master of Science in Journalism at Columbia University Graduate School of Journalism in New York in the US. Interestingly, she started filing stories even while doing her UG in Kolkata during 2023. Her in-depth report on Rohingya Muslim refugees in Bangladesh for Voice of America (The American Multimedia Broadcasting Network) fetched her the highly commended “Young Journalist of The Year Award”.

Be bold, be curious, and be unyielding in your pursuit of the untold stories. Yes, this applies to 23-year-old Sarah Aziz from Kolkata in West Bengal, who had put up a brave face to report from the field about the inhuman treatment meted out to Rohingya Muslim refugees in Bangladesh for Voice of America, part of American Multimedia Broadcasting Network. This, in fact, fetched her the “Young Journalist of the Year” this year.

Armed with BA English from Loreto College in Kolkata, she is now pursuing her Master of Science in Journalism at Columbia University Graduate School of Journalism in New York in the US. Interestingly, she started filing stories as a freelancer even while doing her UG in Kolkata during 2023. To top it all, she has been a contributing reporter for The Guardian, The Telegraph (UK), South China Morning Post (SCMP) and The Christian Science Monitor besides others.

In November 2024, Aziz published an investigative report in The Telegraph (UK), exposing the truth behind the “mysterious” death of a Rohingya child who had been detained by the Indian government in New Delhi. The multimedia report not only delved into the medical negligence and abuse faced by the child in detention, but also revealed the wider pattern of the mass arbitrary detention and torture of Rohingya Muslims seeking refuge in India.

Earlier in the same year, Aziz had exposed the hidden scandal of rape and sexual abuse faced by incarcerated women in India, particularly in West Bengal. The investigative report, published in The Guardian, laid bare the tactics used by authorities to cover up crimes against some of the most vulnerable women in the country.

Aziz has extensively covered the persecution faced by Rohingya Muslims in India and Bangladesh for multiple international news outlets like The South China Morning Post, Voice of America and The Guardian. Her investigative breaking news reporting on the 2025 Bangladesh student protests was published in The Times (UK).

On cloud nine, Sarah Aziz is reported to have said, “My interests lie in investigative reporting on human rights issues of national and global importance. Some beats I have covered extensively are women’s health, the Rohingya refugee crisis, human trafficking and Indigenous affairs both in India and the U.S. It’s a great honour to receive the Highly Commended “Young Journalist of the Year” instituted by The Press Awards (2025) and the Thomson Foundation.

Sarah Aziz dedicated this award to her dad Sheik Azizur Rahman and her seventh grade English teacher who motivated her to be what she is now. She will be graduating from Columbia University with an MS in Journalism in August 2025.  Glad to learn that Sarah Aziz is a poet, translator, and artist based in Kolkata, India. In 2021, her translation of Bangladeshi activist and author Pinaki Bhattacharya’s “History of Bengal: from Ancient to British Rule” got published receiving rave reviews.

Established in 1962 by The People and World’s Press News, the first award ceremony for the then-named Hannen Swaffer Awards, named after journalist Hannen Swaffer, was held in 1963. This got transformed from British Press Awards to The Press Awards which is being given under the aegis of Haymarket Media Group on behalf of the News Media Association.

Some of the categories include Business and Finance Journalist of the Year, Campaign of the Year, Cartoonist of the Year, Columnist of the Year, Critic of the Year, Environment Journalist of the Year, Excellence in Diversity Award, Feature Writer of the Year, Foreign Reporter of the Year, Front Page of the Year, Health Journalist of the Year, Interviewer of the Year, Investigation of the Year, News Podcast of the Year, News Website of the Year, Newspaper of the Year, Photographer of the Year, Political Journalist of the Year, Science and Technology Journalist of the Year, Scoop of the Year, Specialist journalist of the Year, Supplement of the Year, The Hugh McIlvanney Award for Sports Journalist of the Year, Travel Journalist of the Year, and Young Journalist of the Year.

[The author is former Indian Express and Deccan Chronicle chief]

source: http://www.radiancenews.com / Radiance News / Home> Pride of the Nation / by M Rafi Ahmed / May 31st, 2025

How a 71-year-old Muslim villager’s “hoarding” of everyday objects won a coveted spot at the V&A Museum in London

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Kelepara Village (near Hoogly), WEST BENGAL :

Ohida Khandekar’s Dream Your Museum, an installation and film about her uncle’s collection won the V&A’s Jameel Prize for contemporary art and design inspired by Islamic traditions.

Selim Khandakar with his grand-niece and the trunks housing his collection. | Photo Credit: Anand Kumar Ekboty

Selim Khandakar, 71, has always dreamt of making a museum in his village for the 12,000-plus objects he has collected over 50 years. A small portion of that collection has now reached one of the best museums in the world — the Victoria & Albert Museum (V&A) in London — thanks to his artist niece, Ohida Khandakar. 

Ohida, 31, has turned her uncle’s lifelong obsession into an installation and film — Dream Your Museum — which won the V&A’s prestigious Jameel Prize for contemporary art and design inspired by Islamic traditions. The work is not just a tribute to what seems to be her uncle’s calling; it also challenges colonial museum structures and asks whether ordinary, personal objects deserve a place in museums. Can museums be flexible and inclusive spaces, showcasing the narratives of minority communities and customs? Are private collections the exclusive privilege of the rich?

The installation and film, ‘Dream Your Museum’, at the Victoria & Albert Museum (V&A) in London.

Selim worked as a doctor’s compounder in Kolkata and started collecting random objects from the year 1970. A stamp exhibition piqued his interest first, prompting him to start collecting them. He also came across an exhibition of vintage objects from Mallik Bari, one of Kolkata’s heritage homes. “It was a record of what objects were used in the ancient times and how lives were led,” Selim tells me over a Zoom call from his home in Kelepara, a village near Hooghly, West Bengal. “It inspired me to start collecting whatever felt like a record of the common person’s life and times. From bus tickets to stamps to refills of pens, I wouldn’t throw anything away.” 

An assortment of rare and mundane items makes up Selim’s collection. Old clocks, inscribed ceramics, vintage records and music players, letters dating back to Partition, perfume bottles, crystal rocks, hand fans, stamps, handbills, ink pots, cameras, train tickets, receipts, even matriculation answer sheets from the 70s!

Selim Khandakar surrounded by the objects he has collected over the years. | Photo Credit: Anand Kumar Ekboty

Gramophones to baby clothes

Much of Selim’s collection is housed in tin trunks and scattered across his home in Kelepara. It sometimes becomes a ‘travelling museum’ for people in the village to explore and interact with the objects as Selim takes them around. There is curiosity, awe, some ridicule, some laughter, and from those who understand history and record keeping, even encouragement.

Ohida’s film captures Selim walking through village fields with his trunk, stopping by the river to rinse some crystal stones, and holding them up to the sun. “Where did you find these, nanu?” asks Maria, his grand-niece, who appears in the film. “In the graveyard,” Selim replies.

Selim Khandakar walking through village fields with his trunk. | Photo Credit: Anand Kumar Ekboty

Ohida, who studied art at the Government College of Art & Craft, Kolkata, and Jamia Millia Islamia, New Delhi, says it is sometimes hard to understand what keeps her uncle going. Is it hoarding, as his exasperated family has often believed? She and Selim don’t think so. Instead, he thinks his collection, much like Dream Your Museum, is about storytelling. “Collecting is my way of showing people from my village a glimpse of things from around the world,” Selim notes. “Like rare coins dating back to the Mughal period or vintage perfume bottles from around the world. Often people here do not get a chance to go to cities to see such things. That’s what has always kept me going.”

Selim Khandakar’s house that was destroyed after a cyclone.. | Photo Credit: Anand Kumar Ekboty

Once displayed in his modest mud house, now destroyed after a cyclone, Selim’s possessions came close to being discarded by his family until Ohida decided to document it digitally. She reacquainted herself with both her uncle and his collection when stuck at home during the pandemic. To her artist’s eye, it is a compelling one, given its range — from gramophones to baby clothes from the 80s. “It even has a bunch of fingernails [Selim’s own] in a box. It reminds me of Marcel Duchamp’s Dadaist Fountain exhibit [1917], where he displayed an upside-down urinal. Such objects challenge conventional notions of what belongs in a museum. These items, including a broken plate passed down through generations, show the power of storytelling through objects.”

Selim laughs when asked about the fingernails. “I had once visited an exhibition where I saw art made with fingernails and thought I would do the same with mine. It made me curious, so I kept them.”

What makes a museum?

Curiosity has been the driving force behind Selim’s obsession and this is what Ohida celebrates in her work. Maria accompanies Selim throughout the film, asking him curious questions about the objects in his collection, an attempt to peek into his mind. Ohida started filming Dream Your Museum as an entry for the 2022 Berlin Biennale, where it was received well, eventually landing her the V&A award.

Filmmaker Ohida Khandakar

Growing up in Kelepara, Ohida hadn’t stepped inside a museum until she came to study art in Kolkata. “I had achieved my dream of studying art and moving beyond a village where many women still had no voice and were married off early. It made me wonder — was there a limit to our dreams? Was there a limit to the dreams of my uncle, a rural, aged Muslim man?”

With the funds from the award, Ohida is now hoping to create a museum for her uncle’s collection and a cultural space in the village. “We need accessible museums that work as alternative spaces for the narratives of rural minority communities; as safe spaces for women without opportunities; to engage those who might not typically visit traditional museums due to a lack of knowledge, distance or financial constraints.”

In Dream Your Museum, her camera gently films Selim among his collections in his crumbling ancestral home. He expresses frustration at having no permanent place even after 50 years to showcase his prized collection. “I’ll now make a museum on the moon,” he declares.

The writer is a freelance journalist and the co-author of ‘Rethink Ageing’ (2022).

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Art / by Reshmi Chakraborty / April 20th, 2025

Jamal Ahmed ‘Jamal’: A 98-Year-Old Poet Who Met Gandhi, Donated Land and Advocates for Unity

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Marui Village (Nawada District), BIHAR / Kolkata, WEST BENGAL :

A young Jamal who met Gandhi in 1947 later shaped Kolkata’s hospitality scene and contributed to renowned chains like Arsalan and Mezban.

A scholar of Sanskrit, he is a well-known figure in the city’s literary circles. However, despite his generous donation of 15 katthas of land for a government hospital, the Bihar government has yet to honor the donors, leaving his legacy unacknowledged.

  Primary Health Centre in Marui, Nawada and Jamal Ahmed ‘Jamal’

Kolkata:

In the heart of Kolkata’s vibrant Prafulla Sarkar Street, Jamal Ahmed, the 98-year-old hotelier and poet, sits in the backroom of Aliah Hotel, his voice resonating with the same intensity as the lively street outside.

Jamal Ahmed, a nonagenarian, is known in the city as a poet and a concerned citizen. But the 98-year-old is also a philanthropist. He has donated 15 Katthas of land in his native village in Bihar for a government hospital, which last year became operational.

A Philanthropic Legacy: Land Donation for a Government Hospital in Bihar

“The land (in Marui village, Nawada district) was the costliest in the adjoining areas. But my father, who decided to donate it to the government to build a hospital there, did not hesitate,” informed Firdaus Jamal, son of Jamal Ahmed.

The market rate for land in Marui village is at least Rs 20 lakhs per kattha. In Bihar’s Nawada district, one kattha of land is equivalent to 3 decimals.

“I had told my mother that one day there will be a hospital in your name. So I had to do it,” Jamal Ahmed told eNewsroom. The family proposed the name of the hospital as QZJ Government Hospital, incorporating the names of Jamal and his parents. There is a board at the hospital where Jamal Ahmed Jamal’s name as the donor is mentioned. However, the Bihar government has yet to adopt the name suggested by the donors’ family.

The 20-bed primary hospital is now operational.

Poet Jamal Ahmed ‘Jamal’ | eNewsroom

When donating, I did not make any demands, such as asking for government jobs for my family members or insisting that a doctor from my family should practice here,” he said.

“I demand that either the Bihar Chief Minister (Nitish Kumar) or the Health Minister inaugurate the hospital,” the donor added.

Jamal Ahmed, a multifaceted personality, knows five languages and completed his Master’s in Sanskrit from Banaras Hindu University (BHU) and his Bachelor’s in Science (BSc) from Patna University. He frequently uses Sanskrit shlokas in his poetry. Much of his poetry focuses on communal harmony in the country.

A major event in his life was meeting the Father of the Nation, Mahatma Gandhi, on August 13, 1947 in Kolkata.

A Life of Literature and Peace: Jamal Ahmed’s Encounter with Mahatma Gandhi

“I was just 18 years old, but Gandhiji was desperately seeking peace for the country. When I heard that Gandhiji was in Kolkata and my uncle, Kareem Sahab, was going to meet him, I joined my uncle and reached Beleghata,” recalled the nonagenarian, quickly adding that he has no picture with Gandhiji.

“In my brief interaction, I requested Gandhiji for peace in the country and to stop the riots. Gandhiji replied that he came to Kolkata for this very purpose and would be traveling to other parts of the country for the same reason.”

The well-known hotelier has great command over recipes and dishes. “I have helped several hotel outlets in Kolkata and abroad set up their centers. Some of them are now big names, like Arsalan and Mezban.”

Jamal Ahmed’s sons run several hotels in Kolkata, including the famous Arafat Hotel on Rafi Ahmed Kidwai Road, which is managed by Firdaus Jamal.

Aliah Hotel on Prafulla Sarkar Street—where Jamal Ahmed feels he gains the wings to fly.

Preserving Harmony Through Poetry: The ‘Tatkal’ Poet’s Message for Unity

But in Kolkata’s literary circles, ‘Jamal’ is known for his ‘Tatkal’ poetry. A ‘Tatkal’ poet is one who can deliver a poem instantly, depending on the situation.

“I was very young when I met Gandhiji, and still, I recited a poem for him:

Andhi Tawaf Karti Hai, Gandhi Ki, Aye Jamal.
Ye To Bhanwar Se Laye Hain Kashti Nikal Ke

(The storm circles around Gandhi, O Jamal. He is the one who has brought the boat out of the whirlpool.)”

The poet ‘Jamal’, an Acharya in Sanskrit often uses the couplet to promote communal harmony.

Yem niza pro weti ganna laguchetshaam udarnaam chatrinantu, washudhew kutumbakam.

A rough translation of this Sanskrit couplet is:

“This is ours, that is yours—those who think this way have small hearts. But for the great ones, the entire world is one.”

He also mentioned that the shloka is written at the entrance of the old Parliament building’s gate. Eleven members of Parliament, including Maulana Azad, had agreed to imprint it there.

source: http://www.enewsroom.in / eNews Room India / Home> Art & Culture> Bengal / by Shahnawaz Akhtar / February 19th, 2025

The Book ‘SangTrash’: Shamim Ahmed’s account of the fight for human rights and Urdu

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BIHAR / Kolkata, WEST BENGAL :

“The Book SangTrash: Shamim Ahmed’s account of the fight for human rights and Urduh” penned  by Nurullah Jawaid is an immersive and powerful exploration of the life and activism of Shamim Ahmed, one of India’s most distinguished human rights advocates. As a pioneer of the Urdu movement, Shamim Ahmed’s story is one of unwavering dedication to social justice, human rights, and the preservation of cultural identity in the face of systemic injustice and political turbulence. This book, rich in historical and cultural context, offers an in-depth look at the life of a man who was not only a visionary leader but also a symbol of courage and resilience in the fight for equality and dignity.

The book delves into Shamim Ahmed’s lifelong struggle to address some of the most pressing socio-political issues of his time. Set against the backdrop of India’s dynamic and ever-evolving socio-political landscape, “SangTrash” chronicles Shamim Ahmed’s tireless efforts to combat the deeply ingrained inequalities that plagued the country, particularly the discrimination faced by marginalized communities. These efforts were not limited to his work as a human rights advocate but extended to his role as a cultural leader, educator, and innovator. Through the lens of his activism, the book paints a vivid picture of the complexities of Indian society during times of immense political and social upheaval.

Shamim Ahmed was not merely a passive observer of the struggles faced by the oppressed and underprivileged. He was a relentless force working to bring about tangible change. From his early days as a young idealist, Shamim Ahmed was deeply moved by the plight of the marginalized—those whose voices were suppressed by both society and the political elite. His passion for human rights led him to establish the Human Rights Protection Association (HRPA), an organization dedicated to addressing human rights violations across India. Through this platform, Shamim Ahmed sought to mobilize citizens to stand up for justice, regardless of their background, religion, or ethnicity.

In addition to his advocacy for human rights, Shamim Ahmed is best known for his work with the Urdu Movement. At a time when the Urdu language was facing marginalization and disintegration due to political pressures, Shamim Ahmed took it upon himself to revitalize and protect the language as an integral part of India’s cultural and literary heritage. His campaigns to promote Urdu literacy and its inclusion in educational institutions were not just about language preservation; they were about the empowerment of communities who saw Urdu as an essential part of their identity. Through this movement, Shamim Ahmed demonstrated that language is not merely a means of communication but also a symbol of cultural resistance and resilience.

As the narrative unfolds, “SangTrash” brings into focus the challenges Shamim Ahmed faced along the way. His activism was not without its detractors. Political opposition, societal resistance, and personal sacrifices were all part of the price Shamim Ahmed paid for his unwavering commitment to justice. The book sheds light on the obstacles he encountered, from the government’s attempts to suppress his initiatives to the skepticism and hostility from those who feared change. Yet, despite these challenges, Shamim Ahmed’s resolve remained unshaken. His determination to bring about social change and protect the rights of the disenfranchised never faltered, even when his own safety was threatened.

Shamim Ahmed’s legacy is further immortalized through his initiatives such as the “Food for All” campaign, which aimed to address hunger and poverty in India’s rural and urban areas. The campaign sought to ensure that food was available to every citizen, regardless of their social status, and to promote sustainable agricultural practices that would reduce reliance on outside aid. Through his leadership, the campaign brought together communities, activists, and policymakers, resulting in significant strides towards alleviating food insecurity in many regions.

Nurullah Jawaid’s writing not only brings Shamim Ahmed’s efforts to life but also contextualizes them within the broader historical and cultural milieu of India. By delving into the political, social, and economic landscape of Shamim Ahmed’s era, the book offers readers a nuanced understanding of the obstacles that activists and marginalized groups faced during this turbulent period. 

“SangTrash” is a deeply informative and educational work that highlights the interconnectedness of human rights, cultural preservation, and social justice. It challenges readers to reflect on the ways in which systemic inequalities continue to shape society and the moral responsibility that each individual bears in addressing them.

The book also pays tribute to the human rights defenders who, like Shamim Ahmed, dedicate their lives to advocating for justice in an often hostile environment.

In telling Shamim Ahmed’s story, Nurullah Jawaid brings to the forefront the importance of collective action. The struggles faced by Shamim Ahmed were not his alone; they were shared by countless others who, inspired by his work, joined in the fight for a more equitable and just society. This collective action is central to the book’s message—individual activism can spark movements, but only through solidarity and collective efforts can lasting change be achieved.

“SangTrash” is not merely a biography of a prominent figure in Indian history. It is a call to action. By recounting Shamim Ahmed’s life and the impact of his work, the book challenges readers to engage with the pressing social issues of today, particularly those related to human rights, inequality, and cultural identity. The lessons of Shamim Ahmed’s life are timeless, and the values he fought for—equality, dignity, and mutual respect—remain as relevant as ever.

This book is also a reminder that activism is not always glamorous or celebrated in its time. Often, it is the courage of individuals like Shamim Ahmed, whose actions go against the grain of societal norms that change the world for the better. “SangTrash” is, therefore, more than just the story of one man; it is an inspiration for anyone who believes in the power of activism to bring about positive, meaningful change. It challenges readers to question the status quo and to take responsibility for shaping the future in a way that is more inclusive and just for all.

In conclusion, “SangTrash” is a tribute to Shamim Ahmed’s life and legacy. It is a book that encourages readers to consider the ways in which activism, grounded in human rights and social justice, can transform society. By examining the key moments in Shamim Ahmed’s life and the challenges he overcame, the book underscores the enduring importance of standing up for what is right, even in the face of adversity. Through this compelling narrative, “SangTrash” becomes not just a biography but a powerful call for activism in today’s world.

source: http://www.muslimmirror.com / Muslim Mirror / Home> Books> Positive Story / Reviewed by Kulsum Farooque / February 14th, 2025

‘Music without spirituality is meaningless’

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Kolkata, WEST BENGAL :

Ustad Waseem Ahmed Khan on maintaining his gharana’s parampara and his views on music.

Ustad Waseem Ahmed Khan

The illustrious Agra gharana of Hindustani classical music has had distinguished exponents and teachers who have imparted this school of music to countless disciples over the centuries. Ustad Waseem Ahmed Khan is a prominent vocalist of this gharana.

Born in 1974, Waseem Khan is the grandson of Ustad Basheer Khan from his father’s side and of Ustad Ata Hussain Khan from his mother’s side. He has thus inherited the rich repertoire of both the khandans . He took his initial taleem (education) from Ata Hussain Khan at the age of six. Thereafter, he learnt from his father, Ustad Naseem Ahmed Khan.

Waseem’s debut performance was at the age of 10. In July 1999, he became a scholar of ITC Sangeet Research Academy ( ITC – SRA) under erstwhile guru Ustad Shafi Ahmed Khan. He left the academy in April 2003 as an A-grade scholar. Since then he has performed at various venues all over the world, sharing the stage with maestros. He taught for five years as a senior faculty member of Shakhri Begum Memorial Trust, an academy run by Ustad Rashid Khan and is currently assisting with ITC-SRA projects. He is also a regular performer for All India Radio.

Waseem, based in Kolkata, will give his first ever concert in Kerala at the Kerala Sangeeta Nataka Akademi Hall, Thrissur, on September 21 at 5 pm. Prior to the concert, Waseem spoke to Friday Review on his gharana, Indian classical music and more. Excerpts from an e-mail interview.

What are the defining features of the Agra gharana?

The voice production is distinctive; the voice throw is open-throated. The other distinctive features are nom-tom alaap (the rhythmic section where the raga develops with a steady pulse employing syllables such as non-tom but without the binding of tala). The method of presenting a bandish (fixed, melodic composition) is also distinctive of this gharana. We break the bandish into many parts. For example, if there is an interesting line in the antara, we use this line for bol tan (rhythmic pattern of notes which uses the words of the bandish), bol bandh, bol vistar and so on. We are not supposed to create an artificial voice but rather polish the one gifted by God.

Is there an amalgamation of features of various gharanas in the Hindustani music we hear today?

Yes. It is healthy as long as one is able to express one’s identity clearly. Every gharana has its own beautiful features. Artistes of the past also adapted the features of other gharanas and enriched their music. They, however, retained a stamp of their gharana, which could be identified by the opening ‘sa’.

Being part of an ancient and reputed gharana, what are your responsibilities? Do you have another generation to take on the mantle?

It is a huge responsibility. But I feel proud too. I consider it is my duty to carry on this tradition and, if possible, enrich it. The most important aspect is to pass on this legacy to the next generation. My young daughter has started learning it and I’m also teaching students at the ITC-SRA Kolkata apart from my own students. The Agra gharana, today, has a lot of good artistes making their mark in the world of music.

Ustad Waseem Ahmed Khan

What is your opinion about lighter forms of classical music such as thumri, dadra…?

It is beautiful to sing the light forms also. Old masters of our gharana like Ustad Faiyaz Khan Sahib, for instance, used to sing the thumri and the dadra. I sing these in almost all my concerts. It is nice to switch to a relaxed mood after a heavy khayal.

Is there a link between spirituality and Indian classical music?

Definitely! Music without spirituality is meaningless. Our bandishes address gods irrespective of religion, requesting their mercy for the well-being of this world.

How do you decide which raga to sing at a concert?

The time of the concert plays an important role. Each raga is associated with a specific time. We follow that strictly. But this can be modified depending on the weather and the mood of the concert. For example, Malhar is a night raga. But we may choose it intuitively during a concert held in the day if it is raining outside. We do it because we feel that it will suit the mood and the effect is usually amazing. During festivals like Durga Puja or Basant Panchami, we render ragas like Gouri, Durga or Basant accordingly. And if it is a concert series, we render it according to the raga rendered earlier.

How much does an audience affect your performance?

Like any musician, I love to sing before a huge audience. But there should at least be a handful of good listeners whose presence should motivate me to sing wholeheartedly. In the past, music was confined to a few, now it is accessible to millions across the globe. The gharanas are flourishing, Dhrupad and khayal are intact, there are gurus and shishyas, and there is innovation.

Do you think that the classical music scene is strong and prosperous?

I don’t think there is any threat to good music. Earlier, maharajas were the promoters of classical music. Now we have corporates and organisations in that place. I can say that ITC is a classic example. Then there are organisations like SPICMACAY and NCPA that have also done their bit to carry forward this great tradition.

How relevant is Indian classical music in the modern world?

It is relevant in the modern world. When I see young boys in half-pants touching my feet and learning classical music seriously, I feel it is because they feel it is pertinent. And in the West, the young generation has taken it up enthusiastically.

If you were asked to pick a memorable concert, which would you choose and why?

That’s a tough one. There are so many, like the one in New York recently where the listeners asked me to sing only khayals with elaborate nom tom alaap and not even thumri or dadra. I was surprised. I’m looking forward to the concert series here where I’m sure I will be in the company of avid listeners.

Is the guru-shishya parampara still existent? And what is the best way of doing riyaaz (practice)?

I teach my students the same way I learned from my gurus. But it was tough then, as the gurus were task masters. In the case of riyaaz, my advice would be to do ‘Kharaj Riyaaz’(practice of holding notes on the lower octave, where every single sur is used with full breath) in the morning. It is extremely important for improving one’s voice culture.

If not a professional musician, what career would you have chosen?

I would have been a cricket player, perhaps. I was passionate about the game and played it during my college days. I admire Sourav Ganguly, I’m a great fan of his.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by K Pradeep / September 19th, 2019

Eradicating books from our lives will never be possible: Abul Bashar

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Murshidabad, WEST BENGAL :

The award-winning Bengali author talks about his books, development of minority communities, Kolkata Book Fair, social media, and more.

Abul Bashar — the author of ‘Agnibalaka’ and several other popular titles — is one of the prominent voices documenting the lives of minority communities in Bengal / Wikimedia Commons

Born in Murshidabad at a time when the zilla’s literacy rate was 12.9 per cent, it was an uphill battle for Abul Bashar to not just educate himself but also to live his dream of becoming an author.

With 40 books to his name, including popular titles such as Agnibalaka, Marusvarga, Jol, Mati, Aguner Upakkhayan, and Dharmer Grahon, Bashar has documented the lives and issues of minority communities and socio-religious matters through his works. A recipient of top honours such as the Ananda Puraskar and Banga Bhushan, he was awarded the Guild Lifetime Literary Award in 2025 at the 48th International Kolkata Book Fair.

My Kolkata met Bashar at the boi mela for a conversation, discussing India’s evolution, the status of the Bengali Muslims, his career as an author, and more. Edited excerpts follow.

My Kolkata: India celebrated its 76th Republic Day this year. You were born in 1951. As an author who has been documenting the growth of society in his works, how do you see India’s evolution?

Abul Bashar: One thing that has been catching my attention is that the culture that comprises both Hindus and Muslims is in a state of dialectics and adjustment with the ‘Indian culture’. We have imbibed the virtues of Indian society, but there are a few aspects of Bengali society that do not marry well with the Indian society. This concerns me, because this is not how it was earlier. The incidents around the Babri Masjid and the Ram Mandir have changed the political diaspora of India.

It is now a global situation and not just confined to India. It is prevalent in the subcontinent that religious minorities are under attack. Civilisation is under threat, but this is not how it is supposed to be. The Indian Constitution speaks about equality towards minority communities, their representation in the power structure of the society, and a homogeneity of culture. These were the ideals of Rabindranath Tagore and Mahatma Gandhi. The lack of homogeneity in the culture is worrying me. Of course, the extent varies from place to place, but there are a few incidents that happen that make me feel imperiled.

In this country, the constitutional rights and duties of people from all walks of life are directly and intrinsically involved with the idea of democracy. India is a pluralist country where diverse religious identities and cultures cohabit in an interesting milieu, but this fabric is facing a push back.

You have written extensively on Bengali Muslims. What do you think of their current socio-religious status?

More than the religious identity, the Muslim community continues to be backward in terms of financial independence, and I give more importance to financial independence. One of the primary tenets of India is the growth of any backward community — be it among Hindus, Muslims, or any other community. The Constitution aims towards that.

The financial backwardness of the Muslim community has affected the education of modernism. It is difficult for a financially backward community to become modern. The State, thus, has to fulfill its responsibility towards removing this roadblock so that a symbiosis between community and modernism takes place.

I have not only written about the Muslim community, but also about the Hindu community. My novel, Maruswarga, can be termed — ekjon Bangali lekhoker Ihudi upanyash (a Bengali writer’s Jewish novel). My work is extensively based on various mythologies and the folk culture of Bengal, focusing on the baul-fakirs. There is a unique amalgamation of Buddhism and Islam in the bauls, which was evident through the life of Lalon Shah. My thoughts revolve around these aspects, and I want comprehensive development of the Muslim society through cultural amalgamation.

Through my books, I have addressed the religious superstitions and other roadblocks that can cause hindrance to the development of society.

Abul Bashar was conferred the Guild Lifetime Achievement Award by chief minister of West Bengal, Mamata Banerjee, on January 28 at the inauguration of the 48th International Kolkata Book Fair / My Kolkata

Do you think awards and accolades you have received have made it easier for your voice to reach society?

No, absolutely not. In my initial days as an author, I found that the readerbase of my genre of writing in West Bengal was very constricted because I belonged from a backward society. I have had a readerbase in Bangladesh since the inception of my career. Here [in West Bengal], it has taken time, but a community of people who read my kind of writings have developed. My thought process, and my novels that are based on mythology have found an academic discourse, and a doctoral candidate from Murshidabad, did his PhD on my work at Jadavpur University.

What surprised me was that a member of the society that created barriers for me and refused to accept my words did a doctoral thesis on the mythical treatment in my literature as an academic discourse. Society has evolved, and the environment of the present times is removing roadblocks, making way for an educated middle-income strata that is progressive and free thinking.

From Agnibalaka to Bhor Poati Tara — how do you see your evolution as an author?

It is a journey that I made, I would say. I have been influenced by several thoughts at different points in my life. I was an activist of Leftist politics that was different from today’s times. Leftist politics was known as the politics of sacrifice. Agnibalaka’s protagonists, if you notice, are characters who do not conform to societal norms. They are free thinkers and are characters who have imbibed Marxism in order to elevate their lives. They are the voices of dissent against stigmas and stereotypes of society.

Agnibalaka is a political novel in which dialectical materialism among various stratas of the society as well as the dialectics in interpersonal relationships between two political parties is shown. The conflict between the social strata during the 19-month long Emergency period in India, and how Marxism could be brought into praxis — Agnibalaka is an experimentation on that.

However, I do not share the same thoughts today, and by this I mean that it has been removed from my life in some ways. I have not removed it from my life, but the ideology is gradually vanishing on a global scale. It is possible that my experiments or observations are incorrect, but in today’s time, this is how I see it.

When the world starts facing a situation like today in reference to Marxism, existentialism takes its course, and becomes a replacement and anti thesis for Marxism. Everyone is in a state of endangerment, and the very thought that society that was created for its residents, is now in oblivion. Social norms were made for the development of people, but development is not entirely dependent on norms. An excessive emphasis on following social norms has given rise to conflict between man and society. This was the reason behind the two World Wars. This has also given birth to existentialist literature, as well as poets like Jibanananda Das and Michael Madhusudan Dutta.

Abul Bashar at the Kolkata Book Fair, 2025 / My Kolkata

The Kolkata International Book Fair is one of the largest book fairs in the world. In a day and age when social media has diminished attention spans, how do you see the importance of book fairs?

Social media is not a replacement for books. There is no conflict between gadgets that we use on a regular basis versus books. Gadgets like phones are essential to attain information and gain knowledge, but literature is not just information. When we speak of literature, we usually refer to the written. But what about oral literature, which is a significant part of Bengali literature? The works of Lalon Shah, for instance, are originally songs and are kabya sahitya (poetry). Another example is Rabindrasangeet — a youngster, who is engrossed in his or her phone, is also a listener of Rabindranath Tagore’s music.

There is a trough and crest when it comes to readership, but eradicating books from our lives will never be possible — just like classical music, songs like Kaa Karu Sajni, or verses of Kabir. We have to increase our habit of reading because that will increase our creativity and strengthen our culture as well as inter-personal relationships. There is evolution in the publishing industry with the digitisation of books, which has increased the readerbase. And because of book fairs, there is a boost in the number of bibliophiles.

What is your next work?

I intend to go back to my zilla (Murshidabad) to work on a piece that would complete an unfinished novel.

source: http://www.telegraphindia.com / The Telegraph Online / Home> My Kolkata / by Pooja Mitra / February 02nd, 2025

Nadia Trinamul Congress MLA Nasiruddin Ahmed aka Laal passes away at 71

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Kaliganj (Nadia District), WEST BENGAL :

Laal suffered cardiac arrest on Saturday night and was rushed to Mira Primary Health Center in Plassey, where doctors declared him dead.

Trinamool MLA from Kaliganj in Nadia, Nasiruddin Ahmed aka Laal, passed away at 71.

He suffered a cardiac arrest on Saturday night and was rushed to Mira Primary Health Center in Plassey, where doctors declared him dead.

Nasiruddin, fondly known as ‘Laal’ in political circles, was the chairman of the Trinamool Congress’ Krishnanagar organisational district.

By profession, he was a lawyer. He is survived by a son and two daughters.

Expressing her deep condolences, chief minister Mamata Banerjee in a post on X stated: “Saddened by the sudden demise of my colleague Nasiruddin Ahmed (Laal), MLA from Kaliganj, Nadia. A veteran public worker and political representative, he was our trustworthy asset. He was a lawyer and a very good social worker, and I truly valued him. My condolences to his family, friends and followers”.

Leader of Opposition in Bengal Assembly, Suvendu Adhikari, in a similar post on X, expressed his condolences.

Adhikari wrote: “It’s disheartening to learn about the sad and untimely demise of Kaliganj MLA; Janab Nasiruddin Ahmed (Lal). I express my condolences to his family members, friends & political associates. May his soul rest in peace”.

Nasiruddin’s political journey began in 2011 when he was elected as a Trinamool Congress MLA from Kaliganj. In 2016, he lost the seat to Congress-CPM alliance candidate Sheikh Hasanuzzaman.

However, Hasanuzzaman later joined Trinamool. Nasiruddin also reclaimed the Kaliganj seat in the 2021 Assembly polls.

Nasiruddin’s unexpected death has left the Trinamool leadership in Kaliganj without a key figure.

Nakashipara Trinamool MLA Kallol Khan expressed his sorrow, saying: “It is very shocking for me. I spoke to Laal on Saturday afternoon and he seemed to be fine. I will no longer have him by my side in our political journey.”

With Nasiruddin’s demise, the Kaliganj Assembly seat has fallen vacant.

A by-election will be announced. However, given that the state Assembly elections are scheduled for next year, a new MLA will likely be elected for a brief tenure of around six months.

source: http://www.telegraphindia.com / Telegraph India / Home> West Bengal / by Subhasish Chaudhuri / February 02nd, 2025

Recognizing the Roots: Teachers Who Nurtured Kolkata’s Future Felicitated

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Kolkata, WEST BENGAL :

Asma Memorial Trust felicitates 80 educators including retired ones and specially-abled who served without recognition.

(Clockwise) Noor alam with Afaf Jameel, Junaid Kamal, Sangita Gurang (red sari) and the felicitated ones

Kolkata:

When the name of Junaid Kamal was announced, a 32-year-old man, with the help of two crutches, tried to stand up from his seat and began moving towards the stage to be felicitated at Asma Memorial Trust’s function. Soon, the fine art teacher was assisted in walking to receive a memento, a plant, and a set of notebooks and pens.

It was the first time in his 13-year teaching career that the art teacher, who is associated with four different organizations in Kolkata and serves the community, was recognized as a specially-abled person (left leg and right paralysed).

“I am thankful for the felicitation. For someone like me, it is not only difficult to study, but getting a respectable job is another challenge. Even when you succeed, it is rare that people appreciate it in this fast-paced life,” the Academy of Fine Arts graduate told eNewsroom.

Junaid was not alone; at least 15 retired educators, from both government and private schools, were also felicitated at the event.

Dr Umar Khyyam (70) of Maulana Azad College, Mobark Ali Mobarak (65) from Bankura district Urdu School, Nurul Hoda (62) of Kankinara Himayatul Ghurba High School (underprivileged), and Ashraf Ahmad Jafri (65) of Karaya School, Kolkata, were among them.

There were also current teachers, such as Afaf Jameel of Frank Anthony Public School, Sangita Gurung of Assembly of God Church School, Michael A Panja of GD Goenka Public School, Dr Khalid Hossain of Monu Memorial Institution (Kolkata), Debashish from Well and Gold, Md. Shahnawaz of Noble Mission School, Mubashshreen Shakil of KS Consultancy & Academy, Shaguta Adnan, who teaches French, and Manwar Sultana of Sir Syed English Medium School, among the total 80 teachers who were felicitated.

The felicitated and the felicitetors together after Asma Memorial Trust’s event

Teachers from South Point, East West, Goenka, Albani Hall, Islamia, Mohammed Jan, Flair International, and Izma International schools were also honored.

Noor Alam, the founder of NEET Basket, who also established the Asma Trust in memory of his wife to promote value-based education and encourage those involved in it, told eNewsroom, “We used to celebrate Education Day on the birthday of India’s first education minister, Maulana Abul Kalam Azad. But this year, we started the celebration earlier and began by felicitating educators who have served society but have not received any recognition for it.”

Alam, the Rashtriya Shiksha Ratan Award winner also pointed out that during the felicitation, a plant was given to each honoree to symbolize how educators nurture children. Just as trees benefit society in many ways, a well-nurtured child can positively impact the community.

The chief guest, Indian Revenue Service (IRS) officer Shamsher Ahmad, who took voluntary retirement and started Crescent School in one of Kolkata’s ghettos—Topsia—shared his journey as an educator. “When I started the school in Topsia (in 2002), I decorated the building very well. People asked me why I was doing so. I told them that to build confidence in the Topsia students, they must study in a place that is not inferior to other major schools in the city.”

“In later years, to boost their confidence to appear for the Union Public Service Examinations, I used my contacts and made my school a center for the UPSC exam, which produces IAS and IPS officers. As a result, today our school produces doctors and students who pursue higher education after graduating from Crescent,” Ahmad said to the gathering.

Sangita Gurung of Assembly of God said a one liner for the teachers, “Teach what your preach and preach what you teach, is the motto remained in my career and it should be with every teacher.”

Dr Sarfaraz Adil, founder of Izma International School , reminded attendees of the importance of education in Islam and how it has been emphasized. “Getting an education is one of the fundamentals of Islam. It not only includes religious education but also opens doors to physics, astronomy, and chemistry. Before Islam, there was no scientific temperament in religion. Only the rich could study, but Islam made education accessible to everyone. Prophet Muhammad announced that any slave who learned and became educated would be freed. Later, a slave named Hazrat Barira became educated and declared that she should be freed, according to the Prophet’s word. And she was freed. Although it was difficult because she was married to an uneducated slave, she wanted her freedom and to be separated from her husband, so she was granted it.”

Dr Adil also had a message for today’s teachers: “Information is easily shared among students. So, what is important for teachers is to teach students skills and show them

source: http://www.enewsroom.in / E Newsroom India / Home> Bengal> Education / by Shahnawaz Akhtar / September 16th, 2024